How Fujifilm Addresses Real Issues With The Fujifilm GFX 50S

Nathan Elson was given a pre-production Fujifilm GFX 50S to try and I think one his strongest points is how Fujifilm listens to photographers and solves real problems. He begins the video by talking about shooting outside with the GFX in negative 37 degree weather for 2-2.5 hours (his iPhone says -29 degree) but the camera handled it like a champ. Nathan also talks about how light it is and how well it focuses, but he expects it to get even better through firmware updates, because Fujifilm is well known for improving there cameras via firmware. Thankfully the autofocus is tack sharp across the frame, but it can hunt a little in low light.

The camera is super customizable, which explains why there are no labels on any of the buttons. Fujifilm made it so you can setup the GFX to work how your mind works. They also included a cable management accessory, which is excellent. Nathan gives us a good look at it attached and points out how Fujifilm solves the problems they see, which is also evident in their firmware updates.

Nathan Elson also has a lot of GFX sample photos on his website and Instagram if you are interested, but the website isn’t clearly labeled so you might have to look at the low resolution Instagram images first.

Other Fujifilm GFX 50S News

The above video by Fujifilm Ukraine shows some of the touch screen functions and gestures at the Nice event and some new images. I think they will take a little time to get used to, but it’s certainly an interesting implementation.

https://www.youtube.com/watch?v=XJpEgPyHD8o

Fujifilm also released a new Challenges video today with Niko Vilegas. It seems they decided to continue the popular series and have started to populate the Global video channel down into other Fujifilm run channels so it might become confusing to keep up.

Don’t forget to join our Fujifilm GFX Owners Group and GFX Owners Page in addition to following Fujiaddict on Facebook and Twitter.

Fujifilm GFX B&H Photo/Amazon/Adorama

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Fujifilm Camera Remote 2.2.0 Adds Fujifilm GFX 50S, X-T20, X100F Support


Description
The FUJIFILM Camera Remote is an application provided by FUJIFILM that can operate wireless-equipped digital cameras by remote control to shoot images and to view images and movies in the camera and to transfer them to smartphones or tablets.

Download from iTunes or Google Play.

[Features]
-This application provides the following functions:
1. Transferring images and movies to a Smartphone
2. Browsing the Camera from a Smartphone
3. Downloading Location Data from a Smartphone
4. Shooting Images by Remote Control(*)
*How to change the setting depends on your camera.

[Supported cameras and supporting functions]

[Supporting functions: 1, 2, 3, 4] FUJIFILM GFX 50S, X-T20, X100F, X-A10, X-A3, X-T2, X-Pro2, X-E2S, X70, X-T10, X-T1, X30, X100T, X-E2(firmware version 3.00 or later), FinePix XP120, XP90, XP80, S9900W, S9950W, F1000EXR, S1

[Supporting functions: 1, 2, 3] FUJIFILM X-E2(firmware version 1.00-2.10), XQ2, XQ1, X-A2, X-A1, X-M1
FinePix F900EXR, F800EXR, Z2000EXR, Z1100EXR, XP200, XP70, S9400W, S8400W, S8450W, S8200W

[Supporting functions: 1] FinePix Z1000EXR(*), XP170

Please Visit FUJIFILM Web pages for more details and usage.
http://app.fujifilm-dsc.com/en/camera_remote/index.html

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Yuta Kawamura and Francois Kouyoumjian GPP 2017

 

 

Yuta Kawamura opened for Zack Arias the other day at GPP 2017 and he had a few interesting remarks. He brought up how last year at GPP 2016 there were requests for:

  • USB Charging
  • Longer Battery Life
  • Tilt Shift Lens
  • 400mm F2
  • Trigger for X-Series

He then mentions how the Fujifilm X-T2 can be charged by USB and can get 1,000 shots with the hand grip.

So maybe there will be a Fujifilm Tilt shift lens and Fujinon XF400mm F2 in the future along with a trigger.

Francois Kouyoumjian then follows with a new video and some specs for the Fujifilm GFX 50S from the recently released tech sheet. You can see some of the info used in the slides below. Read More »

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Zack Arias GFX Launch Night GPP 2017, Confirming Capture One Support

 

 

Zack Arias’ Fujifilm GFX 50S GPP Talk

Beginning: I used to make fun of people pixel peeping until I shot medium format…

He then goes into a long personal story that is somewhat inspirational, but weird…

Zack has always been drawn to medium format and wants to work with it over all else, but he doesn’t want to shoot models.

Photographing with medium format is for him and he is being selfish.

Which then leads into his interesting photo project which includes waterboarding/shaved heads/and late night rendezvous with long bearded men.

Around 30 Minutes: Zack’s son doesn’t have any interest in the Phase One anymore after shooting the GFX. He shows some of his sons work with the GFX too.

Zack uses an interesting term stereoscopic bokeh to describe the look for medium format bokeh.

39 Minutes: Extreme pixel peeping. Pretty amazing example that I don’t want to spoil where he shows a person and then the entire frame the person camera from.

43 Minutes: 12,800 ISO blows Zack away.

47 Minutes: Capture One confirmation. Zack isn’t sure, but then a Fujifilm representative walks up and confirms that Capture One will support the Fujifilm GFX50S at launch.

The Capture One confirmation is the only real news from the talk. There have been quite a few whispers that it’s coming, but this is as certain as you will get before an official announcement from Fujifilm.

Fujifilm GFX B&H Photo/Amazon/Adorama

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Fujifilm GFX 50S and Canon 5DS R Compared


image courtesy of Michael Schnabl

The Fujifilm GFX 50S is impressively compact compared to the Canon 5DS R. Here are some excerpts form Michael Schnabl’s article on his experience.

“What immediately came to mind was the operating concept, with which one immediately immediately if one had already photographed with a camera from the X system, for a medium format camera compact dimensions and after a few test photos with 12,800 ISO, the incredibly good noise .”

“From the speed, the first test in good light showed that the camera can be quite well with cameras from the full-format mirror reflex segment – in poor light, the AF then but a bit slower – whereby I have not worked with any final firmware and final The low-light report camera or the sports camera, the camera will probably be less used for the studio, landscape, architecture and still life, but the autofocus speed is more than adequate for a medium-format camera Fast – just in case of still-life shots, the possibility to set the autofocus point to anywhere in the picture field is ingenious.”

“I was able to make a huge difference to the Canon immediately – the colors out of the cam – what you already know of the other cameras of the X-system continues here – Fuji simply produces the more beautiful colors and the JPG’s look really good out.”

You can read Michael’s translated full impressions here, it sounds like the 5DSR falls quickly behind the GFX 50s from his account.

Fujifilm GFX B&H Photo/Amazon/Adorama

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GFX is Making us Broke and More First Impressions

Photo by Bryan Gateb – www.bgateb.com | photos.bgateb.com | @bgateb

Bryan from the broketographers shared some bullet points from his preview experience with our GFX Owners group.

  1. It’s super light. Lighter than an FF DSLR. A bit bigger than I expected, but still very small. The vertical grip is great, and unlike other cameras, and because the battery door is on the side of the camera, there are contacts right on the bottom of the camera, so you don’t have to remove battery doors when adding the grip. You can quickly and easily just add or remove it whenever you want.
  2. The lenses are large, but also impossibly light, too. I don’t know what kind of sorcery this is. Even the zoom and the 120 macro were way lighter than I expected them to be.
  3. Because of the above, it kind of feels like a toy, which was a bit of disappointment. Sans grip and with the 63 f/2.8, it’d be a good (albeit expensive) “walkaround camera” with an amazing sensor because of its size and light weight, provided you can deal with the slow, deliberate, method of MF shooting.
  4. The Contrast-Detect Focusing is faster than I expected it to be, but it does hunt quite a bit, racking focus back and forth two or three times before it acquires focus – even in a relatively well-lit indoor space (like a camera shop). When it does lock on, using the smallest focusing area, focus is accurate and the results are sharp. The joystick is awesome to quickly navigate the 425 focus points.
  5. Viewfinder blackout seemed incredibly long. It got a little annoying. VF does not blackout during continuous shooting.
  6. Coming from using and owning a few Fujis, I was able to pick it up and manipulate everything without really having to wonder “how” to do something.
  7. Both screens are awesome. The e-ink display for the top of the camera is awesome and easy to read. The tilt-screen is the same as the XT2, so it can tilt to the right as well, Kind of cool to be able to use it as a pseudo waist-level finder. Touch screen works well for selecting focus points, as well as swiping through and pinch/tap to zoom in.
  8. I still don’t really like EVFs. It’s good on this camera, but not any noticeably better than my XPro2 or an XT2 (I still use the OVF on my Xpro, mostly). The EVF seemed to be laggy, but it was a “pre production” model.
  9. It’s comfortable-ish. I wish the grip was deeper to get a better grip on the camera.
  10. It’s well balanced – with the 63mm f/2.8 only. Put the 32-64 f/4 on it or the 120 f/4 macro, and it becomes fairly front-heavy. This is sort of alleviated a bit with the grip in place.
  11. I didn’t get to take any photos home on my own card, but going off of the rear screen during review, it’s really clean through ISO1600, and 3200 is usable.
  12. I was teetering (if I did buy one) between the 63 and the 32-64 zoom – The 63 is very sharp, and super light. I think the body (without grip), and a 63 would be the the best combo available at launch. I think the 45/63/110 would be the direction I’d go, if I decide to get one later on.
  13. Overall, I was hoping it’d sell me completely on the GFX, but I’m not quite there yet. The 1/125 X-sync is still something that concerns me, as well as the (lack of) weight and my lukewarm feelings about about EVFs.

You can read his full article here and see lots of full resolution shots of the Fujifilm GFX 50S. Read More »

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