Tokina SZ Super Tele Finder Listed


Tokina SZX 400mm f/8:
B&H Photo / Amazon
Tokina SZ Super Tele 500mm f/8:
B&H Photo / Amazon
Tokina SZ Super Tele Finder:
Amazon

The Tokina SZ Super Tele Finder has finally been listed on Amazon, but it is shipping from Amazon UK and listed on Amazon US. I have been asked about this product quite a few times by fans of the Tokina SZX 400mm f/8 and Tokina SZX 500mm f/8.

  • Compact one-piece slim metal body and robust built
  • 10 levels of red dot brightness adjustment
  • Horizontal and vertical calibration
  • Automatic sleep mode in 3 minutes and Power Off in 5 hours
  • Tokina multi-coating for a clear red dot even in sunny weather

Description
Quick and accurate long distance aiming at objects using tele or super tele lenses is not as simple as it seems to be. A narrow field of view makes the photographer hunt for a while until the object appears inside the frame. This waste of time might cost the photographer the perfect shot. The Tokina Super Tele Finder Lens is a convenient accessory for photographers who practice long distance tele shooting like birds, celestial bodies, auto racing, fireworks, airplanes or animals. The purpose of this accessory is not just to assist in aiming but even in tracking the target in a quicker and more accurate way. Suggested to use with a tele or super tele lens like the Tokina SZX 400mm F8 Reflex; Tokina SZ Super Tele Finder Lens features a one-piece slim metal body with no moving parts. This simple design and robust built assures long life with less chance to break in tough situations, unlike other brands that uses mostly plastic materials. Tokina SZ Super Tele Finder Lens requires red dot calibration before shooting. For this purpose there are two screws for vertical and horizontal adjustments on the top and left side of the unit. Unlike other brands, adjustment screws of the Tokina SZ Super Tele Finder Lens do not come out from the surface, so the chance of accidentally shifting the adjustments is much smaller. The Tokina SZ Super Tele Finder Lens incorporates a shake sensor that detects small impacts and moves in 3 dimensions. When the unit is not in use (stays still), sleep mode will be automatically executed in 3 minutes to prevent battery power loss. Power will go OFF if the unit is not in use for 5 hours. Lens size 26 x 21mm Coating Tokina multi-coating Brightness adjustment Switch button Brightness levels 10 levels Lens light transmittance 97% Magnification 1x Weather-proof up to 2m (internal test) Power supply 1 x CR2032 coin-shaped lithum battery Main unit material Aluminium Dot color Red Warranty 2 years Country of origin Japan Weight 41.5g (Main unit only) Dimensions 56.5 x 29 x 32.5mm (Main unit only)

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Complete Your Kit: Fujifilm’s New Wacky Parody of The Dating Game Ad

Fujifilm released a wacky parody of the dating game on Twitter the other day with a female photographer trying to pick between the XF100-400mm, XF50-140mm, and XF200. It’s hard to tell how this ad will be received by western audiences, but it starts with a Fujifilm rep trying to help a woman who has been with her kit for a while now but is ready to put herself back out there. Then the Ad cuts to the dating game parody where she is asked what she is looking for and says she likes a lens that is specialized.

From there we are Introduced to the XF100-400mm, XF50-140mm, and XF200. Lens number one is the XF100-400mm that prides himself on being high performance and claims himself to be a super-telephoto zoom, while lens number two the XF50-140mm is a certified workhorse with no time for dilly-dallying and is fast and direct. Finally lens number three the XF200 is introduced as making subjects feel larger than life with a keen eye for beauty. They all enjoy nature photography and being stored in cool dry places, action sports, and the XF200 is packing a 1.4x teleconverter.

Of course, she ends up picking lens number three the XF200mm f/2, but I’m curious how this Ad will be received. The Ad ends with Fujinon XF200mm f/2 what you’re really looking for which is fine, but the format is unique, to say the least. So far the Ad doesn’t seem to have been posted anywhere except for Twitter. These kinds of dating shows are still popular today, but the entire presentation feels a little off-color to me and left me wondering who is Fujifilm really targeting with this Ad, or are they just trying to be controversial and maybe go viral? Would they make the same Ad with a Male? What do you think?

Fujinon XF 200mm f/2 OIS WR w XF 1.4x TC F2 WR:
B&H Photo / Amazon / Adorama
Fujinon XF 100-400mm f/4.5-5.6 R LM OIS WR:
B&H Photo / Amazon / Moment / Adorama
Fujinon XF 50-140mm F2.8 R LM WR:
B&H Photo /Amazon / Adorama

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Fujifilm GFX100S In Stock! Only 2 Available So Don’t Delay


The Fujifilm GFX100S has been hard to find since launch, but there are two currently in stock at shopmoment so don’t miss out!

Fujifilm GFX100S:
B&H Photo / Amazon / Moment / Adorama
Fujifilm GFX100:
B&H Photo / Amazon / Adorama

Fujifilm GFX50SII:
B&H Photo / Amazon  / Moment / Adorama
Fujifilm GFX50R:
B&H Photo / Amazon / Adorama
Fujifilm GFX 50S:
B&H Photo / Amazon / Adorama

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Fujifilm Secret Development Story: XC, XF, and GF Lenses Discussed

Fujifilm released secret development stories 1 and 2 covering XC, XF, and GF design. Story 1 also includes industrial lens products, but I excluded them from the summary below because the Japanese to English translation is particularly bad. Still, there are some interesting things to be learned below like why Fujifilm is removing OIS switches from its lenses. Apparently, it’s better if your camera determines when OIS should be turned on or off.

Part 1

  • Computers dramatically speed up and improved optical designs
  • XF lenses are designed for a high level of performance for autofocus and OIS
  • XC lenses are compact and designed for casual users that emphasize cost performance
  • XC are good kit lenses
  • Fujifilm is different in that they do not compromise image quality for their entry-level XC lenses
  • If you compromise image quality then you can fail to impress
  • XC lenses are a little darker than normal XF lenses which makes it easier to reduce the diameter of the lens in addition to using less glass and making it easier to correct for various aberrations
  • ASPH glass lenses are very expensive but can be replaced with plastics
  • Using plastics helps to make XC lenses lightweight and helps reduce costs
  • Light weight lenses can also use cheaper stepping motors
  • XC lenses cost about $100 to make
  • GF lenses are designed to cover a surface area 1.7x the size of full-frame
  • If you double the surface area a lens covers then you have to double the size
  • Aspherical surfaces and ED elements help to reduce the size of GF lenses and allow the lens to be closer to the sensor
  • Without modern lens design GF lenses would be 4 to 8x bigger

Part 2

  • Red badge lenses are high-performance lenses with high-speed autofocus that are heat, dust, and water-resistant.
  • Red Badge lenses represent Fujifilm’s best technology at the time
  • The first XF lenses to get a red badge were f/2.8 zoom lenses
  • The f/2.8 zooms  were followed by the XF 100-400mm since Fujifilm decided that red badge didn’t have to be f/2.8
  • Red badge represents flagship products
  • Then came the XF200mm f/2 and it is an extraordinary lens that was designed to work very well with all forms of autofocus
  • The XF50mm f/1 was designed to provide smooth bokeh
  • The XF18,23,33 f/1.4 were then released and designed for high resolution
  • Fujifilm designs each lens with different characteristics to suite the purpose of the lens
  • Fujifilm’s lens labels are R for aperture ring, LM for linear motor, OIS for optical image stabilization, and WR for weather and dust resistant
  • Autofocus speed is getting faster and faster
  • Fujifilm also uses stepping motors, DC motors, etc…  in their lenses
  • There is a lot to think about when picking a motor because it can have to move a lot of glass and vibration can be an issue
  • Linear motors are great because you can remove gears from the process which reduces vibration and adds speed, but it is a more delicate motor that isn’t great for heavy glass
  • To work around chattering Fujifilm places the heaviest lens in the middle of their optical designs and then balances the motor or motors around the lens
  • Fujifilm removed the OIS on/off switches because the old understanding of turning OIS off when shooting on a tripod isn’t accurate and Fujifilm has designed its cameras to decide when to turn on and off OIS on its own

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Fujinon XF23mm f/1.4 R LM WR New Release Date


Fujinon XF 23mm f/1.4 R LM WR
B&H Photo / Amazon / Moment / Adorama

The Fujinon XF23mm f/1.4 RLM WR was previously delayed and it will now launch on February 24th.

Notice of release date and reservation acceptance start date for interchangeable lens for digital cameras “FUJINON LENS XF23mmF1.4 R LM WR”
We would like to express our sincere gratitude for your continued patronage of Fujifilm products.

The release date and reservation acceptance start date for the interchangeable lens “Fujinon Lens XF23mmF1.4 R LM WR” for digital cameras and the related accessory “Lens Hood LH-XF23 II”, which we announced the postponement of the release the other day, have been decided. I will inform you about it.

product nameSuggested retail priceReservation acceptance start dateRelease date
FUJINON LENS XF23mmF1.4 R LM WR134,200 yen (tax included)Tuesday, February 1, 2022Thursday, February 24, 2022
Lens hood LH-XF23 II11,000 yen (tax included)

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Fujifilm GFX Owners Group
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Fujifilm X-Pro Owners Group
Fujifilm X-E Owners Group
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Fujifilm X100 Owners Group

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DPRTV: 10 Years of X-Mount – Fujifilm X-Pro1

DPRTV is celebrating Fujifilm’s 10th anniversary with a current review of the Fujifilm X-Pro1, but they probably should have included the X100 since it really started it all. You can still get a Fujifilm X-Pro1 on Amazon if you’re interested in trying one out. Paired with the XF35mm f/1.4 the X-Pro1 gives the closest approximation to the Leica look of any non-Leica camera I have ever used. I also included the camera store X-Pro1 review below.

Key Takeaways:

  • Originally didn’t like the hybrid optical viewfinder Chris now finds it enjoyable
  • The vintage look has served them well over the last decade
  • X-T opened up the system to more shooters
  • Back panel is not bad even today
  • Old X-Trans files are so much easier to edit today
  • X-Trans helped with a lot of issues that Bayer sensors cause
  • Fujifilm developed a reputation for great color with the X-Pro1
  • Not a lot of film simulations and kind of funny classic simulations are on newer cameras ( side note it would be funny to have an X-Pro1 simulation setting in the future)
  • Really impressed with how accurate the hybrid viewfinder overlay is
  • Single-point AF and focus and recompose is the best way to use this camera
  • The video was horrible and now Fujifilm captures some of the best video
  • X-Pro1 still feels like a current camera in a lot of ways
  • 21 firmware updates issues for this camera that added features like peaking even years after release
  • Fujifilm needed to fix a lot out of the box in the past but that is no longer the case
  • X-Pro1 was a niche camera intended for certain kinds of photography, but now they dominate APS-C and Medium Format
  • Wasn’t a fan of the X-Pro1 in the past, but had a blast shooting it today

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Fujifilm GFX Owners Group
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Fujifilm X-T Owners Group
Fujifilm X-S Owners Group
Fujifilm X-Pro Owners Group
Fujifilm X-E Owners Group
Fujifilm X-A Owners Group
Fujifilm X100 Owners Group

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