Atomos Ninja V+ Discounted and Reviewed


The Atomos Ninja V is all you need for now to capture every format that current Fujifilm cameras can record, but the Atomos Ninja V+ will likely be required to fully utilize the capabilities of the Fujifilm X-H2 when it launches since it supports 8k. The Atomos Ninja V+ is currently discounted $500 at B&H Photo and the Atomos Ninja V is only $649 at B&H Photo at this time. So for only $350 more, you can get a somewhat future-proof video recorder.

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Fujifilm GFX50S Now Discontinued According to B&H Photo


And just like that the Fujifilm GFX50S is now discontinued after we posted its incredibly discounted price a few hours ago. I was seriously considering picking one up to go with my GFX100 at the ridiculously low price point of $2,499 but I didn’t make up my mind fast enough. The GFX100 is an incredible camera, but the GFX50S will likely remain my favorite GFX for some time to come due to its lack of PDAF pixels and superior control layout that future GFX abandoned to attract DSLR users. I really hope Fujifilm brings back this body in the future without the bump.

The Fujifilm GFX50S is still available on Amazon and Adorama

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Fujifilm GFX50S Discounted to Under $3k


This is a crazy deal and I doubt it will last long. B&H Photo has the Fujifilm GFX50S for $2,499 so grab one while you can! This is still my favorite iteration of the GFX and I greatly prefer the ergonomics off it over the GFX100S/GFX50S II/GFX50R/GFX100.

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NEW LEE Elements High-Performance Circular Filters


LEE Elements Filters: Adorama

LEE Filters launch LEE Elements range of high-performance circular filters

Innovative new filter range includes LEE’s renowned Stopper, polariser and ND technologies, allowing content creators working in stills and video to employ LEE’s creative tools in an easy-to-use form factor
LONDON, England (1st November, 2021) – LEE Filters, a leading manufacturer of high-quality lighting gels and photographic filters and part of Panavision’s end-to-end offerings for image makers, has introduced LEE Elements, an all-new range of high-performance and quick-to-deploy circular filters for photographers and videographers.

Available in four standard sizes of 67mm, 72mm, 77mm and 82mm, LEE Elements comprises five filter types: Little Stopper (offering 6 stops of light reduction), Big Stopper (10 stops of light reduction), CPL (circular polariser) and two densities of VND (variable ND, providing 2-5 or 6-9 stops of light reduction). Each LEE Elements filter incorporates the highest quality multilayer coated optics, providing class-leading optical performance, including with wide-angle lenses, and making them ideal complements to the latest lenses and camera sensors. The filters feature a rugged and robust black anodized aluminium frame, and their innovative design enables quick and easy attachment and operation without the need for a filter holder, in any environment and even when wearing gloves.

“With LEE Elements, we’re bringing our experience and know-how to a new range of quick and easy-to-use circular filters, providing the quality and performance that customers expect from LEE in a form factor that can streamline their creative process, whether they’re capturing stills or video,” said LEE Filters Managing Director Paul Mason. “With the quality of the glass and the high-performance coatings across the range, LEE Elements offers photographers and videographers class-leading optical performance.”

For the first time, LEE’s renowned Stopper filters for long-exposure photography are available in a circular format ideal for grab-and-go shooting. The LEE Elements Little Stopper and Big Stopper also feature stackable housings, allowing them to be combined to meet users’ creative needs across a variety of shooting conditions. For further flexibility, the rotating CPL and VND filters—which feature increased front rings to ensure optimal edge-crop performance—can be stacked in front of a Stopper.

The fluid rotation mechanics of the CPL and VND filters ensure smooth, silent operation, ideal for videography. Additionally, the VND filters feature a bracketed design with a rotational limit that eliminates the risk of cross-polarisation anomalies. The VND filters’ clearly marked numeric stop positions—tuned to LEE’s tight tolerance standard for ND filters—support stills and video content creators with real-time exposure control in dynamic lighting situations and also provide another creative option for long-exposure photography. LEE Elements CPL filters draw on LEE’s expertise in polarisation for ultimate reflection and contrast control.

Beyond the filter range’s scratch-resistant and anti-reflective coatings, LEE Elements features hydrophobic and oleophobic coatings equivalent to those found on Panavision’s PanaND and LEE’s ProGlass Cine IRND filters, providing enhanced protection against moisture and fingerprints. The filters also feature a knurled finish for an enhanced all-weather grip. Additionally, the front and rear sections of the rotating CPL and VND incorporate differentiated grip patterns to provide users with tactile feedback as the filters are adjusted.

Each LEE Elements filter comes with its own single-piece, impact-resistant protective hard case with custom foam insert. The curved, single-piece design allows the case to be held comfortably in one hand as the user removes or replaces the filter, and the cases are sized to be able to fit into a pocket or occupy minimal space in a camera bag. Each filter also comes with its own cleaning cloth.

“LEE Elements will introduce new customers who might still be in the early stages of their image-making journeys to the high-quality, rugged and easy-to-use filter systems that LEE is known for,” Mason said. “As those image makers continue in their creative pursuits, we’ll be there to further support them across a whole range of lenses with our LEE85, LEE100 and SW150 filter systems for still photography and our ProGlass Cine IRND line of neutral-density filters for cinematography. Whether a customer is shooting stills or video content, LEE Elements offers a versatile solution that empowers them to simply go and create.”

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Fujinon XC30mm f/3.5 / XF30mm f/3.5 Patent Found


Asobinet found an interesting patent that could end up released as a Fujinon XC30mm f/3.5 or XF30mm f/3.5. If this lens is produced it should be very compact and it will be a very dark lens for the X mount lineup.

Overview

  • [Publication Number] Japanese Patent Application Laid-Open No. 2021-173847 (P2021-173847A)
  • [Publication date] November 1, 2021
  • INDUSTRIAL APPLICABILITY: Imaging lens and imaging device
  • [Application date] April 23, 2020
  • [Applicant]
    [Identification number] 306037311
    [Name or name] FUJIFILM Corporation
  • PROBLEM TO BE SOLVED: To provide an image pickup lens which is compactly configured, has good optical performance, and is advantageous for speeding up focusing, and an image pickup device provided with the image pickup lens.

Example

  • Focal length: 30.85
  • F value: 3.51
  • Angle of view: 47.8

Via Asobinet

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Panasonic Showed Off a New 35MP Super 35 Organic Sensor


Fujifilm and Panasonic have been collaborating on organic sensor technology for a while and the above sensor might be the first real-world application to come from their collaboration. Monoist spotted the sensor at the 4th 4K / 8K Video Technology Exhibition.

Organic CMOS sensors replace the silicon photodiode cites with an organic thin film that has a larger light absorption coefficient. The above chip has a resolution of 35MP (8k) with support for wide dynamic range and global shutter. Global shutter is difficult to deploy in traditional sensor technology because it generally causes resolution and dynamic range to drop as a trade-off, but Organic CMOS is not similarly impacted.

Panasonic’s organic CMOS sensor has a dynamic range four times that of traditional CMOS sensors that have an 8k resolution. Further, Panasonic believes that next-generation organic CMOS technology will have ultra-wide dynamic range technology providing up to 100 times the dynamic range of current Organic CMOS sensors and 400 times the dynamic range of CMOS sensors by using two sensitivity detection cells, a high-sensitivity cell and a high-saturation cell.

The 35MP Super 35mm sensor very well could be the new sensor coming in the Fujifilm X-H2, but it’s unlikely Fujifilm will leave Sony anytime soon.

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