Viltrox 13mm f/1.4 Coming January 3rd

The Viltrox 13mm f/1.4 will be released on January 3rd at 14:00.

  • VILTROX AF 13mm F1.4 STM X
  • 2500 yuan ($392.39 USD)
  • 14 sheets in 11 groups
  • 9 apertures
  • Shortest shooting distance 0.22m
  • Filter diameter 67mm
  • Size φ74 × 90mm
  • Weight 420g

Viltrox 13mm f/1.4 (Jan 3rd): B&H Photo / Amazon

Black
VILTROX 23mm f/1.4:
 B&H Photo / Amazon / Adorama
VILTROX 33mm f/1.4: B&H Photo / Amazon / Adorama
VILTROX 56mm f/1.4: B&H Photo / Amazon / Adorama
VILTROX 85mm f/1.8II: B&H Photo / Amazon / Adorama

Silver
VILTROX 23mm f/1.4:
 B&H Photo / Amazon
VILTROX 33mm f/1.4: B&H Photo / Amazon
VILTROX 56mm f/1.4: B&H Photo / Amazon

via Weibo

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MegaDealZone (27th-29th), Fujifilm Savings Extended (27th-Jan 23rd), and GFX50R Discontinuation


B&H Photo launched its Mega Deal Zone Savings today with over 1200 items discounted and it will run through the 29th. Fujifilm Also extended their savings until January 23rd. There aren’t many GFX50R left so if you want one grab one of the last new units left since retailers like B&H Photo have marked the camera as discontinued since selling out.

GFX50R Discontinuation Thoughts
I have been thinking about why Fujifilm discontinued the GFX50R without a clear replacement in sight and it probably comes down to supply chain shortages and how Fujifilm is increasingly marketing its cameras to DSLR users. The Fujifilm GFX50R sold very well especially when it was on sale, but GFX50S II is a more attractive camera for DSLR photographers new to Fujifilm like the GFX100S was for many that didn’t like the GFX100.

With the current supply chain shortages, it is probably smart to target new customers over existing ones, to sell more glass, so Fujifilm likely cannibalized the sensors allocated for the GFX50R to produce more GFX50SII cameras. If I am correct I hope Fujifilm decides to produce GFX cameras with more dials in the future for those of us that prefer classic cameras, if they don’t Leica could canalize users from Fujifilm for a change.

The GFX50S was just about perfect and GFX cameras that have been released since are all a bit flawed operationally for photographers that prefer a classic layout. The GFX50S’ only shortcoming was the heat sink hump that Fujifilm was able to resolve in later cameras. So let’s all hope the next GFX is a great one for fans of classic Fujifilm and classic cameras.

General Year End Links

Digital

3rd Party GFX Lenses

3rd Party X Lenses

Lighting

Atoms Save up to $948

Software Deals

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Last Day To Save: Fujifilm Holiday Savings End Today


General Holiday Links

B&H Photo
Amazon
Adorama
Moment

Digital

3rd Party GFX Lenses

3rd Party X Lenses

Lighting

Atoms Save up to $948

Other Savings

Other Deals
Pelican Cases Discounted
Memory Card Savings
Power Banks

Battery Banks
Anker PowerCore Speed 20000 PD
PowerCore+26800 PD
other more affordable options

New Apple Mac Pro: B&H Photo
New Apple iPad Pro and More: B&H Photo / Adorama
New Apple iMac Pro: B&H Photo / Adorama
New Apple MBP: B&H Photo / Adorama
New Apple M1: B&H Photo / Amazon / Adorama
MacBook Pro (Savings still available): B&H Photo

Limited time iPad Pro Savings
iPad Pro Bundles: B&H Photo

Software Deals
Luminar Neo & Luminar AI & Luminar 4 & Aurora HDR 2019 (Savings code FUJIADDICT)
ON1 Photo RAW 2022
Photolemur
Picktorial
TopazLabs
Capture One

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Lens Tips: Fujinon XF 33mm f/1.4 R WR Review


The Fujinon XF33mm f/1.4 R LM WR has largely been well-reviewed and received, but it isn’t really an upgrade or replacement for the Fujinon XF35mm f/1.4 R. Lens tips goes a bit against the “norm” in their review, but it seems to be because they prefer clinical glass to glass that has a wow factor that cannot be classified and reproduced E.g. the Leica look. You can read in full here or you can read excerpts from the review below:

Pros:

  • solid, weather-sealed barrel mostly made of metal,
  • excellent image quality in frame centre,
  • good image quality on the edge of the frame,
  • negligible longitudinal chromatic aberration,
  • excellent correction of lateral chromatic aberration,
  • moderate distortion,
  • very low astigmatism,
  • out-of-focus areas nice to look at,
  • good performance against bright light,
  • efficient, silent, and accurate autofocus.

Cons:

  • a bit too high vignetting,
  • coma makes itself felt by f/1.4.

The Fujinon XF 35 mm f/1.4 R, presented almost a decade ago, didn’t age well; that’s why, in my opinion, launching a new, fast standard lens was a really good decision.

The new Fujinon XF 33 mm f/1.4 R LM WR seems to be a much better instrument anyway. You get a superior resolution both in the centre and on the edge of the frame, much better corrected chromatic aberration, lower coma and more efficient autofocus. The older standard only prevails when it comes to a tad better distortion correction.

Fujinon XF 33mm f/1.4 R LM WR
B&H Photo / Amazon / Moment / Adorama

Fujinon XF 35mm f/1.4 R:
B&H Photo / Amazon / Adorama

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BlackMagic RAW and Fujifilm GFX100/GFX100S Plus ProRes RAW vs BRAW

Fujifilm only recently added support for the Blackmagic Video Assist 7″ 12G HDR and Blackmagic Video Assist 5″ 12G HDR, but there hasn’t been much said until now. For those interested Fujifilm added a brief video to its YouTube showing off some of the advantages of shooting 12-bit Blackmagic RAW with the Fujifilm GFX100S. The above video claims that  Blackmagic RAW is lightweight and very easy to work with, but I would have liked to have seen a true comparison with Apple ProRes so I included some videos below under the Make-up is session video.

I personally prefer ProRes RAW and Atomos Recorders which are currently on sale, but if your workflow includes DaVinci Resolve then BRAW might be best for you. There are some slight differences between the formats that will matter to pixel peepers, but pixel-peeping frames of video isn’t a good use of time for most since the motion of the frames hides a lot. If I were picking a RAW format of choice for a video my decision would be based on my chosen editor, which at this time is Final Cut Pro so ProRes RAW is ideal for me.

Fujifilm GFX100S:
B&H Photo / Amazon / Moment / Adorama
Fujifilm GFX100:
B&H Photo / Amazon / Adorama

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Plus our owners’ groups
Fujifilm GFX Owners Group
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Fujifilm X-T Owners Group
Fujifilm X-S Owners Group
Fujifilm X-Pro Owners Group
Fujifilm X-E Owners Group
Fujifilm X-A Owners Group
Fujifilm X100 Owners Group

BRAW vs ProRes RAW

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First Viltrox 13mm f/1.4 Review Posted: Delayed Until 2022 But Worth The Wait

The Viltrox 13mm f/1.4 has been a long time coming, but it looks like samples have gone out and reviewers have been given permission to publish their reviews. The video is full of still and video samples so be sure to check it out, but if your time is limited there are excerpts below:

  • Viltrox 13mm f/1.4 can be useful for vlogging
  • Well packed lens
  • Nice snap cap and lens hood
  • Solid mount with a USB-C firmware update port on the bottom
  • Nice manual focus ring and clicked aperture that sounds a little plastic
  • f/1.4 to f/16
  • 22cm minimum focus distance
  • 67mm filter thread
  • Little large but only 420g
  • Good mix of high-quality plastics and metal
  • A lot of people will want to compare this to the Samyang 12mm AF
  • This lens is a keeper and even though it is large it still feels good even when vlogging
  • Not sure if it would hold up to extreme weather, but it does hold up to abuse well
  • Very well made for the price point
  • AF is excellent and locks on quickly
  • This is close to STM focus throw quality for video
  • This lens is super sharp maybe even too sharp
  • This is Viltrox’s sharpest lens
  • Wide-open it is very usable unless you’re worried about the edges
  • Colors render well but a little cool maybe
  • Bokeh is ok in the foreground and background
  • Not a pixel peepers’ lens
  • There is noticeable vignetting wide open that cleans up quickly
  • Some distortion
  • The lens performs really well stopped down
  • The flaws of this lens are only really noticeable up close on the street
  • There is some chromatic aberration
  • None of this should stop you from buying this lens
  • If you’re clinical this lens is probably not for you, but it is a great lens for everyone else
  • The price will be about $429 USD but there is nothing that compares to this lens on the market
  • The Samyang 12mm f/2 AF is the closest lens to this one, but it Is a very different lens
  • Should be great for Astro
  • Release pushed back to 2022

Viltrox 13mm f/1.4 (coming 2022): B&H Photo / Amazon

Black
VILTROX 23mm f/1.4:
 B&H Photo / Amazon / Adorama
VILTROX 33mm f/1.4: B&H Photo / Amazon / Adorama
VILTROX 56mm f/1.4: B&H Photo / Amazon / Adorama
VILTROX 85mm f/1.8II: B&H Photo / Amazon / Adorama

Silver
VILTROX 23mm f/1.4:
 B&H Photo / Amazon
VILTROX 33mm f/1.4: B&H Photo / Amazon
VILTROX 56mm f/1.4: B&H Photo / Amazon

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