image courtesy of Japancamerahunter Bellamy at Japan camera hunter has an interesting article about an often over looked medium format camera. The Fujifilm GX680IIIS, which is a huge studio quality camera that many people are unaware of, because it never gained popularity. I was surprised to find out that even this camera has the ability to have a CF/CF-MS digital […]
DPReview finished reviewing the Fujifilm X70 and they seem underwhelmed by its performance. The X-Pro 2 has set the bar high with it’s new sensor and processor, while the X70 is stuck in the past. It looks like it’s time for Fuji to start upgrading their sensor across the board. Fun to shoot, probably isn’t enough to […]
Mirrorlessons has a detailed analysis of everything ACROS has to offer and how it compares to Fuji’s original monochrome simulation. The author covers the built-in color filters, and when it is best to utilize them. He also provides many landscape, and portrait examples, with each simulated color filter in action so you can decide what […]
It seems I am not the only person impressed with Fuji’s ability to produce great video via film simulation. EOSHD calls the Fujifilm X-Pro 2 a Leica killer, which is quite a claim considering the effort Leica’s been putting into video with newer Leica cameras like the SL and S. The Fujifilm X-Pro 2 isn’t […]
Most of my photography is of the rangefinder/street shooting variety, but I have always enjoyed telephoto photography. It’s a different experience that generally forces you to carry a lot of extra equipment. Many telephoto professionals/enthusiasts own heavy duty tripods and utilize remote release systems to get optimal results, but the Fujifilm XF 100-400mm f/4.5-5.6 R LM […]
DPReview finished reviewing the X-Pro 2 and it is full of high praise. I just finished reading their review and it is very fair and thorough, but I wish they tested more lenses, since system performance is largely lens dependent. The cons seem like a stretch to me since they are classifying the camera as semi-professional, […]
