Current Fujifilm Savings End This Week, Plus Save 15% More At Amazon


GFX
Fujifilm GFX50R (Save $500): B&H PhotoAmazon / Adorama
Fujifilm GFX 50S (Save $500): B&H Photo / Amazon / Adorama

G Lens Savings
GF 250mm f/4R LM WR (save $500): B&H Photo / Amazon / Adorama
GF 110mm F2 R LM WR (save $500): B&H Photo / Amazon / Adorama
GF 23mm F4 R LM WR(save $500): B&H Photo  / Amazon / Adorama
GF 45mm F2.8 R WR (save $500): B&H Photo / Amazon / Adorama
GF 63mm F2.8 R WR (save $500): B&H Photo / Amazon / Adorama
GF 120 F4 R LM OIS WR Macro (save $500): B&H Photo / Amazon / Adorama

GF 32-64mm F4 R LM WR  (save $500): B&H Photo / Amazon / Adorama
GF 100-200mmF5.6 R LM OIS WR (save $500): B&H Photo / Amazon / Adorama

X Series Savings Apply With or Without Lenses
Fujifilm X-T2 (Save $800): B&H Photo / Amazon / Adorama

X-H1 w Grip + 8-16mm f/2.8 (Save $1000):
B&H Photo / Amazon / Adorama
X-H1 w Grip + 16-55mm f/2.8 (Save $800):
B&H Photo / Amazon / Adorama
X-H1 w Grip + 50-140mm f/2.8 (Save $500):
B&H Photo / AmazonAdorama
X-H1 w Grip + 100-400mm (Save $500):
B&H Photo / Amazon / Adorama

X-H1 Body with Grip Kit (Save $300):
B&H Photo / Amazon / Adorama

Fujifilm X-T3 (Save $200):
B&H Photo / Amazon / Adorama
Fujifilm X-T3 + 18-55mm (Save $200):
B&H Photo / Amazon / Adorama
Fujifilm X-T3 + 10-24mm (Save $500):
B&H Photo / Amazon / Adorama
Fujifilm X-T3 + 16mm (Save $500):
B&H Photo / Amazon / Adorama
Fujifilm X-T3 + 56mm (Save $500):
B&H Photo / Amazon / Adorama

Fujifilm X-T30 (Save $100): B&H Photo / Amazon / Adorama
Fujifilm X-Pro2 (Save $200): B&Hphoto / Amazon / Adorama
Fujifilm X-T100(Save $100): B&H Photo / Amazon / Adorama
Fujifilm X100F (Save $200): B&H Photo / Amazon / Adorama



Fujinon Fixed Focal Length Lenses (Most Amazon are Live)
XF 14mm F2.8 R (save $100): B&H Photo / Amazon  / Adorama
XF 16mm F1.4 WR (save $100): B&H Photo /Amazon / Adorama
XF 23mm F1.4 R (save $100): B&H Photo /Amazon / Adorama
XF 56mm F1.2 R (save $100): B&H Photo/  Amazon  / Adorama
XF 56mm F1.2 R APD (save $100): B&H Photo / Amazon / Adorama
XF 80mm F2.8 R LM OIS WR (save $250): B&H Photo / Amazon / Adorama
XF 90mm F2 R LM WR (save $100): B&H Photo / Amazon / Adorama

Fujinon Zoom Lenses (Most Amazon are Live)
XF 8-16mm f/2.8 R LM WR (save $100): B&H Photo / Amazon / Adorama
XF 10-24mm F4 R (save $100): B&H Photo /  Amazon / Adorama
XF 16-55mm F2.8 R LM WR (save $200): B&H Photo / Amazon / Adorama
XF 18-135mm F3.5-5.6 R LM WR (save $100): B&H Photo / Amazon  / Adorama
XF 50-140mm F2.8 R LM WR (save $200): B&H Photo /Amazon / Adorama
XF 100-400mm f/4.5-5.6 R LM OIS WR (save $200): B&H Photo / Amazon / Adorama

Other Deals
Pelican Cases Discounted
X-Mount Lens Deals
Lexar Professional 2000x 64GB
Sony High-Speed SD Cards
Memory Card Savings
Power Banks
Zeiss X-mount Lenses

Software Deals
Luminar 4 & Aurora HDR 2019 (Savings code FUJIADDICT)
ON1 Photo RAW 2020
Photolemur
Picktorial

Battery Banks For Fujifilm Cameras
Anker PowerCore Speed 20000 PD
PowerCore+26800 PD
other more affordable options


New Apple iPad Pro and More: B&H Photo / Adorama
New Apple iMac Pro: B&H Photo / Adorama
New Apple MBP: B&H Photo / Adorama
MacBook Pro (Savings still available): B&H Photo

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Fujifilm GFX100 For Film Makers With Philip Bloom

Philip Bloom did a talk for Cinima5D at Photo + Adventure. It’s about 44min and most of it is about The Skiathos Kittens that he made with the Fujifilm GFX100. Below is a summary of what was covered and below you can watch the documentary he made.

  • Canon 5DII was the first magical camera for cinematography 11 years ago
  • Full frame is now old news and medium format video is where we should be going
  • The Pentax 645 was first, but the video was very bad full of image artifacts and rolling shutter problems
  • The Fujifilm GFX50S was much better because it didn’t have artifacts, but the rolling shutter was still an issue
  • The Fujifilm GFX100 is the first usable medium format camera for video
  • GFX100 shouldn’t be good at shooting video, but it is good
  • Philip Bloom made a documentary about The Skiathos Kittens using the GFX100
  • Fujifilm loaned him a GFX100 because he requested one for this documentary
  • Philip didn’t want to like the camera to save the 10k, but he loved it
  • GFX100 isn’t a large camera for videographers
  • You only need 8k for 4k
  • If you used all 102MP it’s about 12k of resolution
  • 1.7x more surface area of Full Frame
  • 4k up to 30p without crop
  • 10-bit internally in 4:2:0 h.265 hvec
  • You’re more mobile if you do not need an external recorder
  • Good codec internally
  • IBIS which is important for filming
  • AF is solid for filming
  • Low light is good on GFX
  • Slow-motion is the one thing it doesn’t do, but it will do it in 1080p, which isn’t good
  • Bigger sensors give you a different look and better low light
  • Can do 10-bit 4:2:2 externally, but not needed
  • Don’t do 8-bit h.264, which he tried because he was running out of space, but it made the final product suffer
  • 8-bit has nasty banding
  • Eterna is beautiful
  • You can turn Log into Eterna with Fujifilm’s LUT
  • It makes sense to shoot Log, but make sure you expose to the right
  • Phillip used the 110mm and 45mm for the majority of this project
  • Manual focus in a nightmare with Fujifilm lenses, because their linear focus mode requires too many turns
  • AF isn’t perfect, but it works 80% of the time for his needs, but it does pulse some
  • IBIS was good enough for car shots on a tripod bungeed in the back seat to look good with the 110mm
  • All of his point of view shots were handheld
  • Took the GFX in the water
  • 6400 ISO is great for video
  • He was shocked at how good the 102MP in low light
  • The GFX100 image is like moving stills the quality is so good
  • It’s a great documentary camera
  • If you use the app for monitoring you lose control of AF so he had to work around it
  • ASCOON wifi transmitter was his solution for being able to see the frame without losing AF
  • Probably would have looked great with a7III, but the GFX has a look he likes
  • Any other camera might not have looked as good though especially in the car the IBIS was great on the GFX100
  • Philip Bloom takes more photos than video
  • The GFX100 is brilliant for images, but Instagram really can’t handle them without resizing before uploading
  • The cropping ability with 100MP is crazy
  • Most people will never see how good the GFX100 images can look
  • Bloom has been putting photos on flickr to share how amazing the GFX100 looks
  • Cinama5D probably should have used some better screens because Bloom complains about them throughout the presentation
  • Q&A he says that the GFX100 preamps are almost as good as Sony’s
  • The preamp is very strong
  • 99% of the video is in camera audio
  • He used 400mbps ALL-I Log 10-bit
  • This project made him buy a GFX100
  • With the GFX50S he would always have another camera with him
  • The Sony a7RIV doesn’t have enough megapixels joking around im sure

Fujifilm GFX News, Rumors, and Collaboration
Fujifilm GFX Owners Group
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Fujifilm GFX100: B&H Photo / Amazon / Adorama

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Fujifilm X-Pro3 Stories #3: Aged or Damaged


Not many manufacturers think about the way their cameras age since most photographers treat cameras as disposable today, but one company does Leica. In the Leica world, some find brassing to be highly desirable, while others baby their cameras like jewelry because they are made to last. Leica even sells a pre-aged camera that was a limited edition camera with Lenny Kravitz’s name on it, which I made an April fools day post about here with the X-Pr02, which went viral.

Now it looks like Fujifilm is finally ready to provide us with a camera made to last and age well with the Fujifilm X-Pro3. I think their timing is perfect since camera advancement has slowed and even entry-level cameras can now challenge flagship cameras from a few generations ago. This isn’t the best approach for Fujifilm from a profit perspective, but it should make photographers that grow to love their cameras happy.

Since then, I’ve come to the opinion that the best cameras are those that last the longest. From a business perspective, a long product-replacement cycle represents a loss, but I find it strange to be planning the sale of a new model the minute a customer buys the current one.

That’s how, when it came time to draft a product and promotion plan for the X-Pro2, I hit upon the idea of using an image of an old and worn X-Pro2 in the catalog. The message was, “Please keep using this product till it looks like this.” It generated a good response, but it also made me feel uneasy for reasons I couldn’t express.

The decision to use Titanium over Brass is an interesting one, but Fujifilm does have a history working with the metal. It’s also of note that the coating color plays a roll in the durability of the camera which is seven times harder than stainless steel. The DURA Silver coating achieves a hardness of 1500 HV, while the DURA Black only achieves 1200 HV, which is second only to diamond or sapphire in hardness.

This is not to say that this is the reason we chose to clad the X-Pro3 in titanium—we did it because it is tough and rugged. During development, we also learned about the Duratect™ process. Although titanium is itself quite hard, it achieves hardnesses as high as 1500 HV when coated with DURA Silver and 1200 HV when coated with DURA Black—seven to ten times harder than stainless steel and second only to materials such as diamond or sapphire, rendering it virtually impervious to damage from ordinary files and blades (“HV” = “Vickers Hardness Units”, a measure of hardness). These are the two colors I recommend to customers who intend to cherish their cameras, as these options will allow them to enjoy a beautiful finish that takes advantage of the titanium base.

You really can’t go wrong with any of the available coatings and some might even prefer to let the standard coating wear away from the Fujifilm X-Pro3 with time. It will certainly be interesting to see how these cameras age over the years.

Fujifilm X-Pro News, Rumors, and Collaboration
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Fujifilm X-Pro3 (Pick Your Trim): B&H Photo / Amazon / Adorama

via Fujifilm

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ALPA ProRing For Fujifilm GFX


Alpha has another new product for Fujifilm GFX cameras the Alpha ProRing.

ALPA ProRing
The new ProRing allows macro tubes to be connected quickly and sturdily. The ProRing ensures that the BALPRO connection can be used on both sides. Thanks to the modularity of the system, longer macro tubes, that are incredibly robust, can also be assembled.

Product remarks: ALPA ProRing, combine PRO 50 tubes and all adapters for bellows freely and as you like. Also suitable for standalone systems and fixed image scales.

Fujifilm GFX News, Rumors, and Collaboration
Fujifilm GFX Owners Group
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Fujifilm GFX100: B&H Photo / Amazon / Adorama

Posted in Accessories, Fujifilm GFX, Fujifilm GFX 100, Fujifilm GFX 100 Megapixel, Fujifilm GFX 100S, Fujifilm GFX 50R, Fujifilm GFX 50S| Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Fujifilm GFX100 Sensor Compared to 108MP Xiaomi CC9 Pro CMOS

Fujifilm posted a product photo of the GFX100 system with a reflection or some other defect or edit that is similar in size to the 108MP Xiaomi CC9 Pro CMOS. So I decided to create an accurate comparison between the two sensor sizes to see how close the image was to reality.

The Fujifilm GFX sensor is 44x33mm, while the Xiaomi CC9 Pro CMOS sensor is a 1/1.33 inch sensor or around 9.6 x 7.2mm. So it looks like the above photo is pretty accurate in size. It will be interesting to see how the technology from this unique high megapixel small sensor will be applied to larger sensors in the future. Maybe we will see gigapixel photography in the coming years if this race keeps up.

Fujifilm GFX News, Rumors, and Collaboration
Fujifilm GFX Owners Group
Fujifilm GFX Page

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Fujifilm GFX100: B&H Photo / Amazon / Adorama

Posted in Fujifilm GFX, Fujifilm GFX 100, Fujifilm GFX 100 Megapixel, Fujifilm GFX 100S| Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Fuji Guys: Instax Mini Link First Look and Unboxing

The Instax Mini Link is a major improvement over the Instax SP-1/SP-2, which wasn’t very portable. I own both the SP-1 and SP-2, but because I rarely used either I am reluctant to purchase the Instax Mini Link myself, but if Fujifilm started with a more compact design like the Mini Link I might have brought my Instax printer with me more often to use instead of just using my Instax SQ2. Similarly, the Instax Mini LiPlay is very compact and will likely be a more popular option for those that do not want to juggle a smartphone and printer or pair their Fujifilm camera with the Mini Link.

Instax Mini Link:  B&H Photo / AmazonAdorama
Instax Mini LiPlay: B&H Photo / Amazon / Adorama
Color Film: B&H Photo/Amazon/Adorama
Monochrome Film: B&H Photo/Amazon/Adorama

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