Hasselblad X1D II 50C Announced With Updated Processor – Finally Worth Owning?


Hasselblad announced the Hasselblad X1D II 50C with a new zoom the Hasselblad XCD 35-75mm F3.5-4.5 in an effort to overtake Fujifilm at a very attractive price point, but it might be too little too later. Even if Hasselblad has fixed all of the issues that the original X1D had, the GFX has already dominated the medium format market, but Hasselblad has leaf shutter lenses that Fujifilm does not yet.

It will certainly be interesting to see if photographers choose to adopt the Hasselblad X1D II 50C over the GFX50S/GFX50R or even the GFX100, but at least they now have a serious competitor at a reasonable price point, which should help drive down prices some. It looks like medium format might be where it is at for professionals that care about quality, so which do you prefer?

Above you can see the X1D compared to the GFX50R and GFX100, which is representative of their comparative sizes since Hasselblad X1D II 50C since they didn’t change the body. I must admit at around 5-6k I kind of want to purchase one just for the leaf shutter lenses, but if I did I would have to modify my plans for the GFX100 going forward, which I am not going to do. Going medium format is a big investment and it takes time to build a good glass collection unless you have stupid money to put into a camera system. Either way, I look forward to the competition benefiting us all.

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Hasselblad X1D II 50C: B&H Photo / Amazon / Adorama
Hasselblad XCD 35-75mm F3.5-4.5: B&H Photo / Amazon / Adorama

Press release:
HASSELBLAD EXPANDS REACH OF MEDIUM FORMAT IMAGING FOR EVEN MORE CREATIVE VERSATILITY
Introducing the X1D II 50C, XCD 35-75 zoom lens, Phocus Mobile 2, and revealing details of the upcoming CFV II 50C digital back and 907X camera body

Following the revolutionary introduction of the world’s first mirrorless medium format digital camera, the X1D-50c, Hasselblad introduces new additions to its product portfolio that bring the joy of medium format photography to image makers with the capabilities to support their creative endeavours. This includes the evolved X1D II 50C camera, the eagerly awaited XCD 3,5-4,5/35-75 Zoom Lens and Phocus Mobile 2. In addition, Hasselblad reveals the development details of the upcoming CFV II 50C digital back and 907X camera body. Hasselblad’s newest offerings yet again expand the potential of medium format photography with modularity and flexibility, all while offering the brand’s renowned, stunning image quality.

X1D II 50C – AN EVOLVED MEDIUM FORMAT PHOTOGRAPHY EXPERIENCE
In the pursuit to continue the journey of taking medium format outside of the studio, Hasselblad is pleased to announce the next installment of the X System – the X1D II 50C Mirrorless Medium Format Digital Camera. Dedicated to optimising the X System for a wider audience of creatives, Hasselblad has listened to user feedback and improved upon the first generation with enhanced electronics for a quicker and more intuitive medium format experience.

Continuing in the legacy of being the most portable and lightweight digital medium format camera, the X1D II 50C lets you take the power of medium format in a footprint smaller than most full frame DSLRs in a beautifully designed, compact package. Its large, high resolution 50-megapixel CMOS sensor (43.8 x 32.9 mm) is 1.7 times larger than 35mm full format sensors, packing in huge pixels (5.3 x 5.3 μm) for capturing images with superb tonality. With outstanding colour depth and an impressive dynamic range of 14 stops, which allows for capturing immense details in both shadows and highlights, the photographer is left with plenty of room for adjustment in post-processing. With Hasselblad Natural Colour Solution (HNCS) technology integrated into the camera’s system, exceptional, true-to-life tones are delivered that match what the human eye sees. Building upon the award-winning first generation, the X1D II 50C blends form and function with minimalistic, Scandinavian design aesthetics with a graphite grey exterior and a smooth handling experience with its ergonomic grip. The new X1D II 50C continues to provide creatives with incredible Hasselblad image quality, with 16-bit RAW images and now full resolution JPEGs, in a compact, lightweight design.

Developing upon the first generation of the X System, the X1D II 50C’s upgraded electronic platform includes a higher resolution 3.6-inch 2.36-million-dot touch display, which is physically the largest LCD display currently available on a digital medium format camera. Additionally, the X1D II 50C features a higher resolution enhanced OLED electronic viewfinder (EVF) with 3.69-million dots and a high magnification of 0.87x, letting you see the bigger picture. The much higher resolution of the rear display screen (1024×768) gives a more vivid, true to life image viewing experience.

The X1D II 50C’s live view features a faster refresh rate, reduced shutter lag and black out time between frames, an improved continuous capture rate, and a startup time cut almost in half from the first generation. Building upon the highly-intuitive Hasselblad User Interface (HUI) of the previous model, further refinements have been made to the X1D II 50C to improve the camera’s handling experience, including the ability to access the menu system when looking in the EVF, giving greater usability in the sunniest conditions.

Enabling an even more portable medium format workflow, Hasselblad’s post production solutions now include the new Phocus Mobile 2. Connected via USB-C and Wi-Fi, photographers can transfer RAW and full quality JPEG files directly from the X1D II 50C and edit RAW images on their iPad Pro or iPad Air (2019) while out on the field.

THE NEW XCD 3,5-4,5/35-75 – PRIME LENS PERFORMANCE IN A COMPACT ZOOM
The ninth addition to the X System lens range is the eagerly awaited XCD 3,5-4,5/35-75 Zoom Lens. Delivering the same superb image quality from edge-to-edge as the XCD prime lenses, this extremely high performance, compact mid-range zoom covers moderate wide angle to short telephoto focal lengths. Its internal focusing keeps the lens’ dimensions constant, delivers quick autofocus and additionally keeps the overall weight down. Ideal for shooting anything from wide angle landscapes to portrait images, this lens is perfect for photographers who are looking to keep the amount of equipment they carry when travelling to a minimum but don’t want to compromise on image quality. “This really is the best lens Hasselblad has developed – its performance is extremely high, competing with our prime lenses. I can even go as far to say that it’s probably the best zoom lens currently available on the market,” says Per Nordlund, Hasselblad Lead Optical Designer. Like the rest of the XCD lens range, the XCD 35-75 features an integral central lens shutter, offering exposure times from 68 minutes to 1/2000s with full flash synchronisation throughout.

PHOCUS MOBILE 2 TAKES IMAGE PROCESSING WORKFLOW TO A NEW PORTABLE LEVEL
Expanding the possibilities of the Hasselblad workflow, Phocus Mobile 2 takes the image editing process to a new, portable level. Compatible with the X1D II 50C via either USB-C or Wi-Fi, this application is currently supported on iPad Pro and iPad Air (2019) models, enabling the traveling photographer to have a quicker, more mobile workflow. With Phocus Mobile 2, users can import, edit and rate RAW images and import and rate full quality JPEG images directly on their portable device. In addition, Phocus Mobile 2 supports full quality image export, tethered shooting and direct camera control.

THE CFV II 50C AND 907X CONNECT HASSELBLAD’S PHOTOGRAPHIC HISTORY INTO ONE SYSTEM
Hasselblad proudly announces the development of the modernised CFV II 50C digital back and the brand new 907X camera body, which together will connect Hasselblad’s photographic history into one system.

The CFV II 50C digital back, which will have an outstanding medium format 50-megapixel CMOS sensor (43.8 x 32.9 mm), will enable use with most V System cameras made from 1957 and onwards in addition to third party technical or view cameras. Improving upon the user experience of the previous generations, the CFV II 50C will feature a brilliant tilt screen with full touch support and Hasselblad’s renowned user interface for settings, image review, and menu navigation. Users of previous CFV digital backs will appreciate a new fully-integrated battery, the same used on the X System, which will reduce overall size and with the option to recharge in-camera via the USB-C port. Combining its iconic aesthetics with modern technology, the CFV II 50C gives a nod to Hasselblad’s history combined with the brand’s world-renowned image quality.

Coupling the CFV II 50C with Hasselblad’s smallest medium format camera body ever, the 907X, creates a highly compact package. This combination will offer a truly distinct photographic experience, including the classic waist-level shooting style of the V System enabled by the CFV II 50C’s tilt screen. With the 907X, the photographer will gain access to all of the high-quality X System Lenses in addition to a vast range of Hasselblad optics via adapters, including the H System, V System, and XPan Lenses. In addition, the 907X will enable compatibility with a wide range of third-party adapters and lenses. Planned accessories to beautifully complement the combination include the 907X Control Grip and 907X External Optical Viewfinder.

HASSELBLAD CONTINUES ITS CELEBRATION OF MEDIUM FORMAT ARTISTRY IN JULY 2019
July 2019 marks the 50th anniversary of the first humans landing on the Moon – not only a historic milestone for NASA, but for Hasselblad and photographic history. As the camera selected and built to document the legendary journey, Hasselblad will celebrate this remarkable moment that helped launch the Swedish photography brand to another level. More information will come soon on this exciting commemoration.

The X1D II 50C has an MSRP of € 5000 / $ 5750 / £ 4500 excl. VAT. Delivery in July 2019. Available to order immediately.

The XCD 3,5-4,5/35-75 Zoom Lens has an MSRP of € 4500 / $ 5175 / £ 4050 excl. VAT. Estimated delivery in October 2019. Ordering information will be released shortly before.

Phocus Mobile 2 can be downloaded free of charge by Hasselblad users starting in July 2019.

The CFV II 50C and 907X product information details, including pricing and availability, will be announced later in the year.

Posted in Fujifilm GFX, Fujifilm GFX 100, Fujifilm GFX 100 Megapixel, Fujifilm GFX 100S, Fujifilm GFX 50R, Fujifilm GFX 50S| Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

DPR: Fujifilm GFX100 Studio Scene Flawed


I have a feeling we are going to see a few statements like the one below considering what we have seen from the first couple test shots out there (Like these)

[UPDATE]: While we make every effort to provide the most consistent, representative performance in our studio-based testing, it is sometimes very difficult. After further analysis we’ve discovered our GFX100 shots are fractionally misfocused, an issue exacerbated by the exacting resolutions of the 100 MP system. While these images show that the GFX 100 can capture significantly more detail than its 50MP predecessors, they do not show the full extent of this difference. We are planning to re-shoot the scene as soon as a production camera arrives and would like to apologize for any misconception these images may have furthered.

Even misfocused the GFX100 captures impressive detail, but it might take testers that are unfamiliar with Fujifilm cameras a little time to get clinical testing right.

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via DPReview

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Fujilove Podcast With Billy Luong From The Fuji Guys: GFX100, Fujikina 2019 Tokyo, Dual IS, All GF Lenses Work Well At 100MP and More


Fuji Love’s third interview with Billy Luong was posted and it’s just over an hr long. If you have the time you can listen to the podcast on FujiloveiTunes, and Stitcher. You can find our coverage from the first podcast here and the second podcast here. If you do not have an hr to burn the excerpts covering the whole podcast are below:

  • Intro
    • Fujifilm’s lenses were designed for this 100MP sensor
    • Fujikina had a limited edition GFX100 pin
    • Billy likes how the GFX logo was hidden in the Fujikina logo
    • Fujifilm has pins at all of their events, but they are very limited
    • They had a special pin for the 5 years anniversary which is the last he got
    • The GFX system is now a complete line up wise as a camera system that can replace a DSLR
    • GFX100 brings all the latest technology into the medium format realm
    • Others have asked for Still/Video preset profiles for Aperture/Shutter/ISO desireable, but right now they can only do image adjustments per
    • Movie silent control can be used to isolate settings on X-T3
    • Fujifilm dev team is aware of Still/Video preset profiles being desirable so maybe it will happen given the time and resources to add it later
    • Will a camera like the X100 have stabilization in the future for video via firmware update? Billy says absolutely… then back peddles and says that X100 wasn’t really meant for video and if you want a camera that does everything cameras like the X-T3 are designed to be great at a lot of things.
    • X100 and X-Pro are designed more for photography
    • XF10 is quite nice and lightweight as a camera that should go with you all the time so there was a discussion of digital IS being added to the camera
    • Anything is possible if the hardware doesn’t prevent the implementation
    • Resource limitation can also come into play for launch feature sets and digital IS is nice to have, but it hasn’t become widely available on X series yet
    • If Fujifilm has a feature already it’s much easier to implement across their lineup
  • GFX100
    • Exciting launch and lot of people were invited to see the GFX100 being assembled
    • End of June beginning of July is when they will start shipping in volume
    • In the digital world basing our terminology on 35mm is kind of nonsense and Fujifilm is trying to combat that with their terminology related to the GFX
    • If the industry moves to larger than 35mm sensors what kind of terminology will we use then?
    • GFX is slightly smaller than medium format film discussions, but that is legacy technology
    • Fujifilm thinks that large format is the correct terminology to use because it’s more accurate in the digital world
    • Medium format/large format film isn’t very high resolution compared to GFX so it kind of makes sense comparison wise
    • Fujifilm is going to also promote the diagonal of 55mm now
    • GFX should have the greatest appeal to anyone that ever dreamt of owning a medium format camera
    • Fujifilm wants to give people the medium format/large format look
    • GFX100 is for the elite of the elites and archival work
    • 50 years from now you will still get the best resolution you can to preserve the history of the earth
    • 100MP is great, but it’s even better with how much effort was put into minimizing shutter shock
    • If you have rented medium format there is no reason you can’t own it now
    • This camera is designed to be functional and not really ascetically pleasing which is why the dials are missing
    • Grip design was helpful in opening up design possibilities
    • GFX100 uses the same processor as the X-T3
    • The AF between the GFX100 and X-T3 should be the same so the only limitation is the AF motors in the lenses
    • GFX100 is 200% faster than GFX50S
    • If they can design faster lenses for GFX is will be as fast as X-T3
    • The processor is future proof in GFX100 and X-T3
    • GFX is more of a working camera and they think this category of customers do not want dials (I want dials)
    • Removing dials gave them the ability to fine-tune selection more
    • The new display panels are sharper than GFX50
    • New EVF is the best out there with 86fps and it’s removable like GFX50S
    • Should buy the fastest SD cards you can get
    • 802.11ag WiFi so first to support 5GHz which can be used to tether
    • Wired connectivity will be better for tethering still though since it does 10 gigabit
    • Billy recommends getting a USB-C battery pack because it charges the camera very fast
    • Capture One Beta already supports GFX100 and tethering is already working
    • Capture One is great for Fujifilm RAW files
    • The dual gain sensor gives better high ISO performance
    • Better dynamic range and sensitivity than X-T3
    • ISO 100 is the base ISO
    • GFX100 and GFX50 are about the same noise wise, but GFX100 will AF in the dark much better
    • Fujifilm had a very low tolerance when designing the IBIS system so they did a lot of isolation to make the whole system work its best
    • GFX100 IBIS very similar to X-H1
    • Billy feels the IBIS is better than X-H1
    • On the video side of things, GFX100 can be used for shooting documentaries
    • The GFX100 isn’t launching with dual IS like X-H1, but Billy says it should in the future so maybe more stops of stabilization
    • Premista lenses adapt fine to GFX100 and almost covers the entire senor its self
    • GFX100 could be a game changer for cinema like the 5D was
    • Excellent for low light video and photos
    • There are already a lot of video features on the camera
    • Highly capable for video and a great camera to leave DSLR for
    • Can have the Arri Alexa look to video
    • No one has this kind of price/performance
  • Lens Corner GF edition
    • GF lenses were started from scratch with the idea that 100MP was coming
    • When they tested the GFX100 with GF lenses for the first time they were quite happy because the lenses were perfectly matched to the 100MP sensor
    • The GF line is ever growing now
    • Macro extension tube can turn the 120mm f/4 Macro into a 1:1
    • Fujifilm will have a wide GF zoom in the future (Maybe GFX 20-40 mm  F/ 4 or 4.5)
    • GF 50mm f/3.5 will come soon for the GFX50R and will make it the lightest medium format ever
    • Focal plane shutter lets you adapt lots of great glass to GFX
    • No compromise in quality with any lens being used on the GFX100
  • Accessory corner
    • Optional grips add functionality
    • Fujifilm Grips accept batteries and act as chargers
    • They often have deals when launching cameras with a grip
  • Tip Corner
    • Eye sensor has a toggle button to switch between LCD on all the time/EVF on all the time/Auto sensor mode/disable both but only put on EVF when eye to eye sensor/eye sensor but LCD on for review display is the latest and Billy recommends it

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Cine Gear 2019: Fujifilm Talks GFX100 and Video Features That Might Come Like Video RAW

INDIE Shooter shot an interview with Fujifilm at Cine Gear 2019 and a few new details were dropped which are below:

  • 5 to 5.5 stops of stabilization with a more specific 5 stops for adapted glass and 5.5 for native
  • IBIS doesn’t affect the image circle in any way
  • H.265 or H.264 GOP or All-Intra compression in .MOV wraps
  • Internal data rate 10-bit 400MB/s all Intra
  • HDMI clean out 4:2:2 uncompressed
  • Log-F very gradable and Hybrid Log Gamma for HDR
  • Engineers haven’t decided if they will implement RAW
  • Still deciding what kind of video RAW they will use if they add it
  • Will run on any kind of SD Card, but you should use UHS-II
  • v30 SD Cards will work for 4k, you do not really need a v60
  • Preorders piling up fast!

9 day’s until launch and I can’t wait to get mine. It sounds like Fujifilm is already talking about adding a lot of features to the Fujifilm GFX100. Hopefully, we will hear more about photography features like multishot soon.

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Fringer EF-FX Pro II Now Available in Stores


Now that the Fringer EF-FX Pro II is shipping you can preorder from B&H Photo, Adorama and Amazon actually has a few in stock still.

  • The 2nd generation! Redesigned aperture ring for more convenient operation.New MCU (more powerful, more resources for firmware update),Better light absorbing design
  • (Electronic aperture ring:)FOR PRO VERSION ONLY, Just like XF lenses, each small step is 1/3 stop and the final position after the smallest aperture is ‘Auto’.
  • All X mount cameras are supported!!- Built-in electronic aperture ring (like XF lenses) – Both bayonets are made of brass
  • (Fast PDAF:) DEMO OF X-T2 AND SIGMA 85/1.4 ART, AF-S (central AF point), AF-S (side AF point) and AF-C. Note: AF performance varies under different light conditions and for different lens models
  • (EXIF recorded:) ALL LENS INFORMATION ; Lens model ; Focal length; Aperture setting ;Support Image Stabilizer functions of EF mount lenses
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Fujifilm GFX100 Technical Analysis Round Up: 10 Days Till Shipment


I have long been a fan of Jim Kasson’s work at the Last Word and he has already started his analysis of the Fujifilm GFX100. If you’re into the scientific aspects of photography then there is no finer blog in my opinion, but the reading can be challenging at times if you do not have a scientific background.

GFX 100 questions – Jim has started by compiling some questions that he hopes to answer when he gets the GFX100. Below are a few of the ones that also interest me, but Jim has a lot more on his site and he’s always adding.

  • How is the weight and the ergonomics
  • Is the new sensor similar to 44×33 of the Phase One 150MP
  • Will the PDAF pixels affect image quality
  • Do all of the lenses benefit from the extra resolution
  • How fast/accurate is the AF
  • Will removing the dials be acceptable (I’m more than a little upset they are gone now)
  • How good is the EVF and peaking with the additional resolution and magnification
  • Is silent shutter useful
  • IBIS performance
  • 14-bit vs 16-bit RAW

Fuji GFX 100 pulchritude, or lack of it – This post talks about the look of the camera and why no one should really care about the look of a camera. I agree with him, but I do want the dials back. I am hopefully Fujifilm will release another GFX with dials soon, because I hate not having them.

Bill Claff’s GFX 100 analyses – Going over Photons to Photos initial results which we posted here. He points out that the GFX100 probably uses analog gain higher into the ISO range than the GFX50S does, but we will have to wait and see because Photons to Photos preliminary results are often slightly flawed. The GFX50 uses analog gain until 1600ISO and then uses digital gain beyond. In Jim’s opinion, you probably shouldn’t push the GFX100 beyond 2,500 ISO and instead should push your images in your RAW editor based on the preliminary Photons to Photos results. The results also make him wonder if the GFX100 sensor and the  IQ4 150 sensor use the same design.

Format size and image quality – Discussing a variety of sensor sizes and the theory of equivalency

What are the limits of equivalence? You need the following to all be true:

  1. Same resolution in pixels across all formats compared.
  2. Full well capacities the same in all formats compared.
  3. Same color filter array (CFA) performance across formats
  4. Ideal lens designs only.

Netting it out

  • For IQ, size matters, and bigger is better
  • But bigger is heavier and more expensive, too – and therefore less popular – and niche markets aren’t where you’re likely to find price/performance stars.
  • Once an image is good enough for its intended use, there is little point in making it better, especially if doing so involves large amounts of cash and great inconvenience.
  • There is no magic.

On-sensor PDAF misconceptions – Sony and Nikon have some PDAF imaging issues that would be considered serious on a 10k camera so what does Jim think about the GFX100’s chances of avoiding them? First, it’s important to understand that PDAF striping and PDAF banding are very different things. PDAF striping doesn’t always happen and it’s pretty easy to just take a second photo to avoid, but PDAF banding is far worse because you can find it when bright elements and deep shadows exist together and the shadows are pushed. Banding happens more often than striping and we only saw it for the first time in Nikon mirrorless cameras because they were trying to correct banding. These flaws can be corrected for though, but a 10k camera shouldn’t have them.

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