Viltrox will announce two new AF APS-C EVO lenses on June 8th:
Here are the leaked specifications:
Additional pictures:
via Photorumors
Viltrox will announce two new AF APS-C EVO lenses on June 8th:
Here are the leaked specifications:
Additional pictures:
via Photorumors
The publication of Fujifilm Patent P2026091132 on June 3, 2026 (initially filed on November 22, 2024), outlines the highly complex optical architectures required to project a zoomable, constant-aperture image circle across a medium format sensor. The mathematical embodiments detailed within the filing directly correlate with the commercial announcement of the Fujinon GF32-90mm T3.5 PZ OIS WR. This lens, launched alongside the $16,499.95 Fujifilm GFX Eterna 55 cinema camera, signifies a modernization of medium format cinematography characterized by the integration of power zoom (PZ) servos, optical image stabilization (OIS), and advanced autofocus mechanisms.
Patent P2026091132, titled “Zoom Lens and Imaging Device,” explicitly outlines the objective of engineering a zoom lens that balances compact physical dimensions with the optical performance required for a sensor diagonal exceeding 54mm while maintaining a constant geometric aperture. Two specific embodiments represent the viable commercial pathways.
Embodiment 1 is the theoretical precursor to the commercially realized GF32-90mm T3.5 PZ OIS WR. It specifies a focal length range spanning from 32.94mm to 87.33mm, providing an equivalent field of view of approximately 25-71mm on a 35mm full-frame standard. The mathematical parameters define a Half Angle of View ranging from 82.2 degrees to 32.0 degrees, confirming the design intent to illuminate the 55mm image circle required by the GFX Eterna’s open-gate recording modes.
The geometric aperture (F-number) in Embodiment 1 fluctuates nominally between f/3.19 and f/3.30. Maintaining this near-constant ratio requires the internal zoom groups to enact precise mechanical compensations, shifting the aperture diaphragm relative to the optical nodes as focal length increases.
Embodiment 4 describes a telephoto zoom configuration with a focal length range of 36.14mm to 97.51mm. The Half Angle of View ranges from 75.6 degrees to 28.4 degrees. Crucially, the patent specifies an absolute constant F-number of f/3.21 across the entire range.
While Embodiment 1 was selected for commercial production, achieving a mathematically perfect constant f/3.21 aperture at a 100mm focal length on a medium format sensor necessitates a front element significantly larger than the 32-90mm variant. The GF32-90mm lens utilizes an industry-standard 114mm front outer diameter and a 111mm internal filter thread, weighing 2.1kg (4.6 lbs). Pushing the telephoto reach to 100mm at a constant aperture would likely force the front diameter beyond the 114mm cinema standard and exceed optimal weight thresholds.
| Parameter | Embodiment 1 (Patent Specification) | Embodiment 4 (Patent Specification) | Commercial Execution (GF32-90mm) |
|---|---|---|---|
| Focal Length Range | 32.94mm – 87.33mm | 36.14mm – 97.51mm | 32mm – 90mm (25-71mm equivalent) |
| Maximum Aperture | f/3.19 – f/3.30 | f/3.21 (Constant) | Constant T3.5 (Derived from f/3.2) |
| Half Angle of View | 82.2° – 32.0° | 75.6° – 28.4° | 81.0° – 33.8° |
| Calculated Zoom Ratio | ~2.65x | ~2.70x | ~2.81x |
Patent P2026091132 details an optical system operating at a geometric f/3.2, while the commercial lens is branded as a constant T3.5. The F-number assumes a perfectly transparent optical system. However, the GF32-90mm features a dense internal structure comprising 25 individual lens elements arranged into 19 groups. Light interacting with these interfaces experiences transmission loss, despite the application of Fujifilm’s Super EBC multi-layer anti-reflective coatings.
In cinematography, absolute exposure consistency is required to prevent temporal inconsistencies during editing. The T-stop (Transmission-stop) measures the actual amount of light that successfully exits the rear element. By calibrating the lens as a constant T3.5, Fujifilm guarantees that the volume of light striking the sensor remains identical whether set to 32mm or 90mm.
The GF32-90mm must service the GFX Eterna 55’s 102-megapixel BSI CMOS sensor (43.8mm x 32.9mm). Resolving detail across a 54.77mm diagonal requires specific optical corrections within the 25-element formula.
The mechanical construction of the GF32-90mm deviates significantly from photographic equivalents to meet professional production standards.
The GF32-90mm integrates electro-mechanical features rarely found in dedicated cinema zoom lenses.
The GFX Eterna 55’s sensor is over 40% larger than the standard 36mm x 24mm full-frame format. The GF32-90mm physically projects a 32-90mm focal length, dictating depth of field and compression, while the large sensor yields a wider 25-71mm equivalent field of view. The lens is optically corrected to illuminate the entire 55mm image circle for the Eterna’s open-gate 4:3 8K recording mode, allowing post-production extraction of various aspect ratios from a single file. It is designed to resolve the colorimetry required for Fujifilm’s Film Simulations, F-Log2 C color space, and 3D LUTs.
The design philosophy of the cinematic GF32-90mm contrasts sharply with photographic medium format zooms, such as the Hasselblad XCD 35-100mm f/2.8-4 E, which covers an identical 44 x 33mm sensor.
The Hasselblad prioritizes portability (894 grams) by utilizing a variable aperture (f/2.8 to f/4) and a simplified 16-element formula. In cinematography, a variable aperture causes exposure shifts during zooming. To secure parfocal behavior and constant exposure, the GF32-90mm utilizes a massive 25-element architecture, driving the filter thread up to 111mm and the total weight to 2.1kg (4.63 lbs).
| Specification | Fujinon GF32-90mm T3.5 PZ OIS WR (Cinematic) | Hasselblad XCD 35-100mm f/2.8-4 E (Photographic) |
|---|---|---|
| Primary Application | Motion Picture / Cinematography | Still Photography |
| Aperture Architecture | Constant T3.5 (Derived from f/3.2 patent) | Variable f/2.8 to f/4.0 |
| Internal Optical Design | 25 Elements in 19 Groups | 16 Elements in 13 Groups |
| Aperture Diaphragm | 13 Blades (Rounded) | Standard Photographic (Typically 7 or 9) |
| Front Filter Thread | 111mm | 86mm |
| Physical Weight | 2.1 kg (4.63 lbs) | 894 g (2.0 lbs) |
| Zoom Actuation Mechanism | Power Zoom (Servo) & Manual Geared (0.8 MOD) | Manual Only (Ungeared) |
| Image Stabilization | Dedicated Optical Image Stabilization (OIS) | None (Relies entirely on camera IBIS) |
The GF32-90mm T3.5 PZ OIS WR inherits optical and mechanical technologies from Fujifilm’s Premista line of large-format cinema lenses, adapting broadcast-tier performance into a $5,999.95 form factor. Furthermore, the revelations within Patent P2026091132 provide a roadmap for the GFX Eterna ecosystem. The existence of Embodiment 4 (the 35-100mm f/3.2 design) indicates that Fujifilm has already mapped the mathematics for extended focal ranges, suggesting the potential for companion cine zooms—such as an 80-200mm telephoto or a 14-30mm ultra-wide—engineered with identical 0.8 MOD gearing and 114mm front diameters to complete the optical set.
FUJIFILM GFX ETERNA 55:
B&H Photo / Amazon / Adorama
FUJIFILM GF 32-90mm T3.5 PZ OIS WR:
B&H Photo / Amazon / Adorama
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via j-platpat
Fujifilm X-T30 III:B&H Photo / Amazon / Adorama
Fujiifilm X-T30III firmware Ver.1.10 Download Here
The firmware update Ver.1.10 from Ver.1.01 incorporates the following issues:
Regarding the details of No.1 download the “X-T30 III New Features Guide[Ver.1.10]” from our website.
・X-T30 III New Features Guide: English, Français, Deutsch, Español, Italiano, Nederland, Polski, Svenska, Norsk, Dansk, Pусский, Suomi, 中文简, 中文繁體, 한국어, ภาษาไทย, Arabic
Fujifilm X-M5
B&H Photo / Amazon Silver : Black / Adorama
Fujifilm X-M5 Fimware Ver.1.30 Download Here
The firmware update Ver.1.30 from Ver.1.20 incorporates the following issues:
Regarding the details of No.1 download the “X-M5 New Features Guide[Ver.1.30]” from our website.
・X-M5 New Features Guide: English, Français, Deutsch, Español, Italiano, Nederland, Polski, Svenska, Norsk, Dansk, Pусский, Suomi, 中文简, 中文繁體, 한국어, ภาษาไทย, Arabic
Fujifilm X-E5: B&H Photo / Amazon (Black : Silver) / Adorama
Fujifilm X-E5 Fimware Ver.1.12 Download Here
The firmware update Ver.1.12 from Ver.1.11 incorporates the following issue:
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Sony A7RVI: B&H Photo / Amazon / Adorama
Sony a7RV B&H Photo / Amazon / Moment / Adorama
Sony a7V: B&H Photo / Amazon / Adorama
Fujifilm GFX100II: B&H Photo / Amazon / Adorama
Photons to Photos published its PDR results for the Sony a7RIV, and they are quite impressive, meeting or beating the performance of the medium-format Fujifilm GFX100II at low ISO. You can manipulate the results here or check out more about them below:
| Camera Model | Maximum PDR | Low Light ISO | Low Light EV |
|---|---|---|---|
| FujiFilm GFX 100 II | 12.55 | 11665 | 11.87 |
| Sony ILCE-7RM6 | 12.56 | 6072 | 10.92 |
| Sony ILCE-7RM5 | 11.70 | 5244 | 10.71 |
| Sony ILCE-7M5 | 12.47 | 6303 | 10.98 |
These impressive results are due to Sony’s new DGO sensors, which dramatically improve dynamic range.
Sony’s implementation of Dual Gain Output (DGO) in the a7V and a7VI bodies represents a significant departure from standard dual conversion gain sensors. Rather than switching the entire sensor to a higher-gain circuit at a specific ISO threshold, the partially stacked and fully stacked sensors in these new bodies read the electrical charge of each pixel twice during a single exposure. The first readout operates at a high amplification step to pull ultra-clean detail out of deep shadows, while the second occurs at a low amplification step to protect bright highlights from clipping to pure white.
The BIONZ XR image processor then instantly merges these two parallel readouts into a single, highly malleable RAW file. Because this dual-read process happens within the incredibly short duration of the mechanical shutter actuation, the resulting image is free of the motion blur or ghosting typically associated with multi-shot HDR bracketing. By synthesizing the exceptionally low noise floor of the high-gain circuit with the massive highlight retention of the low-gain circuit, Sony has pushed the dynamic range of the a7V and a7VI into medium-format territory—delivering nearly 15 to 16 stops of usable exposure latitude at base ISO.
There is a physical limitation when shooting fast action. To successfully capture the dual readout, the camera requires the slightly slower transit time of the mechanical shutter. When switching the a7V or a7VI to the electronic shutter for blackout-free tracking or maximum 30fps burst rates, the sensor readout speed is simply too fast to perform the double gain scan, causing the camera to revert to a standard dynamic range curve. However, for landscape, studio, and high-contrast commercial work where the mechanical shutter is preferred, the DGO architecture allows you to expose for harsh highlights and aggressively lift shadows in post-production with virtually zero noise penalty.
If DGO came to the GFX the results could be quite impressive.
When analyzing the Photons to Photos Photographic Dynamic Range (PDR) charts, the baseline relationship between Sony’s full-frame bodies and Fujifilm’s medium format system relies heavily on the pure physics of sensor surface area. The Fujifilm GFX 100S II, with its massive 44x33mm sensor, traditionally peaks at roughly 12.2 PDR at its base ISO of 80. In contrast, standard single-readout high-resolution full-frame sensors like the Sony a7RV peak around 11.6 PDR at ISO 100. That roughly 0.6-stop difference is the natural advantage of the larger medium format sensor gathering more total photons, inherently lowering photon noise across the exposure.
However, the introduction of Dual Gain Output (DGO) and parallel dual-readout circuitry in the Sony a7V and a7RVI fundamentally alters this dynamic. By executing a simultaneous high-gain and low-gain readout during a single mechanical shutter actuation, these new Sony sensors artificially suppress the read noise floor while fiercely protecting highlights. On the Photons to Photos curve, this architectural leap effectively pushes the new full-frame sensors up toward the 12.0 PDR threshold at base ISO—allowing a 35mm chip to encroach on the dynamic range territory previously reserved strictly for the GFX system.
If Sony Semiconductor were to scale this exact dual-circuit architecture up to a 44x33mm medium format sensor for a future GFX iteration, the performance compounding would be massive. Assuming a similar efficiency gain of roughly 0.4 to 0.5 PDR stops applied directly to the GFX’s current baseline, we can estimate that a future DGO-equipped GFX body would peak between 12.7 and 13.0 PDR at base ISO. Because PDR is a logarithmic scale measuring usable dynamic range (where the signal-to-noise ratio drops to an unacceptable level), crossing the 13.0 PDR threshold is practically uncharted territory in consumer digital photography.
In real-world application, a GFX sensor generating 13.0 PDR on the Photons to Photos scale would likely translate to manufacturer claims of 16 to 17 stops of total dynamic range. For landscape, studio, and commercial applications, this means the ability to expose heavily to the right (ETTR) to protect delicate spectral highlights, and then push deep shadows by 5 or 6 stops in post-production with a noise floor that looks as clean as a properly exposed midtone on the current GFX 100S II. It would effectively eliminate the need for exposure bracketing in all but the most extreme backlit scenarios.
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via SonyAddict

Zeniko released a compact flash for Fujifilm cameras, the ZENIKO RF12 M Round Head Mini.
ZENIKO RF12 M Round Head Mini:
Amazon
Zeniko also makes a compact speedlight, the ZENIKO ZA12 Camera Flash Speedlite.
ZENIKO ZA12 Camera Flash Speedlite:
Amazon

We have known about the Viltrox AF 75mm f/1.8 EVO and Viltrox AF 90mm f/2.2 EVO for a while now, but Viltrox just posted a teaser for the announcement of these two lenses on Weibo. The lenses will be announced on June 8th.