DPRTV: Fujifilm X-T4 Production Camera Review: Best APS-C Sensor On The Market and Almost The Undisputed King of APS-C

DPRTV posted their Fujifilm X-T4 Review and it looks like the only thing Fujifilm could really improve is fully catching up to Sony’s AF system. Above you will find the review and below I have summarized their key points:

  • Some do not think the X-T4 is a worthy upgrade to the X-T3, but Chris and Jordan don’t agree
  • Robust AF system
  • New tracking interface is great
  • Decent hit rate with something coming right at the camera
  • Sony is still the king of AF
  • Sometimes if youre focused on a color the camera will jump to a similar color
  • X-T4 has very high end and usable AF, but not best in class Sony still wins that
  • Probably one of the nicest shutters Chris has ever used
  • Very stable platform
  • IBIS is great
  • 90mm lens could get down to 1/4 – 1/5 a second
  • Out does the Sony a6600 for IBIS
  • Great sensor with a fast scan rate
  • Why isn’t anyone else using the 26MP sensor it is the best for APS-C
  • Loves fully articulating screens this one is so much nicer than other Fujifilm screens
  • Jordan was a huge fan of X-T3 it gave his favorite image out of a APS-C camera without going to a dedicated high-end video camera
  • X-T4 fixes most of the X-T3’s issues for video
  • One battery will be enough for most with 2hrs of recording time give or take
  • Getting IBIS with this excellent sensor is a big win
  • Locked off it is fantastic, but if you’re panning it can get jerky and Fujifilm will likely fix this with a firmware update
  • As a video shooter, Jordon loves the new screen
  • The new dedicated video mode with its own settings is great
  • The new interface for video is Jordan’s favorite out there right now
  • It’s great to have 240p but you might have some issues with the quality
  • Log assist is great for retaining detail while giving you a 709 preview
  • X-T4 makes it obvious that they might bring out a flagship dedicated video camera
  • If you’re a photographer that shoots video the X-T4 is one of the best cameras on the market
  • If you just shoot video you might want to wait for Fujifilm to release a dedicated camera for video maybe the X-H2
  • Fujifilm fixed everything that DPRTV knocked the X-T3 for so for them it’s a fantastic upgrade
  • The Fujifilm X-T4 is almost the nicest APS-C camera on the market, but if it tracked like a Sony it would be the undisputed king of APS-C
  • Fujifilm X-T3 can be fantastic value if you do not like the new screen and don’t need IBIS especially if some of the updates to the X-T4 make it to the X-T3 in a future firmware update

Fujifilm X-T News, Rumors, and Collaboration
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Fujifilm X-T4: B&H Photo / Amazon / Adorama
VG-XT4 Vertical Battery Grip: B&H Photo Amazon / Adorama
NP-W235 Battery:  B&H Photo / Amazon / Adorama
Fujifilm BC-W235 Dual Battery Charger: B&H Photo / Amazon / Adorama

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New Metabones Fujifilm Adapters Announced


MetaBones Fujifilm Adapters: B&H Photo / Amazon / Adorama

Vancouver, Canada, June 5, 2020 – The long-awaited Metabones® EF-X Mount Speed Booster® ULTRA 0.71x arrives today, with optics by Caldwell Photographic Inc., which makes lenses faster, wider and sharper (note 1). Fujifilm users can now tap into the vast selection of full-frame Canon EF Mount lenses (note 2), retaining their original field-of-view, and getting the same shallow depth-of-field effect as if a full-frame camera were used.

Speed Booster ULTRA
Speed Booster ULTRA uses an advanced 5-element/4-group optical design by Caldwell Photographic Inc., incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Speed Booster ULTRA has a magnification of 0.71x, so it effectively reduces the crop factor of mirrorless Fujifilm X-mount cameras from 1.5x to 1.07x. The Speed Booster ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all fullframe SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively. Similarly, highspeed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the center all the way to the edges of the image.

Smart Adapter
Also launched today is Metabones EF-X Mount Smart Adapter™ with the same feature set on the electronic side but without the award-winning optics by Caldwell Photographic.

CINE Speed Booster ULTRA and CINE Smart Adapter
Tailored to the needs of filmmakers who demand the most solid connection, EF-X CINE Speed Booster ULTRA and EF-X CINE Smart Adapter feature a robust cine-style positive locking mechanism to secure the Canon EF mount lens in place and ensure that no play occurs during focusing.

Phase Detection Autofocus
Phase-detection autofocus (PDAF) is supported no matter which AF lens is used. Metabones EF-X Mount Speed Booster ULTRA and EF-X Mount Smart Adapter support PDAF by translating pertinent metadata about the optics between the lens interfaces. In this way, broad support of the widest range of lenses is made possible.

Other Features
Metabones does not stop at one or two headline features because it takes a lot more than just autofocus speed for an adapter to be a useful photographic tool. See focus distance in real time on the camera body by turning on the AF and MF distance display options. (Refer to the instruction manual of the camera body for details.) Parallax correction on the X-Pro series rangefinders is also supported. Using the new AF Range Limiter feature on X-T4, the user may set minimum and maximum focus distances and autofocus will not hunt beyond those limits. This handy feature is made available by the Speed Booster ULTRA or Smart Adapter relaying and translating distance information from the lens to the camera body. For video, smooth iris is a must-have feature. When a select Canon, Sigma or Tamron lens which supports this feature, is used, Metabones slows down the movement of the aperture diaphragm to minimize noise and provide for smooth transition in the footage. Most Canon lens models introduced in 2009 or newer, Tamron lens models from 2013 onwards and Sigma from 2016 support smooth iris. When a fully mechanical manual lens is used, the Mount Adapter Setting menu can be brought up by pushing the button on the adapter. The X Mount interface is protected by a rubber gasket and the inside is flocked to minimize internal reflection. Also, comes with the robust removable tripod mount with direct Arca Swiss compatibility.

Limitations and Issues
Disclosure of known limitations and issues with the initial release:

  1. Each lens needs to go through a calibration procedure when first used. Refer to the online user manual on Metabones’ web site for instructions.
  2. Continuous autofocus (AF-C) and video autofocus may not work on some cameras such as X-T100. Increasing FOCUS SENSITIVITY and decreasing AF SPEED are required under the AF-C CUSTOM SETTING (MOVIE) menu.
  3. For video, aperture priority or manual exposure is recommended to avoid exposure flickering. EF lenses are not capable of fine-grained control of the aperture required by Fujifilm cameras.
  4. AF+MF and lens aberration correction are not supported.
  5. Some film-era lenses may not be able to achieve sufficient AF accuracy required for digital cameras. Worn lenses with faulty sensors may lead to AF problems on a mirrorless camera even though the New Metabones® Speed Booster® for Fujifilm X Mount lens may appear to function normally on a DSLR.
  6. Distance Display, Parallax Correction (X-Pro series) and AF Range Limiter (X-Pro3 and X-T4) require lens that transmits distance information.
  7. All but the smallest EF lenses block a significant portion of the optical viewfinder of the X-Pro series.
  8. Speed Booster ULTRA not only boosts the maximum aperture of the lens, but minimum, too. It is no longer possible to go down to f/22 or whatever else the minimum aperture of the lens is.
  9. The adapter has no aperture ring. On a camera with no mode dial, configure the “APERTURE SETTING” menu option to “AUTO+MANUAL” and use the camera’s front or rear dial to change aperture. The auto setting comes after the minimum aperture.
  10. Aperture diaphragm makes frequent noises with older lenses. Use aperture priority and manual exposure modes, or use a lens which supports smooth iris.
  11. IBIS is supported only with fixed focal length lenses at or below 100mm (after multiplying by 0.7x in the case of Speed Booster ULTRA). OIS overrides IBIS. You cannot combine the two.
  12. With IS/OS/VC lenses the IS MODE setting is ignored and both SHOOTING ONLY and CONTINUOUS modes behave in the same way which is similar to a Canon camera but different from what Fujifilm OIS lenses do. This is done to maximize IS effectiveness. A negative consequence of this is that there may be no OIS during focus check.

Since Metabones has a track record of releasing new firmware updates which significantly improve the features, performance, compatibility and reliability of existing products, these limitations are subject to change in the future. Please refer to the product pages on Metabones’ web site for the most up-to-date disclosure.

Availability
Metabones® EF-X Mount Speed Booster ULTRA and Metabones EF-X Mount Smart Adapter are available right now for USD 649 and USD 399 respectively, plus applicable taxes, duties and shipping, from Metabones’ web store and its worldwide network of resellers. Metabones EF-X CINE Speed Booster ULTRA and Metabones EF-X CINE Smart Adapter will be available shortly afterwards for USD 699 and USD 449 respectively, plus applicable taxes, duties and shipping.

(Note 1): compared to the same lens on the same camera with an ordinary lens mount adapter without optics.
(Note 2): disclaimer: Metabones is not endorsed or licensed by Canon or Fujifilm. Metabones does not have specifications of the mounts, interfaces or the communication protocols, which may negatively impact compatibility now or in the future. All trademarks and registered trademarks belong to their respective owners. Read More »

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Meet up with Romain Laurendeau – 2020 World Press Photo Awards Winner

Fujifilm meet up with Romain Laurendeau 2020 World Press Photo Awards Winner. Below is a summary of the interview:

  • Romain Laurendeau is a french photographer that started with science and moved into photography
  • He became a visual journalist to tell stories of people different than him
  • For Romain, the award validates his work
  • He likes to tell stories about human tragedy
  • His photo was to get people to wonder how people in Algeria live
  • For him there is a universal story of people facing ideology that prevents them from dreaming
  • It was difficult for him to get a visa and room to sleep in Algeria
  • The project took about 5 years to complete
  • He took about 1,000 photos a day while in Algeria
  •  x100 is very quiet so it didn’t disturb the scene
  • The X100 lets Romain Laurendeau photograph the intimate because it is small, light, and silent, so it is forgotten
  • They knew he was taking pictures, but never knew very well
  • He has X100, X100S, X100T, X100S and plans to get an X100V probably
  • Romain believes Fujifilm understands photographers

Fujifilm X100V: B&H Photo / Amazon / Adorama
Fujifilm X100F: B&H Photo / Amazon / Adorama

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Photons to Photos MCEX-18G, MCEX-45G, MCEX-11, and MCEX-16 Macro Extension Tube Specs

Photons to Photos noticed that the macro extension tube PDF went missing from Fujifilm’s website so they made their own and filled in some additional details about Fujifilm’s extension tubes. They posted the X mount MCEX-11 and MCEX-16 here and the G mount MCEX-18G and MCEX-45G here. You can also see them above.

Update: Carsten sent in links to where Fujifilm moved them too so you can compare it with Photons to Photos chart. The X mount MCEX-11 and MCEX-16 here and the G mount MCEX-18G and MCEX-45G here.

Fujinon MCEX-11: B&H Photo / Amazon / Adorama
Fujinon MCEX-16: B&H Photo / Amazon / Adorama

Fujinon MCEX-18G: B&H Photo / Amazon / Adorama
Fujinon MCEX-45G: B&H Photo / Amazon / Adorama

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Tonix Pharmaceuticals Announces FUJIFILM Diosynth Biotechnologies As Manufacturing Partner for COVID-19 Vaccine Candidate TNX-1800


Tonix Pharmaceuticals Announces FUJIFILM Diosynth Biotechnologies to be Manufacturing Partner for COVID-19 Vaccine Candidate TNX-1800

Collaboration includes Development of Manufacturing Processes and to Supply Clinical Trial Material to Support Tonix’s Development of TNX-1800
NEW YORK, June 01, 2020 (GLOBE NEWSWIRE) — Tonix Pharmaceuticals Holding Corp. (Nasdaq: TNXP) (Tonix or the Company), a clinical-stage biopharmaceutical company, today announced an agreement whereby FUJIFILM Diosynth Biotechnologies (FDB) will provide contract manufacturing and development services to support the manufacturing of Tonix’s COVID-19 vaccine candidate, TNX-1800, for clinical trial supply.

“Tonix is proud to partner with FUJIFILM Diosynth Biotechnologies, a leader in pharmaceutical manufacturing and development,” said Seth Lederman, M.D., President and Chief Executive Officer. “Live replicating orthopoxvirus vaccines have the potential for scalability to supply very large markets because the projected dose of vaccine (2.5-12.5 x 105 PFU) is relatively low and it is typical to provide the vaccines with 100 doses in each glass vial as is the case for licensed smallpox vaccine. This collaboration allows Tonix to benefit from FUJIFILM Diosynth Biotechnologies’ leading technical expertise in process development and commercial cGMP production to have a meaningful impact in the fight against this pandemic.” Read More »

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Metabones 1.26x Expander Available and GFX 100 With Otus 55mm f/1.4


The Metabones 1.26x Expander was announced a few months ago and it can now be ordered from B&H Photo. For those wondering how this expander performs the last word tested it on the GFX 100 with Otus 55mm f/1.4 and Jim Kasson was impressed.

I consider this an impressive performance for the Metabones expander. You’ve got to expect some loss in quality with a teleconverter, but this is quite modest. Of course, as with most adapters, I would expect the degradation to vary with the lens, with the shorter lenses being the most problematic. – the last word

Metabones 1.26x Expander: B&H Photo
Metabones Lens Adapter: B&H Photo
Otus 55mm f/1.4: B&H Photo / Amazon / Adorama

Fujifilm GFX News, Rumors, and Collaboration
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Fujifilm GFX100: B&H Photo / Amazon / Adorama
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Fujifilm GFX 50S: B&H Photo / Amazon / Adorama

Posted in Fujifilm GFX, Fujifilm GFX 100, Fujifilm GFX 100 Megapixel, Fujifilm GFX 100S, Fujifilm GFX 50R, Fujifilm GFX 50S| Tagged , , , , , , , , | Leave a comment