DPReview interviewed some of Fujifilm’s senior managers at CP+. Bellow is a summary of the interview: Fujifilm GFX Fujifilm sold more GFX cameras than they expected. There was also a very high attach rate of GF lenses, which wasn’t expected. Customer feedback about GFX has been very good 80% of GFX users are high-end amateurs […]
Fujifilm launches “instax SHARE SP-3”, a smartphone-compatible printer capable of printing square format Featuring new functions such as “My Template” for producing original prints FUJIFILM Corporation (President: Kenji Sukeno) will launch the instax SHARE SP-3 (SP-3), a smartphone-compatible printers capable of printing images taken on smartphones on November 17, 2017. This is the new product […]
The Times of India has an interesting interview with Fujifilm India Managing Director Yasunobu Nishiyama, where he stated: “Within the mirrorless market, we would like to have around 50 percent share in a span of at least two years.” This is a significant and ambitious goal even if he is only referring to the India market, […]
Theo Georghiades General Manager, Fujifilm UK Interview, which is broken up into two parts. The video above is part one and starts in the middle since the first half is primarily Canon landscape work, with a little bit of GFX talk in the middle when they go to print some images. Part two will be […]
When the film market was shrinking Fujifilm had to make some drastic changes to survive. They discovered that their film technology was also useful for makeup products, so when Kodak was failing Fujifilm prospered. This allowed Fujifilm to remain committed to photography even though it now makes up less than 1% of the company.
Theo Georghiades, General Manager Electronic Imaging Fujifilm UK, is interviewed by Amateur Photographer about the new Fujifilm GFX. At the end of the interview he makes it sound like Fujifilm might have experimented with larger X-trans sensors like the one in the GFX, “When we have done tests at larger sensor sizes, actually, the benefits are less and less.” […]
