The Fuji Guys Demonstrate The Video Capabilities of The Fujifilm X-H1 and X-T20

The Fujiguys demo what Fujifilm has to offer for videographers using the Fujifilm X-H1 with MK lenses to show off the high end and the Fujifilm X-T20 to show off the low end. Fujifilm offers pretty consistent quality throughout their range, but the X-T20 will need a gimbal for serious video work and it’s unable to shoot internal F-log. They give a few tips on how to deal with the lack of F-log and ETERNA, but Fujifilm cameras offer a lot of flexibility while shooting video thanks to the excellent film simulations. I still love recording video in ACROS even though some of the novelty of photographing with it has warn off.

Fujifilm News, Rumors, and Collaboration
Fujifilm X-H Owners Group
Fujifilm X-H Page
Fujifilm X-T Owners Group

MK18-55mm T2.9: B&H Photo / Amazon
MK50-135mm T2.9: B&H Photo / Amazon

X-H1 Camera: B&H Photo / Amazon / Adorama
X-H1 Body with Battery Grip Kit: B&H Photo / Amazon / Adorama
VPB-XH1 Vertical Power Booster Grip: B&H Photo / Amazon / Adorama
Fujifilm X-T20: B&H Photo / Amazon / Adorama

Posted in Fujifilm X-H1, Fujifilm X-T20| Tagged , , , , , , , , , , , , , | Leave a comment

Meyer-Optik-Görlitz Launches Nocturnus III 50mm f0.95 For Fujifilm X-Mount


Nocturnus III 50mm f0.95

Press-Releasse

The third edition of the Meyer-Optik-Görlitz Nocturnus 50 mm f0.95, which is known for its exceptional light intensity comes in a new design and features now mounts for Sony-E, Fuji-X and Leica-M. The lens is currently available through a pre-sale campaign on the manufacturer’s website.

Koblenz, 3-28-2018

Meyer-Optik has just announced the launch of the Nocturnus III 50 f0.95. The super-fast manual-focus lens is optimized for use with full-frame sensors, but also works with APS-C cameras. The third edition comes in a new design and now features mounts for Sony-E, Fuji-X and Leica M. Within the next 14 days, the lens is offered in a pre-order sale, where it is available for less than 60% of its future MSRP.

Like its predecessor, the new Nocturnus comes with a focal length of 50 mm and an aperture range from f0.95 to f11. Thus, the lens features a lot of versatility both when shooting in available light conditions and in terms of depth-of-field. Its 15 aperture blades with anti-reflective coating, make the new Nocturnus III 50 f0.95 a unique tool to create a pleasant bokeh with circular highlights whilst creating great sharpness in the focused areas.

The new Nocturnus has a minimum focus distance of 50 cm and weighs 790 grams.

The new mechanical design of the Nocturnus III makes this lens also an interesting option for videography: Manual focus control and the step less aperture ring operate almost silently.

Technical Specifications:

  • Focal length: 50 mm
  • Aperture: f0.95-11
  • Angle of view: 23°
  • Minimum focusing distance: 50 cm
  • Filter diameter: 67 mm
  • Optical design: 10 elements in 7 groups
  • Aperture blades: 15, steel, special anti-reflex coating
  • Weight: 790 g
  • Color: Black or Silver

Follow this link to see Meyer-Optik’s pre-sale campaign:
http://info.meyer-optik-goerlitz.com/nocturnusiii_presale

Please follow this link to download sample and product shots:
https://www.dropbox.com/sh/zm4gj8dpzx83apl/AABdu-OCBT8q0n7HV_D8OfoQa?dl=0

Posted in 3rd Party Lens| Tagged , , , , , , | Leave a comment

FastrawViewer Monochrome2DNG 0.8 Released For Monochrome Converted Cameras


FastrawViewer released Monochrome2DNG 0.8 for processing RAW files from monochrome converted cameras like the ones made by maxmax that offers pre-converted Fujifilm X-Pro1 and X100S cameras. This software creates a true monochrome RAW file from the color raw file.

  • It takes input files from cameras that have been converted to monochrome.
  • It then saves it as “truly” monochrome DNG files, suitable for using with popular converters that support the DNG format (that is to say, almost all of them).
  • With this:
  • One can turn on automatic “monochrome” recognition and convert only the files from converted cameras (so one can process a large archive that has both color and monochrome files in it quickly, in one pass).
  • Automatic mosaic pattern suppression is supported (output files will not have 1-pixel grid patterns)
  • Several formats for output DNG are supported, which allows one to use their RAW converter optimally.
  • Filter input files by Vendor/Model/Camera serial to process large archives faster.

The software isn’t targeted at a specific camera type and so any camera supported by libraw should work fine.

You can download Monochrome2DNG 0.8 here.

Posted in Fuji X-Pro1, Fuji X100S, Software| Tagged , , , , , , , , , , | Leave a comment

Kipon EF-FX AF and EF- GFX AF Autofocus Adapters


Kipon’s Auto Focus adapters for X-Mount and G-Mount are now available for pre-order at Adorama.

Posted in 3rd Party Lens, Fujifilm GFX, Fujifilm GFX 50S| Tagged , , , , , , , , , , , , , , , , , , , | Leave a comment

Laowa 9mm f/2.8 Zero-D Reviews and More Pre-Order Options


The Laowa 9mm f/2.8 Zero-D can now be pre-ordered from VenusOptics / B&H Photo / Adorama and soon at Amazon.

opticallimits

Extreme ultra-wide lenses are never perfect. Keeping this in mind the Laowa is pretty good indeed. It’s super-sharp in the image center and if you avoid f/2.8, the borders/corners are decent. Lateral CAs are generally not an issue. Image distortions are extremely low for a lens of this focal length – and that’s without image auto-correction. The primary weakness is vignetting which is rather extreme at max aperture. However, at medium aperture settings, it’s a lesser issue outside of lab conditions. Flare in strong contra-light can produce quite a bit of glare – a generally weaker aspect in Laowa lenses it seems.

The Laowa 9mm f/2.8 Zero-D may have some shortcomings but that being said we really enjoyed using the lens out there. In real life, the fully manual character wasn’t really an issue. Given the depth-of-field of a 9mm lens you can pretty much guess the focus distance and if needed for close-ups, you can just use magnified focus view in your camera. For most of us, a 9mm lens is quite exotic already thus it shouldn’t be a burden when carrying it. The form and size factor is pretty perfect if these are your constraints as well. We heard that the Laowa 7.5mm f/2 MFT is pretty popular among the drone folks. The 9mm f/2.8 Zero-D has the potential to do the job (and more) on APS-C mirrorless cameras.

jonasraskphotography

I LOVE THIS LENS! – It’s as simple as that. It’s such and amazing performer, especially when you take the small size into account. It has great built quality and it just ticks all the right boxes for me. And at a suggested retail price of USD $499 I wouldn’t hesitate a second to recommend everyone who like wideangle photography on the Fujifilm X-series system to buy one! Easily one of the most usable lenses I’ve ever mounted on my X-series system (And I have mounted A LOT over the years!)

fujilove

Of course, this lens is manual focus only, so you’ll need to be comfortable with using on of Fujifilm’s focus assist modes to get sharp images. However, as we know, wide angle lenses have an inherently deep depth of field, so it is quite easy to get things in perfect focus. But, during my experiments, I didn’t notice any other aberrations like colour fringing. The lens is extremely sharp once you lock in focus and it resolves plenty of detail in the centre of the frame. The corners are a little soft wide open, but very sharp once stopped down.

Posted in 3rd Party Lens| Tagged , , , , , , , , | Leave a comment

Fujifilm Exhibits at NAB Show 2018


FUJIFILM Corporation will exhibit at the NAB Show 2018, a trade show of broadcasting and cinema equipment, held in the Las Vegas Convention Center from April 9 to 12, 2018.

Fujifilm will be showcasing various zoom lenses made with cutting-edge optical technologies. The guests will have a hands on experience with our ever rapidly expanding 4K broadcast lenses and Emmy award*-winning cinema lenses. We are looking forward to you visiting our booth in the Central Hall, C7225:

  1. Broadcast Lens
    The UA Series is a broadcast lens series which is compatible with 2/3” 4K UHD cameras, and our most remarkable models are the “FUJINON UA24x7.8” and the “FUJINON UA107x8.4”.
    The “FUJINON UA24x7.8” is a 4K compatible portable zoom lens that achieves both the world’s smallest and lightest** specifications for its type, with a total length of approx. 220.5mm and a total weight of approx. 1.98kg.
    The “FUJINON UA107x8.4” is a 4K compatible broadcast zoom lens that achieves the world’s highest***zoom ratio of 107x. Covering a wide range of focal lengths, from a best-in-class wide angle of 8.4mm to a super-telephoto range of 900mm, images can be shot at 4K resolution in a variety of applications, such as for sports broadcasting to concerts and live performances. Visitors can experience dynamic images with 4K resolution.

Website for products:
http://www.fujifilm.com/products/optical_devices/tv_cine/

*Award presented by Academy of Television Arts and Sciences to an individual, company or organization for engineering developments
**For 4K portable-type zoom lenses compatible with 4K cameras for broadcast use with a 2/3-inch sensor. According to Fujifilm research. Based on public information as of March 27, 2018.
***For 4K box-type zoom lenses compatible with 4K cameras for broadcast use with a 2/3-inch sensor. According to Fujifilm research. Based on public information as of March 27, 2018. Read More »

Posted in Fujifilm X-H1, Press releases| Tagged , , , , , , , , , , , , , , , , | Leave a comment