Anhui, China — November 4, 2026 — Laowa officially announces the 24mm f/2 Zero-D Tilt-Shift, a full-frame tilt-shift lens built for demanding architectural and commercial photography. It combines a fast f/2 aperture, Laowa’s signature Zero-D (near-zero distortion) optics, ±12mm shift and ±10° tilt, and a large image circle that also serves GFX and XCD medium-format users. Alongside the launch, Laowa introduces the XCD mount for its 55mm and 100mm f/2.8 Tilt-Shift 1x Macro lenses, bringing more options to Hasselblad medium-format photographers.
Key Features
Fastest f/2 aperture in its tilt-shift class
±12mm shift for perspective control and stitching
±10° tilt for selective focus / Scheimpflug effects
Shift Function: Offers up to ±12mm of shift on full-frame cameras, enabling precise perspective control and effortless vertical line correction. It allows photographers to capture ultra-wide panoramic images by stitching multiple shifted frames together.
Tilt Function: Offers up to ±10° of tilt adjustment, allowing photographers to manipulate the plane of focus for both practical and creative effects, including the distinctive miniature effect.
*The 24mm f/2 is engineered to balance its tilt and shift capabilities while maintaining a compact form factor. The available tilt and shift ranges may vary slightly depending on the camera mount, particularly when focusing at infinity. In general, applying more tilt reduces the available shift range, and vice versa.
Fast f/2 Maximum Aperture
With its ultra-large f/2 aperture, this is the fastest tilt-shift lens ever made for any format. The extra light-gathering capability expands the possibilities of tilt-shift photography beyond daylight, making it ideal for dimly lit interiors, blue-hour scenes, and night-sky photography.
Compact Form in Tilt-Shift Photography
Measuring Ø93mm × 119mm (Ø3.66″ × 4.69″) and weighing just 860g (1.90 lb), the 24mm f/2 Zero-D Tilt-Shift maintains a remarkably compact form factor for a lens of its class, making it a versatile choice for both studio and on-location photography.
Zero Distortion
Laowa’s signature Zero-D optical design minimises distortion at the source, keeping straight lines straight across the frame, from the centre to the edges, with no bowed doorframes or curved horizons to correct in post-production.
Bringing Tilt-Shift Photography to Medium Format
The 24mm f/2 Zero-D Tilt-Shift also supports GFX and XCD medium-format camera systems via compatible mounts, retaining its full ±10° tilt range and ±12mm of shift along both the X and Y axes. With its 24mm-equivalent field of view, it is one of the most affordable solutions in its category for GFX and XCD photographers.
XCD Mount Now Available for 55mm and 100mm f/2.8 Tilt-Shift 1x Macro
Expanding its medium-format lineup, Laowa introduces XCD mount versions of its existing 55mm and 100mm f/2.8 Tilt-Shift 1x Macro lenses. This expansion gives Hasselblad photographers greater flexibility in product photography, close-up work, and creative tilt-shift applications.
Pricing & Availability
The 24mm f/2 Zero-D Tilt-Shift lens, along with the 55mm and 100mm f/2.8 Tilt-Shift 1x Macro lenses, is available on the official Venus Optics website (venuslens.net) and through authorised global resellers starting November 5, 2026, at 14:00 GMT / 22:00 HKT / 6:00 PST.
A newly uncovered Japanese patent publication from Tamron Co., Ltd. (特開2026-175043, published November 2, 2026) has surfaced, detailing four fast prime optical formulas—three of which feature large image circles designed to cover medium format (“large format”) sensors like the Fujifilm GFX system.
While Tamron has already become a staple third-party lens manufacturer for Fujifilm X-mount, the company has yet to officially step into the Fujifilm G-mount arena. However, the numerical embodiments inside this latest filing suggest Tamron’s optical engineers are actively researching fast-aperture medium format prime designs.
Title: Optical System, Imaging Apparatus, and Moving Body
Core Objective: Simultaneously suppressing longitudinal and lateral chromatic aberrations in large-aperture prime lenses by optimizing refractive power distribution, Abbe numbers, and anomalous dispersion glass elements.
The Four Optical Embodiments
Within the patent documentation, Tamron outlines four distinct prime lens designs:
Tamron 65mm f/1.8 (Medium Format / GFX Coverage): Features an image height (Y) tailored for 44x33mm sensors (~27.5mm–28mm). On a Fujifilm GFX body (0.79x crop factor), this provides a ~51mm full-frame equivalent field of view, slotting directly between the Fujinon GF 55mm f/1.7 R WR and GF 63mm f/2.8 R WR.
Tamron 75mm f/1.8 (Medium Format / GFX Coverage): Also designed with a medium format image circle, delivering a ~59mm full-frame equivalent field of view on GFX—offering a fast standard-to-short-portrait focal length comparable to the GF 80mm f/1.7 R WR.
Tamron 130mm f/2.6 (Medium Format / GFX Coverage): A dedicated medium format portrait telephoto prime providing a ~103mm full-frame equivalent field of view. It would sit slightly longer than the legendary Fujinon GF 110mm f/2 R LM WR while maintaining a more compact f/2.6 aperture footprint.
(35mm Full-Frame Only): Unlike the other three embodiments, this ultra-fast portrait lens specifies a standard 21.63mm full-frame image height and would require 35mm crop mode on a GFX camera.
Will Tamron Enter the Fujifilm G-Mount?
For GFX shooters, third-party autofocus lens options have historically been much slimmer than on X-mount, though manufacturers have slowly begun testing the waters as the GFX100 II and GFX100S II expand the medium format user base.
Because these optical designs incorporate sufficient back focus distance to clear mirrorless medium format mounts (Fujifilm G-mount requires a 26.7mm flange focal distance, while Hasselblad XCD sits at 18.14mm), these formulas are clearly engineered with mirrorless medium format cameras in mind.
As always with Japanese optical patents, manufacturers frequently patent baseline optical formulas that never reach mass production. Still, seeing Tamron calculate three distinct 44x33mm prime lenses in a single filing is one of the strongest hints yet that third-party glass makers are keeping a close eye on Fujifilm’s Large Format ecosystem.
Fujifilm put out a press release stating that the Instax SQ1 has been discontinued. There are still some SQ1 cameras on Amazon, but B&H Photo has the camera listed as no longer available. This shouldn’t come as a surprise since the Instax SQ2 was just announced.
Notice of the discontinuation of domestic sales of the instant camera “instax SQUARE SQ1 ™ “
Dear Customers
We would like to express our sincere gratitude for your continued patronage of Fujifilm products. We would like to inform you that sales of the instant camera “instax SQUARE SQ1 ™ ” will end in Japan today, as we are switching to the new product “instax SQUARE 2 ™ “. We would appreciate your continued patronage of Fujifilm products.
Discontinued Products
Instant camera “instax SQUARE SQ1 ™ “
new products
Instant camera “instax SQUARE 2 ™ “
* instax, Cheki, instax SQUARE SQ1, and instax SQUARE 2 are registered trademarks or trademarks of Fujifilm Corporation.