Fuji Addict

Iridient Developer and X-Transformer Have Been Updated With Fujifilm X100V and X-T200 Support

By Louis Ferreira | Published: February 1, 2020

Iridient Developer 3.3.10
3.3.10 – January 31, 2020 (Maintenance Release)

New Features:
- Support added for CR3 images from the Canon EOS-1D X Mark III.
- Support added for HIF images from the Canon EOS-1D X Mark III (currently on macOS 10.15 Catalina only).
- Support added for NEF images from the Nikon D780.
- Support added for RAF images from the Fujifilm X-T200 and X100V.
- Support added for DNG images from the Leica M10 Monochrom.

Iridient X-Transformer 1.6.3
1.6.3 – January 29, 2020 (Maintenance Update)

New Features:
- Support added for RAW images from the Fujifilm X-T200 and X100V.
Bug Fixes:
- Fixed a macOS specific issue with compressed RAF where use of certain foreign characters in image file or folder names could result in an all black DNG.

Posted in Fujifilm X-T200, Fujifilm X100V, Software| Tagged Fuji Rumors, Fuji X-T200, Fuji X100F, Fuji X100V, Fuji X200, Fuji XT200, Fujifilm, Fujifilm Rumors, Fujifilm X-T200, Fujifilm X100F, Fujifilm X100V, Fujifilm X200, Fujifilm XT200, FujifilmRumors, Fujirumors, X-T200, X100F, X100V, X200, XT200| Leave a comment

Fujifilm X-T4 Clickbait Warning Part Deux

By Louis Ferreira | Published: January 31, 2020

It’s sad I have to post this second warning but a site is trying to game google again with SEO (Search Engine Optimization) gaming when nothing new has been leaked about the X-T4 since my original leak here which many sites have acknowledged. Frequent readers of FujiAddict know I do not like to make empty posts about rumors to game google, but people that just come across the site might be confused as to the original source which emailed me.

X-T4 details
IBIS
It should be about 1/3 of an inch thicker and about 5-6oz heavier.
6k60p and 10-bit internal
Anamorphic Ratio Support
Probably fully articulating flippy screen like the S1H

Hopefully, this clears up some of the confusion out there and I hope to hear more soon about the X-T4, but I currently cannot confirm if the X-T4 will have an entirely new battery or not. Readers will know the minute I know anything because I do not sit on the rumors I receive to create additional posts like others.

Updated: All rumors sent in are credited when appropriate. Obviously most do not seek credit.

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Posted in Fujifilm X-T4| Tagged Fuji Rumors, Fuji X-H2, Fuji X-Pro3, Fuji X-T3, Fuji X-T3 Pro, Fuji X-T3Pro, Fuji X-T3S, Fuji X-T4, Fuji X-T4 Pro, Fuji X-T40, Fuji X-T4Pro, Fuji X-T5, Fuji X-TPro, Fuji XH2, Fuji XPro3, Fuji XT-Pro, Fuji XT3, Fuji XT3 Pro, Fuji XT3Pro, Fuji XT3S, Fuji XT4, Fuji XT4 Pro, Fuji XT40, Fuji XT4Pro, Fuji XT5, Fuji XTPro, Fujifilm, Fujifilm Rumors, Fujifilm X-H2, Fujifilm X-Pro3, Fujifilm X-T3, Fujifilm X-T3 Pro, Fujifilm X-T3Pro, Fujifilm X-T3S, Fujifilm X-T4, Fujifilm X-T4 Pro, Fujifilm X-T40, Fujifilm X-T4Pro, Fujifilm X-T5, Fujifilm X-TPro, Fujifilm XH2, Fujifilm XPro3, Fujifilm XT-Pro, Fujifilm XT3, Fujifilm XT3 Pro, Fujifilm XT3Pro, Fujifilm XT3S, Fujifilm XT4, Fujifilm XT4 Pro, Fujifilm XT40, Fujifilm XT4Pro, Fujifilm XT5, Fujifilm XTPro, FujifilmRumors, Fujirumors, X-H2, X-Pro3, X-T Pro, X-T3, X-T3S, X-T4, X-T4 Pro, X-T40, X-T4Pro, X-T5, X-TPro, XH2, XPro, XPro3, XT-Pro, XT3, XT3 Pro, XT3Pro, XT3S, XT4, XT4 Pro, XT40, XT5| Leave a comment

Optical Limits: Laowa 65mm f/2.8 2X Macro – Outstanding Sharpness and Affordable 2:1 Macro With No Trickery

By Louis Ferreira | Published: January 31, 2020

Venus Optics Laowa 65mm f/2.8 2X Macro:
Venus Optics/ B&H Photo / Amazon / Adorama

Venus Optics has been doing a great job with their Laowa lenses lately and their 65mm f/2.8 2x Macro is an outstanding Macro lens that you should consider. Laowa does not use any trickery to correct their lens and has impressive results throughout the aperture range, but Optical limits thinks that f/22 on the lens might be more like f/14.

The Laowa 65mm f/2.8 2x Ultra Macro APO is a stunning performer with just a few minor weaknesses. Its biggest value proposition is the excellent resolution. At f/2.8, the center is tack sharp with you a hint of softness at the image corners. However, at f/5.6, the quality is as good as it gets! Lateral CAs, as well as distortions, are non-existent. There’s a tad of vignetting at fully open aperture but it’s by no means disturbing and it can be reduced by stopping down. The quality of the bokeh is good. The foreground blur is very smooth whereas the background blur could be better. Out of focus highlights are nicely rendered at f/2.8 but you can spot that the lens doesn’t feature curved aperture blades at smaller aperture settings. A big plus in our book is the lack of axial CAs which is already a massive achievement alone but even more so at a price point of just 399USD/479EUR. It is a true APO lens indeed.
The build quality of the all-metal Laowa lens is very good- also thanks to the constant physical size.. The focus ring feels great and here are no wobbly partsWeather-sealing is not implemented. As mentioned, the aperture mechanism isn’t super accurate though. In real life it won’t matter too much but the effective minimum aperture settings are actually bigger (in terms of aperture diameter) than indicated. A more substantial drawback for some is the all-manual nature – no AF, no EXIF data, no camera-controlled aperture. Macro photographers may shrug this off because AF is of little use in the macro world but the average Bruce and Sheila may miss this during everyday photography.

You can read the full review at Optical Limits.

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Posted in 3rd Party Lens| Tagged Fuji Rumors, Fujifilm, Fujifilm Rumors, FujifilmRumors, Fujirumors, Laowa, Laowa 65mm f/2.8, Laowa 65mm f/2.8 2X Macro, Laowa 65mm F2.8, Laowa 65mm F2.8 2X Macro, Venus Optics| Leave a comment

Fujinon GF 90mm f/1.4 R WR Patent Found

By Louis Ferreira | Published: January 30, 2020

It looks like Fujifilm is experimenting with fast glass on the GFX with the surfacing of the Fujinon GF90mm f/1.4 R WR after the new road map with the FUJINON Lens GF80mmF1.7 R WR on it. I doubt we will see this lens anytime soon if at all since it’s very close to the GF80mm in length.

Embodiment 1: 90mm F1.4
Focal length: 88.78 mm
F number: 1.44
Angle of view: 32.8

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Fujifilm GFX100: B&H Photo / Amazon / Adorama
Fujifilm GFX50R: B&H Photo / Amazon / Adorama
Fujifilm GFX 50S: B&H Photo / Amazon

via High Low

Posted in Fujifilm GFX, Fujifilm GFX 100, Fujifilm GFX 100 Megapixel, Fujifilm GFX 100S, Fujifilm GFX 50R, Fujifilm GFX 50S| Tagged Fuji GFX, Fuji GFX 100, Fuji GFX 100M, Fuji GFX 100MP, Fuji GFX 100MPX, Fuji GFX 100R, Fuji GFX 100S, Fuji GFX 50R, Fuji GFX 50R II, Fuji GFX 50S, Fuji GFX 50S II, Fuji GFX100, Fuji GFX100M, Fuji GFX100MP, Fuji GFX100MPX, Fuji GFX100R, Fuji GFX100S, Fuji GFX50R, Fuji GFX50R II, Fuji GFX50S, Fuji GFX50S II, Fuji Rumors, Fuji X-E4, Fuji X-H2, Fuji X-Pro3, Fuji X-T200, Fuji X-T3, Fuji X-T30, Fuji X-T4, Fuji X-T4Pro, Fuji X-TPro, Fuji X100, Fuji X100F, Fuji X100IV, Fuji X100V, Fuji X200, Fuji XE4, Fuji XH2, Fuji XPro3, Fuji XT200, Fuji XT3, Fuji XT30, Fuji XT4, Fuji XTPro, Fujifilm, Fujifilm GF 45-100mm f/4 R LM OIS WR, Fujifilm GFX, Fujifilm GFX 100, Fujifilm GFX 100 Megapixel, Fujifilm GFX 100M, Fujifilm GFX 100MP, Fujifilm GFX 100Mpx, Fujifilm GFX 100R, Fujifilm GFX 100S, Fujifilm GFX 50R, Fujifilm GFX 50R II, Fujifilm GFX 50S, Fujifilm GFX 50S II, Fujifilm GFX100, Fujifilm GFX100M, Fujifilm GFX100MP, Fujifilm GFX100Mpx, Fujifilm GFX100R, Fujifilm GFX100S, Fujifilm GFX50R, Fujifilm GFX50R II, Fujifilm GFX50S, Fujifilm GFX50S II, Fujifilm Rumors, Fujifilm X-E4, Fujifilm X-H2, Fujifilm X-Pro3, Fujifilm X-T200, Fujifilm X-T3, Fujifilm X-T30, Fujifilm X-T3Pro, Fujifilm X-T4, Fujifilm X-TPro, Fujifilm X100, Fujifilm X100F, Fujifilm X100IV, Fujifilm X100V, Fujifilm X200, Fujifilm XE4, Fujifilm XH2, Fujifilm XPro3, Fujifilm XT200, Fujifilm XT3, Fujifilm XT30, Fujifilm XT4, Fujifilm XTPro, FujifilmRumors, FUJINON GF 30mm f/3.5 R WR, FUJINON GF 30mm F3.5 R WR, FUJINON GF 30mmF3.5 R WR, Fujinon GF 45-100mm, Fujinon GF 45-100mm f/4 R LM OIS WR, FUJINON GF 80mm f/1.7 R WR, FUJINON GF 80mm F1.7 R WR, FUJINON GF 80mmF1.7 R WR, Fujinon GF 90mm f/1.4, Fujinon GF 90mm f/1.4 R WR, FUJINON GF30mm f/3.5 R WR, FUJINON GF30mm F3.5 R WR, FUJINON GF30mmF3.5 R WR, FUJINON GF80mm f/1.7 R WR, FUJINON GF80mm F1.7 R WR, FUJINON GF80mmF1.7 R WR, Fujinon GF90mm f/1.4, Fujinon GF90mm f/1.4 R WR, Fujirumors, GFX, GFX 100, GFX 100M, GFX 100MP, GFX 100MPX, GFX 100R, GFX 100S, GFX 50R, GFX 50R II, GFX 50S, GFX 50S II, GFX100, GFX100M, GFX100MP, GFX100MPX, GFX100R, GFX100S, GFX50R, GFX50R II, GFX50S, GFX50S II, Large Format, Medium Format, Project Real, Super Full Frame, X-H2, X-T200, X-T3, X-T30, X-T4, X100F, X100V, X200, XH2, XT200, XT3, XT30, XT4| Leave a comment

Fujifilm X100V Spec Leaked!

By Louis Ferreira | Published: January 29, 2020

Fujifilm X100V (Coming Feb 4th): B&H Photo / Amazon / Adorama
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Fujifilm X100 Owners Group

Fujifilm X100V

Number Of Effective Pixels
26.1 millions pixels

Image Sensor
23.5mm x 15.6mm (APS-C) X-Trans CMOS 4 with primary color filter.

Storage Media
SD memory card (-2GB) / SDHC memory card (-32GB) / SDXC memory card (-512GB) UHS-I*1

File Format Of Still Image
Compliant with Design rule for Camera File system (DCF2.0) JPEG: Exif Ver 2.3
RAW: 14bit RAW (RAF original format) / RAW+JPEG

Number Of Recorded Pixels
L: <3:2> 6240 x4160 / <16:9> 6240 x3512 / <1:1> 4160 x4160 M: <3:2> 4416 x2944 / <16:9> 4416 x2488 / <1:1> 2944 x2944 S: <3:2> 3120 x2080 / <16:9> 3120 x1760 / <1:1> 2080 x2080 Panorama:
L: 2160 x 9600 [Horizontal : 9600 x 1440]
M: 2160 x 6400 [Horizontal : 6400 x 1440]

Lens Type
FUJINON single focal length lens

Lens Focal Length
f=23mm (35mm format equivalent : 35mm)

Lens Max. Aperture
F2.0

Lens Configuration
8 elements in 6 groups (includes 2 aspherical elements)

Lens ND Filter
Yes (4 stops)

Aperture
F2 – F16 1/3EV step (controlled with 9-blade aperture diaphragm)

Focus Range
Approx. 10cm to infinity / 3.9in. to infinity

Conversion Lens
WIDE / TELE / OFF

Digital Tele-Converter
35mm (Nomal), 50mm, 70mm, 35mm fomat equivalent

Sensitivity Standard Output
AUTO1 / AUTO2 / AUTO3 / ISO160-12800 (1/3EV step)

Sensitivity Extended Output
ISO80 / 100 / 125 / 25600 / 51200

Exposure Control
TTL 256-zone metering, Multi / Spot / Average/ Center Weighted

Exposure Mode
P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)

Exposure Compensation
-5.0EV-+5.0EV 1/3EV step (Movie: -2.0EV-+2.0EV)

Shutter Type
Lens Shutter

Shutter Speed
Mechanical Shutter:
P mode: 4sec. to 1/4000sec
A mode: 30sec. to 1/4000sec, S/M mode: 15min. to 1/4000sec Bulb mode: up to 60min.
Electronic Shutter:
P mode: 4sec. to 1/32000sec
A mode: 30sec. to 1/32000sec, S/M mode: 15min. to 1/32000sec Bulb mode: 1sec. Fixed
Mechanical+Electronic Shutter:
P mode: 4sec. to 1/32000sec
A mode: 30sec. to 1/32000sec, S/M mode: 15min. to 1/32000sec Bulb mode: up to 60min.

Continuous Shooting
Approx. 11fps (JPEG: 38 frames, Lossless compression RAW: 17 frames, Uncompressed RAW: 17 frames)
Approx. 8.0fps (JPEG: 76 frames, Lossless compression RAW: 18 frames, Uncompressed RAW: 18 frames)
Approx. 6.0fps (JPEG: 220 frames, Lossless compression RAW: 21 frames, Uncompressed RAW: 18 frames)
Approx. 5.0fps (JPEG: 458 frames, Lossless compression RAW: 24 frames, Uncompressed RAW: 19 frames)

Continuous Shooting (Contd.)
Approx. 4.0fps (JPEG: endless, Lossless compression RAW: 28 frames, Uncompressed RAW: 20 frames)
Approx. 3.0fps (JPEG: endless, Lossless compression RAW: 34 frames, Uncompressed RAW: 21 frames)
Approx. 30fps [Only electronic shutter, 1.25 x Crop] (JPEG: 29 frames, Lossless compression RAW: 17 frames, Uncompressed RAW: 17 frames)

Continuous Shooting (Contd..)
Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 79 frames, Lossless compression RAW: 17 frames, Uncompressed RAW: 17 frames)
Approx. 20fps [Only electronic shutter] (JPEG: 32 frames, Lossless compression RAW: 17 frames, Uncompressed RAW: 17 frames)
Approx. 10fps [Only electronic shutter, 1.25 x Crop] (JPEG: 153 frames, Lossless compression RAW: 18 frames, Uncompressed RAW: 18 frames)

Continuous Shooting (Contd…)
Approx. 10fps [Only electronic shutter] (JPEG: 81 frames, Lossless compression RAW: 18 frames, Uncompressed RAW: 18 frames)
Approx. 8.0fps [Only electronic shutter, 1.25 x Crop] (JPEG: 90 frames, Lossless compression RAW: 18 frames, Uncompressed RAW: 18 frames)

Recordable frames depends on recording media

Speed of continuous shooting depends on shooting environment and shooting frames Auto Bracketing

AE Bracketing
(Frames: 2, 3, 5, 7, 9 Step: by 1/3EV step, up to +/-3EV steps) Film simulation bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100%, 200%, 400%)
ISO sensitivity Bracketing ( +/-1/3EV, +/-2/3EV, +/-1EV)

White Balance Bracketing
( +/-1, +/-2, +/-3) Focus Bracketing (AUTO, MANUAL)

AF Mode
Single AF / Continuous AF / MF

AF Type
Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)

AF Low-Light Performance Contrast
-2.0EV

Phase Detection:
-5.0EV Af Frame Selection

Single point AF:
EVF / LCD: 13 x9 / 25 x17 (Changeable size of AF frame) Zone AF: 3 x3 / 5 x5 / 7 x7 from 117 areas on 13 x9 grid
Wide/Tracking AF: (up to 18 area)

White Balance
Automatic Scene recognition / Custom1-3 / Color temperature selection (2500K-10000K) / Preset: Daylight, Shade,

Self-Timer
10sec. / 2sec.

Interval Timer Shooting
Yes (Setting: Interval, Number of shots, Starting time)

Flash
Auto flash [Super Intelligent Flash]
Effective range: (ISO 1600) approx. 1.0 – 24.3′ (30cm – 7.4m) Guide Number: approx. 4.4 (ISO100 m)

Flash Mode
TTL MODE (Flash Auto, Standard, Slow Sync.), Manual, Commander, OFF

Flash Sync. Mode
1st Curtain, 2nd Curtain

Flash Red Eye Removal
Flash + Removal, Flash, Removal, Off

Hot Shoe
Yes (Dedicated TTL Flash compatible)

OVF
Reverse Galilean viewfinder with electronic bright frame display Coverage of frame area v.s. capturing area: approx. 95% Magnifications approx x0.52″

EVF
0.5 inch approx. 3.69 millions dots OLED Color Viewfinder (4:3)
Coverage of viewing area vs. capturing area: approx. 100%
Eyepoint: approx. 16.8mm (from the eyepiece lens), Diopter adjustment: -4-+2m-1 Magnification: 0.66 x with 50mm lens (35mm equivalent) at infinity and diopter set to -1m- 1
Diagonal angle of view: approx. 32 Degree (Horizontal angle of view: approx. 27 Degree ) Built-in eye sensor

LCD Monitor
3.0 inch, aspect ratio 3:2

approx.1.62 millions dots tilting touch screen color LCD monitor(approx. 100% coverage)

File Format
Format:
MOV, Compression: MPEG-4 AVC/H.264

Audio:
Linear PCM / Stereo sound 2ch / 24bit / 48KHz sampling

Movie File Size/Frame Rate/Rec. Time
[DCI 4K (4096 x2160)] 29.97p/25p/24p/23.98p, 200Mbps/100Mbps, up to approx. 10min [4K (3840 x2160)] 29.97p/25p/24p/23.98p, 200Mbps/100Mbps, up to approx. 10min [Full HD (2048 x1080)] 59.94p/50p/29.97p/25p/24p/23.98p, 200Mbps/100Mbps/50Mbps, up to approx. 15min.

[Full HD (1920 x1080)] 59.94p/50p/29.97p/25p/24p/23.98p, 200Mbps/100Mbps/50Mbps, up to approx. 15min.

[Full HD (1920 x1080) High speed rec.] 120p/100p, 200Mbps(recording), up to approx. 6min.

For recording movies, use a SD memory card with UHS Speed Class 3 or higher. Although movie recording will continue without interruption when the file size reaches 4GB, subsequent

Film Simulation Mode
17 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Black & White, Black & White+Ye Filter, Black & White+R Filter, Black & White+G Filter, Sepia, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter, ETERNA/Cinema, Classic Neg) Monochromatic Color

Clarity Setting
+/-5 steps

HDR Mode
AUTO, 200%, 400%, 800%, PLUS

Grain Effect
Roughness: Strong, Weak, Off / Size: Large, Small

Color Chrome Effect
Strong, Weak, Off

Color Chrome Blue
Strong, Weak, Off

Dynamic Range Setting
Still: AUTO, 100%, 200%, 400%
ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more) Movie: 100%, 200%, 400%
ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more)

Advanced Filter
Toy camera, Miniature, Pop color, High-key, Low-key, Dynamic tone, Soft focus, Partial color (Red / Orange / Yellow / Green / Blue / Purple)

Wireless Transmitter
Standard Access Mode: Infrastructure

Wireless Transmitter Standard
IEEE802.11b/g/n (standard wireless protocol)

Wireless Transmitter Standard Encryption
WEP / WPA / WPA2 mixed mode

Bluetooth Standard
Bluetooth Ver 4.2 (Bluetooth low energy)

Bluetooth Operating Frequency
2402 – 2480MHz (Center Frequency)

Terminal Digital Interface
USB Type-C (USB3.1 Gen1)

Terminal HDMI Output
HDMI Micro connector (Type D)

Terminal Other
Microphone / shutter release input: 2.5mm NP-W126S Li-ion battery (included)

Battery Life
For Still Images: Approx. 350 / 420 frames (EVF / OVF Normal Mode)

Actual Battery Life Of Movie Capture

[4K] approx. 45min. (29.97p)

[Full HD] approx. 50min. (59.94p)

Continuance Battery Life
Movie Capture: [4K] approx. 50min. (29.97p)

[Full HD] approx. 75min. (59.94p)

Operating Temperature
0 Degree C-+40 Degree C

Operating Humidity
10%-80% (no condensation)

Starting Up Period
Approx. 0.5sec.

Dimensions (H x W x D)
74.8 x 128.0 x 53.3mm

(Minimum depth 32.7mm)

Weight
Approx. 478g (including battery and SD memory card)
Approx. 428g (excluding battery and SD memory card)

via Nokishita

Posted in Fuji X100, Fujifilm X100V| Tagged Fuji Rumors, Fuji X100F, Fuji X100V, Fuji X200, Fujifilm, Fujifilm Rumors, Fujifilm X100F, Fujifilm X100V, Fujifilm X200, FujifilmRumors, Fujirumors, X100F, X100V, X200| Leave a comment

Fujinon MK L-Mount Kit Released

By Louis Ferreira | Published: January 29, 2020

MTF Lensadaptor released a mount swap kit for the Fujinon MK for L-Mount, which you can get here.

Leica L mount for Fuji MK lens
Conversion kit for fitting Leica L mount to Fuji MK lens

Comes with:
Replacement collar
Stainless steel Leica L mount
Set of screws
Rear lens cap

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MK18-55mm T2.9 MFT: B&H Photo
MK50-135mm T2.9 MFT: B&H Photo

MK18-55mm T2.9 X-Mount: B&H Photo / Amazon
MK50-135mm T2.9 X-Mount: B&H Photo / Amazon

Panasonic S1H: B&H Photo / Amazon / Adorama

Posted in Fuji lenses| Tagged Fujinon MK, Fujinon MK18-55 T2.9 Cine, Fujinon MK18-55 T2.9 Cine Lens, Fujinon MK18-55mm T2.9, Fujinon MK50-135mm T2.9, FUJINON MKX18-55 T2.9, FUJINON MKX50-135 T2.9, L-Mount, Panasonic S1, Panasonic S1H, Panasonic S1R| Leave a comment

Fujifilm Photography News and Rumors

Iridient Developer and X-Transformer Have Been Updated With Fujifilm X100V and X-T200 Support

Fujifilm X-T4 Clickbait Warning Part Deux

Optical Limits: Laowa 65mm f/2.8 2X Macro – Outstanding Sharpness and Affordable 2:1 Macro With No Trickery

Fujinon GF 90mm f/1.4 R WR Patent Found

Fujifilm X100V Spec Leaked!

Fujinon MK L-Mount Kit Released

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Archives

Fujifilm Photography News and Rumors

Iridient Developer and X-Transformer Have Been Updated With Fujifilm X100V and X-T200 Support

Fujifilm X-T4 Clickbait Warning Part Deux

Optical Limits: Laowa 65mm f/2.8 2X Macro – Outstanding Sharpness and Affordable 2:1 Macro With No Trickery

Fujinon GF 90mm f/1.4 R WR Patent Found

Fujifilm X100V Spec Leaked!

Fujinon MK L-Mount Kit Released

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