Advanced Optical Engineering Analysis: Fujifilm Patent P2026091132 and the GFX Eterna Medium Format Cinematic Ecosystem

Advanced Optical Engineering Analysis: Fujifilm Patent P2026091132 and the GFX Eterna Medium Format Cinematic Ecosystem

The publication of Fujifilm Patent P2026091132 on June 3, 2026 (initially filed on November 22, 2024), outlines the highly complex optical architectures required to project a zoomable, constant-aperture image circle across a medium format sensor. The mathematical embodiments detailed within the filing directly correlate with the commercial announcement of the Fujinon GF32-90mm T3.5 PZ OIS WR. This lens, launched alongside the $16,499.95 Fujifilm GFX Eterna 55 cinema camera, signifies a modernization of medium format cinematography characterized by the integration of power zoom (PZ) servos, optical image stabilization (OIS), and advanced autofocus mechanisms.

Deconstructing Patent P2026091132: Theoretical Frameworks

Patent P2026091132, titled “Zoom Lens and Imaging Device,” explicitly outlines the objective of engineering a zoom lens that balances compact physical dimensions with the optical performance required for a sensor diagonal exceeding 54mm while maintaining a constant geometric aperture. Two specific embodiments represent the viable commercial pathways.

Embodiment 1: The 32-90mm f/3.2 Architecture

Embodiment 1 is the theoretical precursor to the commercially realized GF32-90mm T3.5 PZ OIS WR. It specifies a focal length range spanning from 32.94mm to 87.33mm, providing an equivalent field of view of approximately 25-71mm on a 35mm full-frame standard. The mathematical parameters define a Half Angle of View ranging from 82.2 degrees to 32.0 degrees, confirming the design intent to illuminate the 55mm image circle required by the GFX Eterna’s open-gate recording modes.

The geometric aperture (F-number) in Embodiment 1 fluctuates nominally between f/3.19 and f/3.30. Maintaining this near-constant ratio requires the internal zoom groups to enact precise mechanical compensations, shifting the aperture diaphragm relative to the optical nodes as focal length increases.

Embodiment 4: The 35-100mm f/3.2 Architecture

Embodiment 4 describes a telephoto zoom configuration with a focal length range of 36.14mm to 97.51mm. The Half Angle of View ranges from 75.6 degrees to 28.4 degrees. Crucially, the patent specifies an absolute constant F-number of f/3.21 across the entire range.

While Embodiment 1 was selected for commercial production, achieving a mathematically perfect constant f/3.21 aperture at a 100mm focal length on a medium format sensor necessitates a front element significantly larger than the 32-90mm variant. The GF32-90mm lens utilizes an industry-standard 114mm front outer diameter and a 111mm internal filter thread, weighing 2.1kg (4.6 lbs). Pushing the telephoto reach to 100mm at a constant aperture would likely force the front diameter beyond the 114mm cinema standard and exceed optimal weight thresholds.

ParameterEmbodiment 1 (Patent Specification)Embodiment 4 (Patent Specification)Commercial Execution (GF32-90mm)
Focal Length Range32.94mm – 87.33mm36.14mm – 97.51mm32mm – 90mm (25-71mm equivalent)
Maximum Aperturef/3.19 – f/3.30f/3.21 (Constant)Constant T3.5 (Derived from f/3.2)
Half Angle of View82.2° – 32.0°75.6° – 28.4°81.0° – 33.8°
Calculated Zoom Ratio~2.65x~2.70x~2.81x

Light Transmission: Resolving the F-Stop to T-Stop Conversion

Patent P2026091132 details an optical system operating at a geometric f/3.2, while the commercial lens is branded as a constant T3.5. The F-number assumes a perfectly transparent optical system. However, the GF32-90mm features a dense internal structure comprising 25 individual lens elements arranged into 19 groups. Light interacting with these interfaces experiences transmission loss, despite the application of Fujifilm’s Super EBC multi-layer anti-reflective coatings.

In cinematography, absolute exposure consistency is required to prevent temporal inconsistencies during editing. The T-stop (Transmission-stop) measures the actual amount of light that successfully exits the rear element. By calibrating the lens as a constant T3.5, Fujifilm guarantees that the volume of light striking the sensor remains identical whether set to 32mm or 90mm.

Optical Architecture and Aberration Suppression

The GF32-90mm must service the GFX Eterna 55’s 102-megapixel BSI CMOS sensor (43.8mm x 32.9mm). Resolving detail across a 54.77mm diagonal requires specific optical corrections within the 25-element formula.

  • Aspherical Elements: Three precision-molded aspherical elements counteract spherical aberration. They force incoming light rays to converge on a singular focal plane, ensuring uniform resolving power from the center to the extreme corners of the frame, which is essential for open-gate recording modes.
  • Extra-low Dispersion (ED) Elements: Three ED elements mitigate chromatic aberration by reducing the separation of the color spectrum caused by varying refractive indices. Neutralizing axial and transverse chromatic aberrations is vital for chroma-keying and aggressive color grading workflows.

Mechanical Engineering for the Cinematic Ecosystem

The mechanical construction of the GF32-90mm deviates significantly from photographic equivalents to meet professional production standards.

  • 13-Blade Aperture Diaphragm: The 13-blade diaphragm ensures a circular aperture opening for organic bokeh, stopping down from T3.5 to T32. This configuration yields 26 fine, diffuse diffraction spikes (sunstars), compared to the harsher polygons produced by 7 or 9-blade designs.
  • Physical Dimensions and Gearing: Measuring 222.5mm in length and weighing 2.1kg, the lens features a 114mm front outer diameter for clamp-on matte boxes and accepts 111mm screw-on filters. The zoom, focus, and iris rings utilize 0.8 MOD pitch gearing for compatibility with Follow Focus, Iris, and Zoom (FIZ) motors. The geared rings provide absolute mechanical repeatability, avoiding the non-linear focus-by-wire mechanics common in still photography.

Electro-Mechanical Innovations: Power Zoom, OIS, and Autofocus

The GF32-90mm integrates electro-mechanical features rarely found in dedicated cinema zoom lenses.

  • Power Zoom (PZ): High-speed internal servo motors allow variable-speed zooming manipulated via the camera body, a switch on the lens, or a broadcast-standard 12-pin terminal. The manual 0.8 MOD zoom ring retains zero latency.
  • Optical Image Stabilization (OIS): Internal OIS mitigates high-frequency micro-vibrations, facilitating handheld use in dynamic environments.
  • Autofocus (AF): Maintaining manual focus on a 102MP medium format sensor with a shallow depth of field is challenging. A high-speed internal rear-focus autofocus system enables tracking moving subjects without shifting the lens’s center of gravity, maintaining balance on stabilization rigs.

Synergy with the GFX Eterna 55

The GFX Eterna 55’s sensor is over 40% larger than the standard 36mm x 24mm full-frame format. The GF32-90mm physically projects a 32-90mm focal length, dictating depth of field and compression, while the large sensor yields a wider 25-71mm equivalent field of view. The lens is optically corrected to illuminate the entire 55mm image circle for the Eterna’s open-gate 4:3 8K recording mode, allowing post-production extraction of various aspect ratios from a single file. It is designed to resolve the colorimetry required for Fujifilm’s Film Simulations, F-Log2 C color space, and 3D LUTs.

Competitive Landscape: Cinematic vs. Photographic Optics

The design philosophy of the cinematic GF32-90mm contrasts sharply with photographic medium format zooms, such as the Hasselblad XCD 35-100mm f/2.8-4 E, which covers an identical 44 x 33mm sensor.

The Hasselblad prioritizes portability (894 grams) by utilizing a variable aperture (f/2.8 to f/4) and a simplified 16-element formula. In cinematography, a variable aperture causes exposure shifts during zooming. To secure parfocal behavior and constant exposure, the GF32-90mm utilizes a massive 25-element architecture, driving the filter thread up to 111mm and the total weight to 2.1kg (4.63 lbs).

SpecificationFujinon GF32-90mm T3.5 PZ OIS WR (Cinematic)Hasselblad XCD 35-100mm f/2.8-4 E (Photographic)
Primary ApplicationMotion Picture / CinematographyStill Photography
Aperture ArchitectureConstant T3.5 (Derived from f/3.2 patent)Variable f/2.8 to f/4.0
Internal Optical Design25 Elements in 19 Groups16 Elements in 13 Groups
Aperture Diaphragm13 Blades (Rounded)Standard Photographic (Typically 7 or 9)
Front Filter Thread111mm86mm
Physical Weight2.1 kg (4.63 lbs)894 g (2.0 lbs)
Zoom Actuation MechanismPower Zoom (Servo) & Manual Geared (0.8 MOD)Manual Only (Ungeared)
Image StabilizationDedicated Optical Image Stabilization (OIS)None (Relies entirely on camera IBIS)

The Premista Lineage and Future Expansion

The GF32-90mm T3.5 PZ OIS WR inherits optical and mechanical technologies from Fujifilm’s Premista line of large-format cinema lenses, adapting broadcast-tier performance into a $5,999.95 form factor. Furthermore, the revelations within Patent P2026091132 provide a roadmap for the GFX Eterna ecosystem. The existence of Embodiment 4 (the 35-100mm f/3.2 design) indicates that Fujifilm has already mapped the mathematics for extended focal ranges, suggesting the potential for companion cine zooms—such as an 80-200mm telephoto or a 14-30mm ultra-wide—engineered with identical 0.8 MOD gearing and 114mm front diameters to complete the optical set.

FUJIFILM GFX ETERNA 55:
B&H Photo / Amazon / Adorama
FUJIFILM GF 32-90mm T3.5 PZ OIS WR:
B&H Photo / Amazon / Adorama

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via j-platpat

Posted in Fuji patents, Fujifilm GFX, Fujifilm GFX 100, Fujifilm GFX 100 Megapixel| Tagged , , , , , , , , , , , , , | 4 Comments

Fujifilm X-T30III, X-M5, and X-E5 Firmware Updates Released

Fujifilm X-T30 III:B&H Photo / Amazon / Adorama
Fujiifilm X-T30III firmware Ver.1.10 Download Here

The firmware update Ver.1.10 from Ver.1.01 incorporates the following issues:

Regarding the details of No.1 download the “X-T30 III New Features Guide[Ver.1.10]” from our website.
・X-T30 III New Features Guide: EnglishFrançaisDeutschEspañolItalianoNederland, PolskiSvenskaNorskDanskPусскийSuomi中文简中文繁體한국어ภาษาไทยArabic

  1. instax™ series pairing registration and printing supports.
    (1)Hybrid camera instax Evo series and instax LiPlay series are added to the supported printers, so that you can transfer your favorite images and print them by pairing your camera.
    Note:Be sure to update the instax™ series firmware to the latest version before connecting the instax™ series to a camera.
    (2)“instax DIRECT PRINT” function is added to “BUTTON/DIAL SETTING” in the Setup menu, so that you can jump directly to the print start screen for the image currently displayed in the Playback menu, and print it easily by pressing the button assigned to this function as follows.
    [Operation flow to assign “instax DIRECT PRINT”]
    [Setup menu] ➔ [BUTTON/DIAL SETTING] ➔ [Fn BUTTON SETTING] ➔ [instax DIRECT PRINT]
    (3)“NETWORK/USB SETTING” in the Setup menu or “instax IMAGE QUALITY MODE” in the Playback menu is added, so that you can select the image quality settings below for printing to the instax™ series
    [Image quality settings]
    ・instax-Rich Mode:Print with rich color expression.
    ・instax-Natural Mode:Print with conventional image quality.
  2. Print count display for the instax™ series with the “FUJIFILM XApp”.
    The number of prints made with the instax™ series is displayed in the “instax PRINT COUNT” of the “FUJIFILM XApp”.
    Note:Be sure to update the “FUJIFILM XApp” application software to Version 2.7.5 to enable this feature.
  3. Other minor bugs fixes.
    Several minor firmware bugs are fixed.

Fujifilm X-M5
B&H Photo / Amazon Silver : BlackAdorama
Fujifilm X-M5 Fimware Ver.1.30 Download Here

The firmware update Ver.1.30 from Ver.1.20 incorporates the following issues:

Regarding the details of No.1 download the “X-M5 New Features Guide[Ver.1.30]” from our website.
・X-M5 New Features Guide: EnglishFrançaisDeutschEspañolItalianoNederland, PolskiSvenskaNorskDanskPусскийSuomi中文简中文繁體한국어ภาษาไทยArabic

  1. instax™ series pairing registration and printing supports.
    (1)Smartphone printer Link series, Hybrid camera instax Evo series and instax LiPlay series are added to the supported printers, so that you can transfer your favorite images and print them by pairing your camera.
    Note:Be sure to update the instax™ series firmware to the latest version before connecting the instax™ series to a camera.
    (2)“instax PRINTER PRINT” function is added to the Playback menu, so that you can select images to print on the instax™ series and adjust the cropping position before printing.
    (3)“instax DIRECT PRINT” function is added to “BUTTON/DIAL SETTING” in the Setup menu, so that you can jump directly to the print start screen for the image currently displayed in the Playback menu, and print it easily by pressing the button assigned to this function as follows.
    [Operation flow to assign “instax DIRECT PRINT”]
    [Setup menu] ➔ [BUTTON/DIAL SETTING] ➔ [REC BUTTON SETTING] ➔ [instax DIRECT PRINT]
    (4)“NETWORK/USB SETTING” in the Setup menu or “instax IMAGE QUALITY MODE” in the Playback menu is added, so that you can select the image quality settings below for printing to the instax™ series
    [Image quality settings]
    ・instax-Rich Mode:Print with rich color expression.
    ・instax-Natural Mode:Print with conventional image quality.
  2. Print count display for the instax™ series with the “FUJIFILM XApp”.
    The number of prints made with the instax™ series is displayed in the “instax PRINT COUNT” of the “FUJIFILM XApp”.
    Note:Be sure to update the “FUJIFILM XApp” application software to Version 2.7.5 to enable this feature.
  3. Other minor bugs fixes.
    Several minor firmware bugs are fixed.

Fujifilm X-E5: B&H Photo / Amazon (Black : Silver) / Adorama
Fujifilm X-E5 Fimware Ver.1.12 Download Here

The firmware update Ver.1.12 from Ver.1.11 incorporates the following issue:

  1. Minor bugs have been fixed.

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Posted in Firmware, Fujifilm X-E5, Fujifilm X-M5, Fujifilm X-T30 III| 12 Comments

PDR: Fujifilm GFX100II vs Sony a7RVI vs Sony a7RV vs Sony a7V – A Future GFX With DGO Could Capture 16 to 17 Stops of Dynamic Range


Sony A7RVI: B&H Photo / Amazon / Adorama
Sony a7RV B&H Photo / Amazon / Moment / Adorama
Sony a7V: B&H Photo / Amazon / Adorama
Fujifilm GFX100II: B&H Photo / Amazon / Adorama

Photons to Photos published its PDR results for the Sony a7RIV, and they are quite impressive, meeting or beating the performance of the medium-format Fujifilm GFX100II at low ISO. You can manipulate the results here or check out more about them below:

Camera ModelMaximum
PDR
Low Light
ISO
Low Light
EV
FujiFilm GFX 100 II12.551166511.87
Sony ILCE-7RM612.56607210.92
Sony ILCE-7RM511.70524410.71
Sony ILCE-7M512.47630310.98

These impressive results are due to Sony’s new DGO sensors, which dramatically improve dynamic range.
Sony’s implementation of Dual Gain Output (DGO) in the a7V and a7VI bodies represents a significant departure from standard dual conversion gain sensors. Rather than switching the entire sensor to a higher-gain circuit at a specific ISO threshold, the partially stacked and fully stacked sensors in these new bodies read the electrical charge of each pixel twice during a single exposure. The first readout operates at a high amplification step to pull ultra-clean detail out of deep shadows, while the second occurs at a low amplification step to protect bright highlights from clipping to pure white.

The BIONZ XR image processor then instantly merges these two parallel readouts into a single, highly malleable RAW file. Because this dual-read process happens within the incredibly short duration of the mechanical shutter actuation, the resulting image is free of the motion blur or ghosting typically associated with multi-shot HDR bracketing. By synthesizing the exceptionally low noise floor of the high-gain circuit with the massive highlight retention of the low-gain circuit, Sony has pushed the dynamic range of the a7V and a7VI into medium-format territory—delivering nearly 15 to 16 stops of usable exposure latitude at base ISO.

There is a physical limitation when shooting fast action. To successfully capture the dual readout, the camera requires the slightly slower transit time of the mechanical shutter. When switching the a7V or a7VI to the electronic shutter for blackout-free tracking or maximum 30fps burst rates, the sensor readout speed is simply too fast to perform the double gain scan, causing the camera to revert to a standard dynamic range curve. However, for landscape, studio, and high-contrast commercial work where the mechanical shutter is preferred, the DGO architecture allows you to expose for harsh highlights and aggressively lift shadows in post-production with virtually zero noise penalty.

If DGO came to the GFX the results could be quite impressive.
When analyzing the Photons to Photos Photographic Dynamic Range (PDR) charts, the baseline relationship between Sony’s full-frame bodies and Fujifilm’s medium format system relies heavily on the pure physics of sensor surface area. The Fujifilm GFX 100S II, with its massive 44x33mm sensor, traditionally peaks at roughly 12.2 PDR at its base ISO of 80. In contrast, standard single-readout high-resolution full-frame sensors like the Sony a7RV peak around 11.6 PDR at ISO 100. That roughly 0.6-stop difference is the natural advantage of the larger medium format sensor gathering more total photons, inherently lowering photon noise across the exposure.

However, the introduction of Dual Gain Output (DGO) and parallel dual-readout circuitry in the Sony a7V and a7RVI fundamentally alters this dynamic. By executing a simultaneous high-gain and low-gain readout during a single mechanical shutter actuation, these new Sony sensors artificially suppress the read noise floor while fiercely protecting highlights. On the Photons to Photos curve, this architectural leap effectively pushes the new full-frame sensors up toward the 12.0 PDR threshold at base ISO—allowing a 35mm chip to encroach on the dynamic range territory previously reserved strictly for the GFX system.

If Sony Semiconductor were to scale this exact dual-circuit architecture up to a 44x33mm medium format sensor for a future GFX iteration, the performance compounding would be massive. Assuming a similar efficiency gain of roughly 0.4 to 0.5 PDR stops applied directly to the GFX’s current baseline, we can estimate that a future DGO-equipped GFX body would peak between 12.7 and 13.0 PDR at base ISO. Because PDR is a logarithmic scale measuring usable dynamic range (where the signal-to-noise ratio drops to an unacceptable level), crossing the 13.0 PDR threshold is practically uncharted territory in consumer digital photography.

In real-world application, a GFX sensor generating 13.0 PDR on the Photons to Photos scale would likely translate to manufacturer claims of 16 to 17 stops of total dynamic range. For landscape, studio, and commercial applications, this means the ability to expose heavily to the right (ETTR) to protect delicate spectral highlights, and then push deep shadows by 5 or 6 stops in post-production with a noise floor that looks as clean as a properly exposed midtone on the current GFX 100S II. It would effectively eliminate the need for exposure bracketing in all but the most extreme backlit scenarios.

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via SonyAddict

Posted in Fujifilm GFX 100, Fujifilm GFX 100 Megapixel| Tagged , , | 9 Comments

New ZENIKO RF12 M Round Head Mini and ZENIKO ZA12 Camera Flash Speedlite


Zeniko released a compact flash for Fujifilm cameras, the ZENIKO RF12 M Round Head Mini.

  • [Long-Lasting Power]The Zeniko RF12M Round Head Flash Powered by a 7.4V 350mAh rechargeable battery (2.59Wh), it delivers up to 500 full-power flashes with a 2.5s recycle time, perfect for extended shoots.
  • [6-Level Power Control ]The Zeniko RF12M mini flash offers 6 adjustable power levels from 1/32 to 1/1, adapting to portraits, low-light, and various shooting scenarios, perfect for extended shoots without battery anxiety
  • [Dual-Mode Photocell Triggering System ] S1 mode syncs with manual flash environments; S2 mode features pre-flash suppression for seamless TTL camera compatibility; functions as a wireless trigger without RF dependency, expanding your creative options
  • [Multi-Angle Professional Flash Head ]— Tilts vertically at 90°/75°/60°/45° and swivels 270° horizontally for bounce flash, fill lighting, and off-camera sync; engineered for photographers seeking creative freedom and precise lighting control in any setup
  • [Ultra-Portable & Fast-Charging]The Zeniko RF12M on-camera flash weighs only 90g, fits in a pocket, mounts via hot shoe, and charges fully in 1h10m via USB-C, perfect for travel and on-location use.

ZENIKO RF12 M Round Head Mini:
Amazon

Zeniko also makes a compact speedlight, the ZENIKO ZA12 Camera Flash Speedlite.

  • Instant Mini Camera Flash Stunning shots. ZA12 Dual-Dial Camera Flash.Capture Your Brilliant Moments.Inspired by Vintage Film Cameras-Classic dials, tactile resistance, gentle clicks ZA12 brings back the beauty of mechanical photography.
  • Universal Compatibility -Works with Any Camera.Single-Contact Hot shoe. Compatible with Fujiflm, Compatible with Sony, Compatible with Canon, Compatible with Nikon, Compatible with Olympus & More.
  • Smart Auto Mode. Simple,Efficiency, Accurate light Control. Sync ZA12 Dials with Camera Settings – Auto Flash Power for Perfect Exposure Boost Efficiency, Achieve Precise Light Control.
  • Small Body, Big Brightness. Self-Developed optics-Brighter Shots, Stunning Results Xenon Tube,Natural tight, True Colors,Fresnel Lens,Highly Focused, Superior Brightness Different Shooting Scenarios-All covered. Indoor Portraits. Street Photography.Night shots
  • The Retro Flash That Captures Your Heart. Super Compact. Just 60g. Stylishly Retro. Relive the Film Era.Powered by Self Developed Optics. Brighter Light, Stunning Shots. Auto Mode. Accurate Exposure.Built-in Battery. Type-C Charging Port.Single Contact. Universal Hot Shoe Mount.Free Diffuser Included Soft, Clear, Ready. to-Use Light.
  • Earbud-Sized, Lightweight & Portable Carry Anywhere, Shoot Anytime Street, Outdoor, Indoor-Seamless Switching Ultra-Mini Size, Create Anywhere Only 60g 55x47x36mm.

ZENIKO ZA12 Camera Flash Speedlite:
Amazon

Posted in Accessories, Fuji flashes| Tagged , , | 22 Comments

Viltrox is Teasing The Release of The Viltrox AF 75mm f/1.8 EVO and Viltrox AF 90mm f/2.2 EVO For June 8th


We have known about the Viltrox AF 75mm f/1.8 EVO and Viltrox AF 90mm f/2.2 EVO for a while now, but Viltrox just posted a teaser for the announcement of these two lenses on Weibo. The lenses will be announced on June 8th.

Viltrox lenses can be found on B&H Photo and Amazon

Posted in 3rd Party Lens| Tagged , , | 21 Comments

Fujifilm X and GFX Savings Sunday


Fujifilm X-Half Frame Save $100:
B&H Photo / Amazon (Silver / Charcoal / Black) / ShopMoment / Adorama

FUJIFILM X Bodies
Fujifilm X-H2 Save $200:
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Fujifilm X-H2S Save $200:
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Fujifilm X-T5 Save $100:
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Fujifilm X-T50 Save $100:
B&H Photo / Amazon / Moment / Adorama
Fujifilm X-S20 Save $100:
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FUJIFILM X Lenses
Fujinon XF 14mm F2.8 R Save $100:
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Fujinon XF 16mm F1.4 WR Save $150:
B&H Photo /Amazon / Adorama
Fujinon XF 10-24mm F4 R Save $150:
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Fujinon XF 50-140mm F2.8 R LM WR Save $200:
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Fujinon XF70-300mm f/4-5.6 Save $100:
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FUJIFILM GFX Bodies
Fujifilm GFX100II Save $500:
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Fujifilm GFX100SII Save $500:
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Fujinon GF Lenses
Fujinon GF55mm f/1.7 Save $500:
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Fujinon GF80mm f/1.7 Save $500:
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Fujinon GF 110mm F 2 R LM WR Save $500:
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Fujinon GF20-35mm f/4 Save $500:
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Fujinon GF 32-64mm f/4 R LM WR Save $500:
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Fujinon GF45-100mm f/4 R LM OIS WR Save $500:
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Fujinon GF100-200mm f/5.6 R LM OIS WR Save $500:
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3rd Party Lenses
Mitakon Zhongyi 20mm f/2 4.5x Super Macro (Save $90):
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SLR Magic HyperPrime CINE 50mm T0.95 (Save $400):
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Tokina SZ 33mm f/1.2 (Save $40):
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Tokina SZ 300mm f/7.1 Pro Reflex MF CF (Save $150):
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Tokina SZX 400mm f/8 Reflex MF (Save $30):
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Tokina SZX 400mm f/8 Reflex MF Lens with 2x Extender (Save $70):
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Tokina SZ 500mm f/8 Reflex MF (Save $40):
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Tokina SZ 600mm f/8 Pro Reflex MF CF (Save $200):
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Tokina SZ 900mm f/11 Pro Reflex MF CF (Save $200):
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Tokina atx-m 23mm f/1.4 (Save $230):
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Tokina atx-m 33mm f/1.4 (Save $200):
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Voigtlander Nokton 23mm f/1.2 ASPH (Save $100):
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Voigtlander Nokton 35mm f/0.9 (Save $300):
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Voigtlander Nokton 50mm f/1.2 (Save $100):
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Flashes
Bolt VS-260F (Save $40):
B&H Photo
Godox V1 (Save $60):
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Godox AD400Pro Witstro (Save $80):
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Other Deals
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Apple M4: 
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New Apple M5: B&H Photo / Amazon
Apple Mac Pro:
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New Apple iPad Pro and More: B&H Photo / Adorama
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MacBook Pro (Savings still available): B&H Photo

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Luminar Neo & Aurora HDR 2019 (Savings code FUJIADDICT)
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