Fujifilm Savings Sunday: Two Weeks Left to Save

Amazon still has some very good discounts on leather Vi Vante goods. You can find a list of all their products here. Just make sure you click the coupon button when orders to get the savings applied at checkout.

Body Deals
Fujifilm X-T30 v XF23 f/2 (Save $300): B&H Photo / Amazon / Adorama
Fujifilm X-T30 v XF35 f/2 (Save $300): B&H Photo / Amazon / Adorama
Fujifilm X-T30 v XF50 f/2 (Save $300): B&H Photo / Amazon / Adorama

Fujifilm X-T3 Body (Save $100): B&H Photo / Amazon / Adorama
Fujifilm X-T3 + 18-55mm w Grip (Save $200): B&H Photo / Amazon / Adorama
Fujifilm X-T2 w Handgrip (Save $629): B&H Photo / Amazon  / Adorama
Fujifilm X-T2 w 18-55mm + Handgrip (Save $529):  B&H Photo / Adorama
Fujifilm X-T2 Graphite Edition (Save $500): B&H Photo

Fujifilm GFX50R + 45mm (Save $1,000): B&H Photo / Amazon  / Adorama
Fujifilm GFX50R + 63mm (Save $1,000): B&H Photo / Amazon  / Adorama
Fujifilm GFX50R + 32-64mm (Save $800): B&H Photo / Amazon  / Adorama

Fujinon Fixed Focal Length Lenses
XF 16mm F1.4 WR (save $250): B&H Photo /Amazon / Adorama
XF 56mm F1.2 R (save $250): B&H Photo/  Amazon  / Adorama
XF 56mm F1.2 R APD (save $350): B&H Photo / Amazon / Adorama
XF 80mm F2.8 R LM OIS WR (save $300): B&H Photo / Amazon / Adorama
XF 90mm F2 R LM WR (save $250): B&H Photo / Amazon / Adorama
XF 200mm f/2 OIS WR w XF 1.4x TC F2 WR (save $1000):B&H Photo / Amazon / Adorama

Fujinon Zoom Lenses
XF 8-16mm f/2.8 R LM WR (save $500): B&H Photo / Amazon / Adorama
XF 10-24mm F4 R (save $250): B&H Photo /  Amazon / Adorama
XF 16-55mm F2.8 R LM WR (save $300): B&H Photo / Amazon / Adorama
XF 50-140mm F2.8 R LM WR (save $400): B&H Photo /Amazon / Adorama
XF 100-400mm f/4.5-5.6 R LM OIS WR (save $500): B&H Photo / Amazon / Adorama

Fujinon Teleconverter Packages
XF50-140 + 1.4x TC (save $400):  B&H Photo / Adorama
XF100-400 + 1.4x TC (save $500):  B&H Photo / Adorama
XF50-140 + 2x TC (save $400):  B&H Photo / Adorama
XF100-400 + 2x TC (save $500):  B&H Photo / Adorama

Cine Lenses
MK18-55mm T2.9 (Save $1,000): B&H Photo / Amazon / Adorama
MK50-135mm T2.9 (Save $1,000): B&H Photo / Amazon / Adorama

Other Deals
X-Mount Lens Deals
Lexar Professional 2000x 64GB
Sony High-Speed SD Cards Discounted
Memory Card Savings
Power Banks
Mitakon Zhongyi Speedmaster 35mm f/0.95 Mark II Save $70
Zeiss X-mount Lenses
Instax S-P2

Software Deals
Luminar 2018 & Aurora HDR 2018 (Savings code FUJIADDICT)
ON1 Photo RAW 2019 NEW
Photolemur
Picktorial

Battery Banks For Fujifilm Cameras
Anker PowerCore Speed 20000 PD
PowerCore+26800 PD
other more affordable options


iPad Savings: Amazon
iPad Savings: B&H Photo
New Apple iPad Pro and More: B&H Photo / Adorama
New Apple iMac Pro: B&H Photo / Adorama
New Apple MBP: B&H Photo / Adorama
MacBook Pro (Savings still available): B&H Photo

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Meike 35mm f/1.4 Manual Focus APS-C Lens


Meike recently announced a new 35mm f/1.4 manual focus lens designed for X-Mount. The new lens is already in stock at B&H Photo and Amazon.

Lens specifications:

Lens classification:Micro single lens
Aperture range:F1.4-F16
Recent focusing distance:0.4m
Focal length range:35mm
Lens structure:5 groups of 8
Filter size:∅49mm
APS-C format:Level: 37 degrees / vertical: 25 degrees / diagonal: 43 degrees
4/3 format:Level: 28 degrees / vertical: 21 degrees / diagonal: 35 degrees
Product Size:∮60.5*42mm
Package dimensions:93*77*92mm
Outer box:460*420*250mm
Product weight:About 220 grams

Video reviews:

via Photorumors

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IR: Fujifilm Interview With Toshihisa Iida and Makoto Oishi at CP+ 2019


Fujifilm has been giving lots of interviews lately and here is yet another one from CP+2019 after the one posted the other day. This interview is full of technical details that you can read into and image resource got lost talking about PDAF a few times so you might want to read their interview if my excerpts aren’t clear enough. Also, Fujifilm provided IR with some slides about their PDAF system that I have reproduced. Below are excerpts from the interview that cover all of the key details:

  • Canon believes that the camera market will contract by half, over the next two years, but Fujifilm believes it could grow given the right innovations.
  • The Asian market is huge so some markets might grow a lot while others contract, especially China where many don’t own a digital camera yet.
  • Fujifilm thinks that full-frame is probably one-third of the market by value.
  • “Two-thirds of the market is non-full frame, which is predominantly APS-C, Micro Four Thirds, and some medium-format as well.”
  • Fujifilm sees this fact as an opportunity to grow their APS-C and Medium format camera base
  • Their recent financial results show around 10% growth for them in the camera market.
  • They attribute this growth to the Fujifilm X-T3 and Fujifilm GFX50R
  • Fujifilm X-T3 sold better than expected
  • It even sold 40% better than the very popular X-T2 during the same period
  • Fujifilm isn’t convinced that most customers pick a system on sensor size alone
  • The Fujifilm X-T3 was designed from the beginning to drive the starting price down $200
  • The Fujifilm X-T3 and X-H1 cannibalize each other’s sales a little, but they repriced the X-H1 so it made sense again
  • The X-H line will continue on and it is not just about IBIS, but also form factor.
  • The X-T will continue being compact with dials, but the X-H lets them get a little bulky and add things like the top LCD
  • The Fujinon XF200 f/2 isn’t just for sports and they do not want to market it that way
  • The Fujinon XF200 f/2 is great for portraiture, concerts and more
  • Fujifilm wants to have a presence at the 2020 Olympics, but they mention video is just as important as photography at the event.
  • They want to support photographers and videographers and broadcasters.
  • The Fujifilm GFX 50R is selling better than expected and the Sendai factory is very busy
  • The Fujifilm GFX100Mpx is almost final hardware, but the firmware is still very early and IBIS isn’t even working yet.
  • The IBIS system is proving to be very challenging
  • Photokina 2018 just had a mockup
  • They are still working on image quality
  • We should see Fujifilm GFX100Mpx before the end of June/first half of 2019
  • Now they are saying around $10k
  • The Fujinon GF32-64mmF4 is popular with the GFX50S
  • The Fujinon GF45mmF2.8 is popular with the GFX50R
  • Street photographers are into the GFX50R
  • GFX50S owners tend to have more lenses than GFX50R owners
  • Fujinon GF45-100mmF4 coming in 2020
  • They are considering GFX lenses with faster apertures in the future
  • Fujifilm tries to make lenses for everyone, but some requests like an XF100mm f/1.1 would be very expensive
  • We can expect to see XF AF speed in future GF lenses
  • The GFX100Mpx has the same kind of sensor design as the X-T3 with copper wiring that makes for higher readout speeds and lower power consumption.
  • The GFX100Mpx also has similar phase-detection pixel coverage and structure as the X-T3 for it’s PDAF pixels
  • The sensor in the GFX100Mpx is a huge leap over the GFX50
  • The Fujifilm X-T30 already has the improved AF software that will be coming to the X-T3 soon.
  • Picking horizontal or vertical PDAF pixels is easiest with CMOS sensors, but vertical are used the most so it is pretty much the standard with mirrorless cameras.
  • They could do a cross type like Olympus if they felt it was needed
  • The resolution of the vertical PDAF is good enough that you don’t really need cross type, plus you can just tilt the camera a little and it will track like a cross type if necessary.
  • There is some vertical sensitivity already from their sensor design
  • CMOS sensors read the entire scene before making adjustments
  • Their current sensor can read signal and phase pixel separately
  • This is good for video because they can optimize the signal level for the phase-detect pixels without affecting the exposure of the image pixels
  • Over two million out of 26 million are now used for PDAF
  • The amount of PDAF pixels is why low light AF is getting better and is why high-frequency subjects like textures focus better now
  • X-T3 AF has twice as many PDAF pixels as the X-T2 and it processes them with twice as much spatial frequencies
  • The X-T3 is dealing with about 4 times as much PDAF data as the X-T2
  • Since they read all the data before making adjustments they could make it do cross type
  • Their AF is basically limited by their algorithm and processing power, but right now it’s more limited by processing power.
  • ZA/ZB pairs are close horizontally, but not vertically so AF resolution would not be equal
  • Vertical AF correlation hasn’t really been a need yet also
  • Fujifilm can also bin their PDAF pixel data to read better in low light
  • Fujifilm doesn’t really think anyone has a competing camera to go up against the Fujifilm GFX100Mpx
  • Fujifilm isn’t sure they want to do a multi-shot high-res mode because moving the huge sensor isn’t very easy
  • Not sure how many stops of IBIS performance they can get with the GFX100Mpx
  • Fujifilm GFX and X are being developed together because they do not separate their teams
  • So their hardware and software is developed across systems
  • Both teams also have one budget
  • Fujifilm’s team will make more GF or more X lenses based on customer feedback
  • When designing XF lenses the challenge is making the lens small
  • When designing GF lenses the challenge is aberrations
  • Lenses like the XF33mm f/1.0 are a different kind of challenge to design
  • Fujifilm designs their lenses to have a super sharp point when focusing and not to just have a generally sharp area like others, which is one of the advantages of mirrorless.
  • DSLR need a general focus region because they aren’t as accurate at AF
  • Easier to make contract detect AF lenses work with PDAF than PDAF lenses work with contrast detect

via imaging-resource

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Plus our owners’ groups
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Fujifilm X100 Owners Group

Posted in Fujifilm GFX, Fujifilm GFX 100, Fujifilm GFX 100 Megapixel, Fujifilm GFX 100S, Fujifilm GFX 50R, Fujifilm GFX 50S, Fujifilm X-T3, Fujifilm X-T30, Interview| Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

VILTROX 85mm F1.8 AF For Fujifilm FX Mount Start Shipping


I’m receiving reports that some online retailers on eBay that had/have presales have started shipping their VILTROX 85mm F1.8 AF lenses at a slight mark up. We should see this lens on Amazon soon. You can find one of the first reviews here.

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FUJIFILM AT CP + 2019 Interview: Fujifilm GFX100Mpx, GFX, Video Lenses, XF lenses, Firmware Updates, Fujinon XF33 f/1.0, and More


Phototrend interviewed Shinichiro Udono, Jun Watanabe, and Takuya Noguchi from Fujifilm at CP+ 2019. Below are some excerpts  and pictures from the interview or you can read the full interview here:

  • Mirrorless camera sales already make up 48% of annual sales in value
  • Fujifilm thinks that in the second half of 2019 hybrid cameras already exceeded the 50% mark.
  • Fujifilm isn’t the only reason for mirrorless hybrid cameras taking off there is Canon, Nikon, Sony, Panasonic, Olympus, etc…
  • This year mirrorless sales should be around 55% to 60% of the camera market
  • Fujifilm launched its first hybrid camera 7 years ago in 2012
  • Fujifilm has a well-established system with 31 XF lenses including those on the roadmap and they plan to add 10 GF lenses.
  • Fujifilm f/1.4 lenses are designed for professionals f/2 or f/2.8 lenses are for photographers that want to remain compact
  • Fujifilm is making lenses for everyone
  • When Fujifilm launched the X-Pro1 in 2012 their priority was photography and not video
  • Newer lenses have features that are more compatible with video
  • Lenses with a lot of moving glass are not ideal for video.
  • The Fujinon XF 16-55mm f/2.8 R LM WR and Fujinon XF 50-140mm f/2.8 R LM OIS WR are good for video
  • Fujifilm recommends their zoom lenses for video work but might make better-fixed lenses for video in the future
  • Fujifilm X-H is still for professionals and X-T is for enthusiasts but professionals can use it too
  • Fujifilm’s IBIS system is still too larger for X-T cameras
  • Not sure why people won’t drop dreams of a Fujifilm Full Frame cameras since they have GFX medium format.
  • The combination of APS-C and Medium Format is the best option
  • Full Frame is too big and the lenses are too heavy with almost no advantage over APS-C
  • Keeping the system small encourages owners to take the camera with them more and to take more photos
  • For customers that want a larger system with higher resolution, GFX is their solution
  • The Fujifilm X-T20 will not be discontinued and it will cost less than the X-T30
  • Fujifilm X-T3 is the best option for customers that want the latest technology
  • Fujifilm will add IBIS to the X-T line when they can do it without compromise
  • Fujinon GF50mmF3.5 R LM WR will be launched in 2019 and Fujinon GF45-100mm F4 R LM OIS WR will launch in 2020.
  • The Fujinon XF 33mm f/1 R WR is the brightest AF lens and it is designed to have beautiful bokeh and great wide open performance.
  • Fujifilm was waiting for the technology to create an f/1 AF lens.
  • The Fujifilm GFX100Mpx isn’t finalized yet, but the overall size and user interface is almost final.
  • The Fujifilm GFX100Mpx will have very fast AF thanks to the phase detect pixels
  • The Fujifilm GFX100Mpx IBIS system was a challenge because it is hard to stabilize such a large sensor
  • The Fujifilm GFX100Mpx will record 4k 30p without cropping, which should please professional videographers
  • The Fujifilm GFX100Mpx is ideal for professional photographers working in fashion, advertising, portraiture, landscape, and more
  •  Fujifilm GFX 50R sales are more than anticipated and many advanced amateur photographers are buying it for landscape and street photography.
  • Fujifilm didn’t put any technical research into how they could make a modular GFX
  • There are currently no plans to make the modular GFX, but maybe they will in the future when they have the technology to make one.
  • It probably got a lot of attention because it was unique and compact.
  • Fujifilm was surprised by the excitement from their customer and photographers about a modular GFX system.
  • Fujifilm got the idea to update their cameras significantly and frequently from the smartphone industry.
  • Fujifilm X-T20 might still get updates, but they can’t copy stuff from the new X-Trans sensors 4 to the X-Trans 3 all of the time.
  • Right now their priority is X-Trans 4
  • The photography market is starting to copy their strategy of releasing big updates
  • Just about every company is making a hybrid camera today
  • The SLR market is shrinking by 10-20% a year
  • The Fujinon MK18-55 T2.9 and Fujinon MK50-135mm T2.9 are selling at expected levels for X-Mount
  • Video professionals are very interested in Fujinon MK lenses for X and E-mount
  • The two MK lenses cover most of the needs of professional videographers from 18-135mm so they are going to focus on X and GFX lenses being better for video.
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Fujifilm X RAW Studio 1.6.1 Released For Windows


Fujifilm X RAW 1.6.1 for Windows was released to address a bug, which you can download here. The Mac OSX version still remains at 1.6.0 since it is not affected.

The software update Ver.1.6.1 incorporates the following issue:

  1. The phenomenon is fixed that in rare cases FUJIFILM X RAW STUDIO doesn’t start after its installation.
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