Fujifilm Updates Smartphone App “instax UP!™” to Significantly Improve Scan Accuracy of instax™ Prints


Fujifilm Updates Smartphone App “instax UP!™” to Significantly Improve Scan Accuracy of instax™ Prints
AI-powered recognition enables easier digitization of instax prints via the smartphone app

Tokyo, March 3, 2026 – FUJIFILM Corporation announced a major update to its instax smartphone app*1 “instax UP!,” to be released on March 3, 2026.

“instax UP!” is a dedicated smartphone app that digitizes instax prints taken with instax series cameras and smartphone printers. Users can scan instax prints including instax frames on their smartphone and convert them into digital data. In this updated version, AI has been adopted in the scanning function, significantly improving scan accuracy and enabling easy, clean digitization of instax prints regardless of background color or print orientation.

Since its launch in March 2023, “instax UP!” has been available in more than 100 countries worldwide and has been well received for enabling users to easily digitize instax prints and share them on social media. In addition to the real-life experience of “taking a photo and giving it on the spot”, more users are enjoying sharing and expressing their memories digitally. In particular, the “Box View” mode, which allows scanned instax prints to be freely arranged and shared on social media in a preferred layout, has been especially popular among users.

Fujifilm has continuously updated “instax UP!” to further enhance enjoyment of collecting instax prints. In March 2024, an Album function was introduced to organize scanned images, followed by instax Days in September 2024, which allows users to view scanned images on a calendar.

In this latest update, AI, developed using Fujifilm’s proprietary image analysis technologies, has been adopted in the scanning function, enabling more accurate recognition of instax prints. As a result, the scan success rate of over 90% has been achieved, significantly reducing the need for rescanning and providing a more comfortable digitization experience.

Accurate scanning is now possible even in previously challenging situations, such as on backgrounds with colors similar to the instax frame or on the palm of a hand. In addition, instax prints can now be scanned from any orientation, allowing users to scan without worrying about print alignment.

Furthermore, the updated app supports the transfer of not only still images but also videos, including videos captured with the hybrid instant camera instax mini Evo Cinema, helping to ensure a smoother and more enjoyable user experience.

Fujifilm will continue to expand the world of the instax instant photo system that allows people to enjoy on-the-spot photo printing.

*1 A free app for Android and iOS devices. It is available for download from Google Play for Android devices and from App Store for iOS devices. Android and Google Play are trademarks or registered trademarks of Google Inc. iPhone and App Store are trademarks of Apple Inc. The iPhone trademark is used in Japan under license from Aiphone Co., Ltd. The iOS trademark is used under license from Cisco in the United States and other countries.

1. App Name, Price, Release Date

App NamePriceRelease Date
instax smartphone app
“instax UP!
Free download

iOS/Android

March 3, 2026

2. Details of the Update

(1) Easy and high-quality scanning with AI, regardless of background
AI, developed based on Fujifilm’s long-standing image analysis expertise, has been adopted in the scanning function. Even in difficult situations—such as combinations of white instax frames and white backgrounds, or when scanning on the palm of a hand—the app accurately recognizes instax prints and converts them into clean digital image data. This allows users to digitize and share instax prints in a wider range of everyday scenes.

Accurate scanning even on backgrounds with colors similar to the instax frame or on the palm of a hand

(2) Scan instax prints from any orientation
With improved scan accuracy, instax prints can now be scanned from any orientation. Users no longer need to align prints in a specific direction, enabling smoother and more intuitive scanning.

instax prints can be scanned from any orientation

(3) Transfer still images and videos from instax series apps
The transfer function has been updated to allow instax prints captured and printed with hybrid models, smartphone printers, and palm-sized cameras in the instax series to be transferred from each product’s app to “instax UP!”. In addition to still images, videos are now supported.
Videos captured with the hybrid instant camera “instax mini Evo Cinema” can be transferred from the product app to “instax UP!”. Transferred content can be viewed in two modes:

  • Box View, which displays instax prints as if they are tossed into a box.
  • List View, which displays instax prints at even distance in a list.

In List View, video thumbnails display playback duration, making it easy to distinguish videos from still images.

How to Transfer Videos from the Smartphone App “instax mini Evo Cinema

3. Promotion of instax UP!
The dedicated “instax UP!” website will be refreshed to introduce the app’s features, including the latest update. In addition, “instax UP!” will be promoted through flyers included with instax cameras and printers, individual film packaging, and each product’s dedicated app, appealing to all instax users to further enjoy their photos after printing.

Posted in Software| 2 Comments

CP+ 2026: Sigma CEO Kazuto Yamaki on Unprecedented Lens Demand, APS-C, AI, and Market Trends


Sigma 15mm f1.4 DC DN Contemporary: B&H Photo / Amazon / Adorama

Sigma CEO Mr. Kazuto Yamaki was interviewed by Phototrend at CP+ 2026. You can find a translated summary of the entire interview below or check out the French interview here.

1. Company Overview, Operations & Production Strategy

  • High Output Pace: In 2025, Sigma launched eight lenses and one camera body. Despite this rapid pace—usually associated with industry giants like Canon, Nikon, or Sony—Sigma did not significantly increase its number of engineers.
  • Exceptional Retention & Collaboration: The company recruits just a few people annually but has an incredibly low turnover rate of less than 1%, which includes engineers, factory workers, and sales personnel. Sigma maintains its strong development capabilities through this high retention of personnel alongside continuous discussion and improvement among the team.
  • Survival Through Innovation: As demand for SLR cameras plummeted between 2022 and 2023, the company realized it needed innovative and attractive products to survive. Since then, it has thoroughly discussed its strategy and responded through the exceptional efforts of its engineers.

2. Sigma fp Camera: Reception & Feedback

  • Surpassing Expectations: A year ago, Kazuto Yamaki was “quite worried” prior to the Sigma fp announcement, expecting up to 40% negative feedback. Instead, the overall response in terms of usage and sales has been very positive.
  • User Experience: While some users are initially perplexed by the fp’s unconventional user interface, they grow to appreciate and enjoy it once they get used to it. Some customers even noted that the camera changed their personal shooting style.
  • Constructive Criticisms: The main critiques are centered around missing features, namely the lack of an electronic viewfinder (EVF) and the absence of in-body image stabilization (IBIS).
  • Supply & Demand: Sales remain stable. Although Sigma has been operating at full capacity and shipping continuously since the beginning, backorders still exceed their production capabilities.

3. Unprecedented Market Demand & Sales Trends

  • 300-600mm f/4 DG OS Sports: Highly acclaimed by motorsport photographers, this lens has received excellent feedback for its field power and optical performance. Yamaki initially anticipated very low demand and adjusted production accordingly. However, massive market demand forced Sigma to increase production capacity twice within a single week.
  • 200mm f/2 DG OS Sports: Despite being a highly specialized lens with expected low demand, orders heavily surpassed Sigma’s forecasts.
  • 17-40mm f/1.8 DC Art (APS-C): Demand for this lens wildly exceeded expectations to the point where Sigma is still unable to fulfill all backorders.
  • Changing Market Dynamics: Yamaki notes that forecasting demand has become extremely difficult as the market has changed dramatically. The gap between explosively popular products and unpopular products is widening. While the exact reason is unclear, he suspects social media may be a significant factor.

4. The L-Mount Alliance & Canon RF Mount

  • Expanding the Ecosystem: Regarding third-party manufacturers like Viltrox joining the L-Mount Alliance, Yamaki believes that offering users more choices inherently makes the system stronger and better.
  • Caution with New Entries: Sigma stresses the need for extreme caution when welcoming new companies into the alliance to guarantee perfect compatibility between different brands’ cameras and lenses.
  • Canon RF Mount: When pressed if Sigma is any closer to releasing full-frame lenses for the Canon RF mount than they were in February 2025, Yamaki stated, “I am still not able to comment on this issue. I apologize.”

5. Competition: Third-Party Brands & First-Party Offerings

  • First-Party Affordability: It remains unclear why first-party manufacturers intend to work on low-priced lenses, but Yamaki views Canon and Nikon’s recent push to release more affordable f/1.2 and f/1.4 lenses as an attractive and positive trend for young people. He highlighted the Canon 45mm f/1.2 as a particularly attractive product at a reasonable price.
  • Rise of Viltrox: Yamaki is highly impressed by Viltrox’s progress, noting their improved quality and rapid product launch speeds. He admits Sigma has things to learn from their swift decision-making and execution.
  • The Analog Advantage: Despite digital tech making it easier to copy designs, Yamaki emphasizes a significant difference in performance and quality remains between Sigma and budget competitors. Because lenses are essentially analog devices, accumulated experience and minor refinements make the difference.
  • Long-Term Quality: Sigma focuses on quality and performance aspects that may not show up in a simple lab test, but become highly evident to users over long periods of real-world use across diverse situations.
  • Visual Context for the 85mm f/1.2: (Editorial Note) Phototrend posted images within the article of the 85mm f/1.2 specifically to give readers an idea of the physical size of the newly announced lens.

6. Lens Design, Innovation, and Artificial Intelligence

  • The f/1.2 Challenge: Achieving both high optical performance and compactness/light weight in an f/1.2 autofocus full-frame mirrorless lens is extremely complex. Thanks to proprietary technology, Sigma was able to successfully create multiple f/1.2 lenses (35mm, 50mm, and 85mm).
  • 35mm f/1.4 DG II Art: 13 years after the original 35mm f/1.4 Art lens (2012) changed Sigma’s global perception, the Version II was created. It was made possible by new technologies unavailable in 2012, specifically the HLA linear motor and special aspherical glass lenses, making it possible to improve performance.
  • “Version II” Roadmap Strategy: Sigma will only develop a second-generation lens if they expect a clear and significant improvement in performance. If the difference is small, no update is performed. For instance, the 2018 85mm f/1.4 DG DN Art is already highly refined, meaning it does not currently warrant an update.
  • AI in Lens Development: Yamaki believes AI can be used to a certain extent, but unique knowledge and experience are essential for the highest quality. There is potential for AI to be combined with Sigma’s proprietary knowledge, and this is something they are currently discussing internally. However, at present, the emphasis remains on traditional face-to-face development.

7. The Role of APS-C Format

  • The Value of APS-C: While full-frame is the mainstream, Yamaki champions the APS-C format for its optimal balance of quality, performance, size, and price, giving it a very promising future.
  • Compact Advantages: APS-C allows for remarkably compact lens designs that are impossible in full-frame, such as their recent 16-300mm lens (24-450mm equivalent).
  • L-Mount APS-C Lenses: Sigma halted production of L-mount versions of their APS-C lenses (like the newly presented 15mm f/1.4 DC Contemporary) due to extremely low demand—largely because an L-mount APS-C camera doesn’t exist. If Sigma, Panasonic, or Leica produces one, Sigma will gladly manufacture the lenses again. Yamaki agreed that a smaller, APS-C version of the Sigma fp could be a good idea.

8. Environmental Responsibility & Sigma Aizu Farm Corporation

  • A New Venture: Sigma has surprisingly ventured into rice farming by creating the “Sigma Aizu Farm Corporation.” The project is deeply personal to Yamaki, inspired by his father’s love for the Aizu region’s beautiful rice fields.
  • Preserving the “Satoyama”: Japan’s rapidly aging population means many farmers are retiring without younger generations to take over, leaving fields abandoned. Sigma’s goal is to protect the “satoyama” (the traditional landscape bridging cities and mountains) and combat the issue of abandoned farmland.
  • Environmental & Ecological Impact: The conservation of these rice paddies is vital for preventing floods and landslides, maintaining local ecosystems (protecting habitats for small fish and frogs), and controlling pests by preventing insects and wild animals from coming down from the mountains.
  • Employing Retiring Workers & Lending Machinery: For the time being, Sigma will cooperate with elderly farmers. In the future, retiring factory workers will take over the work. Since some factory workers already know how to farm, when they reach the age of 60 or 65, Sigma can suggest they work in the rice fields instead. The necessary resources are already there, and Sigma will lend them machinery such as tractors and combine harvesters.
  • Community Pride: This initiative helps secure employment, maintains local pride, and contributes to mental stability. Seeing only abandoned rice fields could cause residents to lose confidence and pride in their hometown.
  • Maintaining Focus: Yamaki is not concerned about a loss of focus due to business dispersion. The farming is managed by employees, allowing him to remain almost 100% focused on Sigma’s core camera and lens operations.

Sigma Lenses can be purchased from B&H Photo and Amazon.

Follow Fujiaddict on Facebook, TwitterInstagram, and YouTube

Plus, our owners’ groups
Fujifilm GFX Owners Group
Fujifilm X-H Owners Group
Fujifilm X-T Owners Group
Fujifilm X-S Owners Group
Fujifilm X-Pro Owners Group
Fujifilm X-E Owners Group
Fujifilm X-A Owners Group
Fujifilm X100 Owners Group

via SonyAddict

Posted in 3rd Party Lens, Interview| Tagged | 23 Comments

RAW FILE CONVERTER EX 3.0 powered by SILKYPIX Now With Fujifilm X-T30 III Support


RAW FILE CONVERTER EX 3.0 powered by SILKYPIX Ver.8.1.20.0

The software update Ver.8.1.20.0 incorporates the following issue:

  1. FUJIFILM X-T30 III camera newly becomes compatible.

Download Here

Fujifilm X-T30 III: B&H Photo / Amazon
Fujinon XC 13-33mm f/3.5-6.3: B&H Photo / Amazon

Follow Fujiaddict on Facebook, TwitterInstagram, and YouTube

Plus our owners’ groups
Fujifilm GFX Owners Group
Fujifilm X-H Owners Group
Fujifilm X-T Owners Group
Fujifilm X-S Owners Group
Fujifilm X-Pro Owners Group
Fujifilm X-E Owners Group
Fujifilm X-A Owners Group
Fujifilm X100 Owners Group

Posted in Software| Tagged , , , , , , , | 11 Comments

Ultraman Collaboration Limited Edition Wide-Angle MF Lens For APS-C Cameras, “SG-image 18mm F6.3 60th ULTRAMAN-Limited Edition-“


The lens embodies Ultraman. Ultraman collaboration limited edition wide-angle MF lens for APS-C cameras, “SG-image 18mm F6.3 60th ULTRAMAN-Limited Edition-” now on sale.
Ultra-thin lenses that transform everyday life into a special effects setting

2ndfocus (operated by E&I Creation Co., Ltd.) will release the SG-image interchangeable lens “SG-image 18mm F6.3 60th ULTRAMAN – Limited Edition -” on Thursday, March 19, 2026. Pre-orders will also be accepted exclusively on the 2ndfocus online store from Thursday, February 26, 2026. The lens will be available in two colors : black and silver .

Manufacturer’s suggested retail price: 16,800 yen (tax included)

Compatible mounts: Sony E, Fujifilm X, Micro Four Thirds

[SG-image 18mm F6.3 60th ULTRAMAN-Limited Edition- Sales Page]

[2ndfocus Online Store]

https://2ndfocus.com/products/sg-18mm-f63-60th-ultraman

The lens is ultra thin.

Product Overview:
This product incorporates the world of Ultraman from the lens itself to the packaging. Its ultra-thin design, optimized for portability, transforms everyday life into a special effects stage. Its ultra-thin design measures approximately 60mm in diameter, 14mm thick, and weighs approximately 78g. Its pocket-sized design, even when attached to a camera, makes it as lightweight as a body cap. The optical system employs six elements in four groups (including two high-refractive-index lenses). Despite its compact size, it strives to deliver rich, expressive images that maximize contrast and depth. With a minimum focusing distance of 0.2m, it’s also suitable for close-up photography, making it ideal for a wide range of applications, from street snapshots to tabletop photography. Read More »

Posted in 3rd Party Lens| Tagged , | 34 Comments

Atomos Announces Ninja RAW


Atmos Ninja RAW: B&H Photo / Amazon

Atomos Announces Ninja RAW
ProRes RAW recording and precision monitoring in an affordable and compact 5-inch form factor.

CP+, Yokohama, Japan – 26th February 2026: Atomos today announces the launch of Ninja RAW, a 5-inch HDR monitor-recorder designed to give filmmakers, content creators, and broadcasters an uncompromising and affordable tool for high-quality acquisition and precise on-set monitoring. This latest addition to the next-gen Ninja range can be seen on the Nextorage booth (booth number 22) at the CP+ exhibition in Japan.

At the heart of Ninja RAW is a stunning 1500-nit, super-bright 5-inch HDR touchscreen, delivering exceptional visibility in both studio and outdoor environments. Built for professional workflows, Ninja RAW records over HDMI directly from the camera sensor in Apple ProRes and ProRes RAW to CFexpress Type B media or external USB-C storage, providing fast, reliable capture with maximum image quality and post-production flexibility.

“Ninja RAW is our most affordable, next-generation monitor-recorder, designed for creators who demand uncompromising image quality, absolute control, and complete mobility,” said Peter Barber, CEO of Atomos. “By combining a super-bright HDR display, direct ProRes RAW recording, and professional monitoring tools in a compact and portable form factor, Ninja RAW gives filmmakers the power to capture exactly what their cameras see, wherever the story takes them.”

Ninja RAW supports a wide range of professional codecs, including ProRes RAW, ProRes RAW HQ, ProRes LT, ProRes 422, and ProRes 422 HQ, ensuring perfect integration with all leading NLEs such as DaVinci Resolve, Adobe Premiere Pro, Apple Final Cut Pro, and Avid Media Composer.

Designed to be a monitor, recorder and production hub, Ninja RAW offers USB-C camera control over key parameters including start/stop, ISO, shutter, aperture, and white balance for supported cameras. A comprehensive suite of monitoring tools is built in, featuring EL Zone™ false color, waveform, focus peaking, vectorscope, and more, allowing crews to make confident exposure and focus decisions on set.

Exclusive creative tools further enhance on-set efficiency, including Onion Skin overlay, enabling frame-to-frame comparison and precise shot alignment for VFX, animation, and continuity-critical work.

Connectivity and workflow flexibility are expanded with dual USB-C ports for external storage or optional network adaptors (sold separately), while the unit’s rugged, production-ready design ensures reliability in demanding real-world environments.

Despite its professional power, Ninja RAW remains highly portable. It can be powered by NP-F batteries, USB-C power banks, or a DC adaptor, making it ideal for everything from studio shoots to run-and-gun field production.

With its combination of cutting-edge ProRes RAW recording, advanced monitoring, camera control, and a compact, ultra-bright form factor, Atomos Ninja RAW sets a new standard for mobile, high-performance monitor-recorders.

Key Features of Ninja RAW

  • Super-bright, 1500nit, 5-inch HDR touchscreen display 
  • Record up to 6Kp30 RAW over HDMI 
  • Record in Apple ProResProRes RAW, or H.265  direct from the camera sensor to CFexpress Type B media or external USB-C storage 
  • Supports ProRes RAW, ProRes RAW HQ, ProRes LT, 422 & 422 HQ 
  • File-compatible with all leading NLEs, incl. DaVinci Resolve, Adobe Premiere Pro, Apple Final Cut Pro, Avid Media Composer 
  • Camera control – manage start/stop, ISO, shutter, aperture, white balance and touch to focus over USB-C on supported cameras 
  • Full suite of professional monitoring tools, including EL Zone™ false color, focus peaking, waveform & more
  • Includes unique tools like Onion Skin overlay to compare frames or align shots 
  • 2 x USB-C ports for external storage*, or network adaptor* (*sold separately) 
  • Rugged and reliable – built for real-world production environments 
  • Super mobile – runs on NP-F batteries, USB-C power banks, or DC adaptor 

Availability

Ninja RAW is available now from Atomos resellers worldwide, and from the Atomos web store. It is priced at USD $699 / EUR 699, excluding local sales taxes and tariffs. In Japan, Ninja RAW costs ¥117,040, including sales taxes.

To learn more, visit the Atomos website at www.atomos.com.

Posted in Accessories| Tagged , , | 28 Comments

ePZ: Sigma 15mm f1.4 DC DN Contemporary Review – Highly Recommended


Sigma 15mm f1.4 DC DN Contemporary: B&H Photo / Amazon / Adorama

The Sigma 15mm f/1.4 DC DN Contemporary replaces the Sigma 16mm f/1.4 DC DN Contemporary in Sigma’s lineup, and so far, it sounds like an excellent lens. ePhotozine published its full review of the Sigma 15mm f/1.4 DC DN Contemporary using a 24mp APS-C Canon body, and it is making me want to pick one up for astrophotography in the future. You can read the full review here or check out the excerpt below:

The new 15mm lens is 50% lighter, 30% shorter and has a reduced filter size from 67mm to 58mm, when compared to the 16mm f/1.4 lens that it replaces… another fine new lens from Sigma that is Highly Recommended.

Pros

  • Excellent central sharpness
  • Very good edge sharpness
  • Low distortion
  • Low CA
  • Fast, accurate and virtually silent AF
  • Dust and splash-resistant construction
  • Low vignetting
  • Low flare
  • Excellent handling
  • Light and compact

Cons

  • No IS

Follow Fujiaddict on Facebook, TwitterInstagram, and YouTube

Plus, our owners’ groups
Fujifilm GFX Owners Group
Fujifilm X-H Owners Group
Fujifilm X-T Owners Group
Fujifilm X-S Owners Group
Fujifilm X-Pro Owners Group
Fujifilm X-E Owners Group
Fujifilm X-A Owners Group
Fujifilm X100 Owners Group

Posted in 3rd Party Lens| Tagged , , | 19 Comments