Venus Optics Laowa Aksen 45mm f/2.8 1-5x & 17.5mm f/1.7 5-10x Parfocal Ultra Macro APO


Venus Optics announced the Laowa Aksen 45mm f/2.8 1-5x & 17.5mm f/1.7 5-10x Parfocal Ultra Macro APO, which can be purchased directly or through B&H Photo below:

Venus Optics Laowa Aksen 45mm f/2.8 1-5x Ultra Macro APO Lens
Create extreme close-ups in tack-sharp detail with the Laowa Aksen 45mm f/2.8 1-5x Ultra Macro APO Lens from Venus Optics. This compact ultra macro lens boasts a 1:1 to 5:1 magnification ratio, allowing you to photograph subjects larger than life. It offers a fixed 1.6″ working distance from the front of the lens and maintains sharp focus throughout the magnification range thanks to the internal parfocal zoom design. Thanks to the compact form factor, this lens is easy to use whether shooting handheld or on a motorized focus stacking rig.

Apochromatic Correction
The Aksen series is engineered to eliminate chromatic aberration, even at higher magnifications. The apochromatic correction effectively prevents color fringing, allowing you to capture more details and texture without distortion in your final image.

Parfocal Internal Zoom
Adjust your magnification without moving your camera or subject thanks to the innovative parfocal zoom design. The Aksen maintains sharp focus across the entire magnification range, while the internal zoom allows you to shift magnification without disturbing your lights or hitting your subject. Because the weight distribution also remains identical, this lens is ideal for videography as well as macro photography. Exposure changes are the only thing that needs to be compensated for as you magnify your subject.

Additional Details

  • Eleven-blade diaphragm contributes to a pleasing focus falloff when using shallow depth of field.
  • Standard focal length benefits the high magnification design by providing greater depth of field compared to telephoto or long lens designs.
  • When adapting the Aksen to medium format cameras, there will be varying levels of vignetting depending on the magnification.
  • Lightweight physical design makes the lens easier to use handheld and offers more room for illuminating subjects.

Venus Optics Laowa Aksen 17.5mm f/1.7 5-10x Ultra Macro APO Lens
Capture tiny subjects in tack-sharp detail with the Laowa Aksen 17.5mm f/1.7 5-10x Ultra Macro APO Lens from Venus Optics. This compact ultra macro lens boasts a 5:1 to 10:1 magnification ratio, allowing you to photograph subjects larger than life. It offers a fixed 0.9″ working distance from the front of the lens and maintains sharp focus throughout the magnification range thanks to the internal parfocal zoom design. Thanks to the compact form factor, this lens is easy to use whether shooting handheld or on a motorized focus stacking rig.

Apochromatic Correction
The Aksen series is engineered to eliminate chromatic aberration, even at higher magnifications. The apochromatic correction effectively prevents color fringing, allowing you to capture more details and texture without distortion in your final image.

Parfocal Internal Zoom
Adjust your magnification without moving your camera or subject thanks to the innovative parfocal zoom design. The Aksen maintains sharp focus across the entire magnification range, while the internal zoom allows you to shift magnification without disturbing your lights or hitting your subject. Because the weight distribution also remains identical, this lens is ideal for videography as well as macro photography. Exposure changes are the only thing that need to be compensated for as you magnify your subject.

Additional Details

  • Eleven-blade diaphragm contributes to a pleasing focus falloff when using shallow depth of field.
  • Wide-angle design benefits the high magnification design by providing greater depth of field compared to telephoto or long lens designs.
  • When adapting the Aksen to medium format cameras, there will be varying levels of vignetting depending on the magnification.
  • Lightweight physical design makes the lens easier to use handheld and offers more room for illuminating subjects.








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Fujifilm X-T5 Discontinuation Confusion



The Fujifilm X-T5 has been listed as discontinued in Japan by many retailers, including the official Fujifilm store.

  • Camera Kitamura: Now on sale
  • Map Camera: Discontinued product, but still in stock.
  • Bic Camera: Now on sale
  • Yodobashi Camera: Sales ended
  • Official Japanese Fujifilm store: Discontinued

We still have the Fujifilm X-T5 in stock at retailers like B&H Photo, and the original news came from Asobinet, but the confusion comes from digitalcameraworld contacting Fujifilm about the story and Fujifilm making a statement that the X-T5 has not been discontinued.

No matter what, the Fujifilm X-T6 is on its way, but in the past you could buy two Fujifilm X-T cameras of a while after a new camera launch. The Fujifilm X-T4 and X-T5 sold along side each other for quite some time before the X-T4 was fully discontinued.

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via Photorumors

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BREAKING: Sony Makes Acquisition Proposal for Tamron – What Does This Mean for Fuji Shooters?

BREAKING: Sony Makes Acquisition Proposal for Tamron – What Does This Mean for Fuji Shooters?

A massive shockwave just hit the camera industry today. According to a new report from Reuters, Sony has officially made an acquisition proposal to buy Japanese lens manufacturer Tamron.

While this is obviously huge news for the Sony ecosystem, it has massive implications for us here in the Fujifilm community. Over the last few years, Tamron has become an absolute powerhouse for the X-Mount. They didn’t just port over cheap glass; they brought us some of the most versatile, high-performing lenses on the market. Lenses like the Tamron 17-70mm f/2.8 Di III-A VC RXD, the ultra-wide 11-20mm f/2.8, the massive 150-500mm f/5-6.7, and the ultimate travel lens, the 18-300mm f/3.5-6.3, have become staples in countless Fuji shooters’ bags.

So, why is Sony making this aggressive move now?

If you look closely at the E-mount ecosystem, the writing has been on the wall. Tamron has been quietly eating Sony’s lunch for a while now. In many cases, Tamron’s third-party offerings have become far more desirable than Sony’s own native first-party lenses. They consistently deliver incredible optical performance, excellent autofocus, and lightweight designs—all at a fraction of the price of a Sony G or G-Master lens.

For a lot of photographers, it simply hasn’t made financial sense to drop $2,000+ on a Sony branded lens when a $800 Tamron alternative gets them 95% of the way there. By acquiring Tamron, Sony isn’t just buying a manufacturing partner; they are potentially neutralizing their biggest low-cost competitor and absorbing those profits directly into the mothership.

The big question for FujiAddict readers is: What happens to Tamron’s X-Mount lineup?

If Sony takes the reins, there is a very real fear that they could lock Tamron’s future development exclusively to the E-mount, effectively cutting off one of Fujifilm’s best third-party lens suppliers. We could see existing X-mount lenses discontinued, or at the very least, a complete halt on new Fuji-focused R&D.

We will be following this story incredibly closely as it develops. For now, if you’ve been on the fence about picking up a Tamron lens for your Fujifilm camera, you might want to grab one before the landscape changes completely.

What do you guys think? Is Sony trying to kill off a cheaper competitor, or is this just a smart business move? Drop your thoughts in the comments below!

via Reuters

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OL: Fujinon XF 16mm f/2.8 R WR – It Has Aged Well


Fujinon XF16mm f/2.8: B&H Photo / Amazon / Adorama

The Fujinon XF 16mm f/2.8 R WR came out a while ago, and it didn’t stand out in any particular way beyond being a compact option, but Optical Limits believes it has aged well. You can read the full review here or check out an excerpt below:

“It’s pretty sharp if you stop down to f/4. At f/2.8, there is some corner softness..Snappy F… Great build quality…”

Pros

  1. Pretty sharp when stopped down
  2. Great build quality
  3. Tiny

Cons

  1. Soft corners at f/2.8 also due to field curvature
  2. Relies heavily on auto-correction

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Fujifilm X-E Owners Group
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Posted in Fuji lenses| Tagged , , , , , , , , , , , , | 26 Comments

B&H Photo Fujifilm X-T6 Demo Experience September 8th


B&H Photo announced an event, which is a demo experience that will allow you to touch and try the latest Fujifilm gear. The event will be after the announcement of the Fujifilm X-T6, so it will be heavily featured even though B&H Photo doesn’t explicitly state that the camera will be there. There is also a chance that the event might feature the new Fujifilm GX180 if it comes to fruition, along with some new lenses.

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Fujifilm X-A Owners Group
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Posted in Fujifilm X-T6| Tagged , , , , , , , , , , , , , , , , , , , , , | 6 Comments

Fujikina Paris and The Fujifilm X-T6 Announcement With Rumored Specs


Fujifilm will have Fujikina in Paris on September 4-6th will feature the announcement of the Fujifilm X-T6 and maybe more, but now we have a full set of rumored specs to go with the announcement.

Fujifilm X-T6 — rumored specifications

Sensor & processor

  • 40MP partially-stacked X-Trans 6 APS-C sensor
  • X-Processor 6
  • Revised processing pipeline for improved signal-to-noise — more detail, cleaner high ISO
  • Faster readout from the stacked architecture

Speed & autofocus

  • Burst up to 60 fps
  • 500 phase-detect AF points (up from 425 on the X-T5)
  • AI-based subject prediction and tracking — people, animals, birds
  • Electronic shutter to 1/18000 sec
  • Mechanical shutter to 1/8000 sec, ~30ms release lag

Video

  • 8K/30p 10-bit 4:2:2
  • 4K/120p
  • 4K HQ oversampled from 8K with 2x digital zoom
  • 14 stops of dynamic range
  • F-Log2
  • 12-bit ProRes RAW / Blackmagic RAW output over HDMI

Stabilization

  • IBIS rated to 7 stops
  • Multishot pixel-shift mode: 20 frames combined into a single 200MP file

Color

  • 20 Film Simulation modes: Provia, Velvia, Astia, Classic Chrome, PRO Neg. Std, PRO Neg. Hi, Classic Neg., Nostalgic Neg., Eterna Cinema, Eterna Bleach Bypass, Acros (Ye/R/G), Black & White (Ye/R/G), Sepia, Reala Ace
  • Three auto white balance modes: auto, white priority, ambience priority

Body & display

  • Redesigned control dials and revised button layout
  • 3-inch fully articulating LCD, 1.84M dots (up from 1.62M)
  • 3.69M-dot OLED EVF, 0.8x magnification
  • 550g
  • 60+ weather sealing points

Power & connectivity

  • NP-W235 battery, up to 750 shots per charge, ~16% higher capacity than the X-T5 pack
  • Micro-HDMI, USB 3.2 Gen 2, 3.5mm mic, PC sync, 2.5mm remote
  • Wi-Fi 6, Bluetooth

Announcement

  • Fujikina Paris runs September 4–6; hands-on units expected there
  • Livestreamed announcement expected shortly before the show opens, so the actual reveal may land earlier
  • Camera has reportedly already cleared regulatory registration

via Photar

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