Fuji Addict

Accurate Fujinon GF 35-70mm f/4.5-5.6 WR Size Comparison

By Louis Ferreira | Published: September 1, 2021

Based on the dimensions Nokishita leaked I made an accurate mock-up of the Fujinon GF 35-70mm F4.5-5.6 WR compared to the Fujinon GF 32-64mm f/4 R LM WR and it looks like a quite compact lens that might be worth picking up for under a grand. It is accurate in the closed and fully extended position above and even fully extended it looks quite small compared to the Fujinon 32-64mm.

Fujinon “GF35-70mm F4.5-5.6 WR” has 11 elements in 9 groups (1 aspherical lens, 2 ED lenses)
minimum 35cm, maximum 0.28x
filter 62mm
size φ84.9mm x 73.9mm (Collapsed) / 96.4 It seems to be mm (Wide) /95.7mm (Telephoto)
weigh 390g.

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Fujinon GF 35-70mm f/4.5-5.6 WR:
B&H Photo / Amazon / Moment / Adorama
Fujinon GF 32-64mm f/4 R LM WR:
B&H Photo / Amazon / Moment / Adorama

Fujifilm GFX50SII:B&H Photo / Amazon / Adorama
Fujifilm GFX100S: B&H Photo / Amazon / Moment / Adorama
Fujifilm GFX100: B&H Photo / Amazon / Adorama
Fujifilm GFX50R: B&H Photo / Amazon / Adorama
Fujifilm GFX 50S: B&H Photo / Amazon / Adorama

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Posted in Fujifilm GFX, Fujifilm GFX 100, Fujifilm GFX 100 Megapixel, Fujifilm GFX 100S, Fujifilm GFX 50R, Fujifilm GFX 50S| Tagged Fuji GFX, Fuji GFX 100, Fuji GFX 100R, Fuji GFX 100S, Fuji GFX 50R II, Fuji GFX 50S II, Fuji GFX100, Fuji GFX100R, Fuji GFX100S, Fuji GFX50R II, Fuji GFX50S II, Fuji Rumors, Fuji X-E4, Fuji X-H1, Fuji X-H2, Fuji X-S10, Fuji X-T30 II, Fuji X-T30II, Fuji X-T4, Fuji X-T40, Fuji X100V, Fuji XE4, Fuji XH1, Fuji XH2, Fuji XS10, Fuji XT4, Fuji XT40, Fujifilm, Fujifilm GF 32-64mm f/4 R LM WR, Fujifilm GF 32-64mm f4 R LM WR, Fujifilm GFX, Fujifilm GFX 100, Fujifilm GFX 100Mpx, Fujifilm GFX 100R, Fujifilm GFX 50R II, Fujifilm GFX 50S II, Fujifilm GFX100, Fujifilm GFX100Mpx, Fujifilm GFX100R, Fujifilm GFX100S, Fujifilm GFX50R II, Fujifilm GFX50S II, Fujifilm Rumors, Fujifilm X Lab, Fujifilm X-E4, Fujifilm X-H2, Fujifilm X-S10, Fujifilm X-T 30II, Fujifilm X-T30 II, Fujifilm X-T30II, Fujifilm X-T4, Fujifilm X-T40, Fujifilm X100, Fujifilm X100V, Fujifilm XE4, Fujifilm XH1, Fujifilm XS, Fujifilm XS10, Fujifilm XT4, FujifilmRumors, FujiGuys, Fujinon GF 20-35mm, Fujinon GF 32-64mm f/4 R LM WR, Fujinon GF 32-64mm f4 R LM WR, Fujinon GF 35-70mm f/4.5-5.6, Fujinon GF 55mm f/1.7, Fujinon GF 56mm f/5.6 R WR, Fujinon GF Tilt/Shift, Fujinon GF20-35mm, Fujinon GF32-64mm f/4 R LM WR, Fujinon GF32-64mm F4 R LM WR, Fujinon GF35-70mm f/4.5-5.6, Fujinon GF55mm f/1.7, Fujinon GF56mm f/5.6 R WR, Fujinon XF 150-600mm, Fujinon XF 18-120mm, Fujinon XF 23mm f/1.4 II, Fujinon XF 23mm F1.4 II, Fujinon XF 33mm f/1.4, Fujinon XF150-600mm, Fujinon XF18-120mm, Fujinon XF23mm f/1.4 II, Fujinon XF23mm F1.4 II, Fujinon XF33mm f/1.4, Fujirumors, GFX, GFX 100, GFX 100R, GFX 100S, GFX 50R II, GFX 50S II, GFX100, GFX100R, GFX100S, GFX50R II, GFX50S II, Large Format, Leica, Leica S, Medium Format, Project Real, Super Full Frame, X Summit, X Summit Prime, X Summit Prime 2021, X-E4, X-H2, X-S10, X-T4, X-T40, XE4, XH2, XS10, XT4, XT40| Leave a comment

First Fujifilm X-T30II Spec Comparison! X-T30II vs X-T30 vs a6600

By Louis Ferreira | Published: August 31, 2021

The Fujifilm X-T30II isn’t much of an improvement over the X-T30, but it looks like Fujifilm tweaked some thermal characteristics about the body to allow it to perform more like an X-T4. The body is also a little lighter and the battery will last a little longer, but I have a feeling this compromise might be the product of chip shortages. Fujifilm might have an easier time getting the parts for the X-T30II than the original X-T30 design. The marketing doesn’t do much to dispel my opinion that this is a stop-gap camera. The Fujifilm X-T30II is just a little more than a glorified firmware update, but just barely.

Fujifilm X-T30II: B&H Photo / Amazon / Adorama
Fujifilm X-T30: B&H Photo / Amazon / Adorama
Sony a6600: B&H Photo / Amazon / Adorama

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Posted in Fujifilm X-T30, Fujifilm X-T30 II| Tagged Fuji GFX, Fuji GFX 100, Fuji GFX 100R, Fuji GFX 100S, Fuji GFX 50R II, Fuji GFX 50S II, Fuji GFX100, Fuji GFX100R, Fuji GFX100S, Fuji GFX50R II, Fuji GFX50S II, Fuji Rumors, Fuji X-E4, Fuji X-H1, Fuji X-H2, Fuji X-S10, Fuji X-T30 II, Fuji X-T30II, Fuji X-T4, Fuji X-T40, Fuji X100V, Fuji XE4, Fuji XH1, Fuji XH2, Fuji XS10, Fuji XT4, Fuji XT40, Fujifilm, Fujifilm GFX, Fujifilm GFX 100, Fujifilm GFX 100Mpx, Fujifilm GFX 100R, Fujifilm GFX 50R II, Fujifilm GFX 50S II, Fujifilm GFX100, Fujifilm GFX100Mpx, Fujifilm GFX100R, Fujifilm GFX100S, Fujifilm GFX50R II, Fujifilm GFX50S II, Fujifilm Rumors, Fujifilm X Lab, Fujifilm X-E4, Fujifilm X-H2, Fujifilm X-S10, Fujifilm X-T 30II, Fujifilm X-T30 II, Fujifilm X-T30II, Fujifilm X-T4, Fujifilm X-T40, Fujifilm X100, Fujifilm X100V, Fujifilm XE4, Fujifilm XH1, Fujifilm XS, Fujifilm XS10, Fujifilm XT4, FujifilmRumors, FujiGuys, Fujinon GF 20-35mm, Fujinon GF 35-70mm f/4.5-5.6, Fujinon GF 55mm f/1.7, Fujinon GF 56mm f/5.6 R WR, Fujinon GF Tilt/Shift, Fujinon GF20-35mm, Fujinon GF35-70mm f/4.5-5.6, Fujinon GF55mm f/1.7, Fujinon GF56mm f/5.6 R WR, Fujinon XF 150-600mm, Fujinon XF 18-120mm, Fujinon XF 23mm f/1.4 II, Fujinon XF 23mm F1.4 II, Fujinon XF 33mm f/1.4, Fujinon XF150-600mm, Fujinon XF18-120mm, Fujinon XF23mm f/1.4 II, Fujinon XF23mm F1.4 II, Fujinon XF33mm f/1.4, Fujirumors, GFX, GFX 100, GFX 100R, GFX 100S, GFX 50R II, GFX 50S II, GFX100, GFX100R, GFX100S, GFX50R II, GFX50S II, Large Format, Leica, Leica S, Medium Format, Project Real, Sony, Sony a6600, Super Full Frame, X Summit, X Summit Prime, X Summit Prime 2021, X-E4, X-H2, X-S10, X-T4, X-T40, XE4, XH2, XS10, XT4, XT40| Leave a comment

First Fujifilm GFX50SII Spec Comparison! GFX50SII vs GFX50S vs GFX50R vs GFX100S vs GFX100

By Louis Ferreira | Published: August 31, 2021

It looks like the Fujifilm GFX50SII is exactly as expected making the 50MP medium format 44×33 sensor more in line with the current GFX lineup in a GFX100S body with IBIS and it should attract a lot of new photographers to GFX, but when I look at the current lineup I seriously wonder if the GFX50R might drop down to $2,999 or even $2,500.

Further, I really do not like how Fujifilm is doing away with its traditional exposure triangle setup that made them popular. The Fujifilm GFX50S body is still by far my favorite GFX body and I hope we continue to see it, without the bulge, because I kind of hate the GFX100S body and the GFX100 body is only marginally better.

It’s disappointing to me that Fujifilm caved on PSAM in an attempt to get photographers to switch from other systems. Leica and Fujifilm are the only two cameras companies that do exposure triangles right in my opinion and Fujifilm is slowly driving me back into Leica’s arms with the release of another PSAM camera.

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Posted in Fujifilm GFX, Fujifilm GFX 100, Fujifilm GFX 100 Megapixel, Fujifilm GFX 100S, Fujifilm GFX 50R, Fujifilm GFX 50S, Fujifilm GFX 50S II, Fujifilm GFX100 IR| Tagged Fuji GFX, Fuji GFX 100, Fuji GFX 100R, Fuji GFX 100S, Fuji GFX 50R II, Fuji GFX 50S II, Fuji GFX100, Fuji GFX100R, Fuji GFX100S, Fuji GFX50R II, Fuji GFX50S II, Fuji Rumors, Fuji X-E4, Fuji X-H1, Fuji X-H2, Fuji X-S10, Fuji X-T30 II, Fuji X-T30II, Fuji X-T4, Fuji X-T40, Fuji X100V, Fuji XE4, Fuji XH1, Fuji XH2, Fuji XS10, Fuji XT4, Fuji XT40, Fujifilm, Fujifilm GFX, Fujifilm GFX 100, Fujifilm GFX 100Mpx, Fujifilm GFX 100R, Fujifilm GFX 50R II, Fujifilm GFX 50S II, Fujifilm GFX100, Fujifilm GFX100Mpx, Fujifilm GFX100R, Fujifilm GFX100S, Fujifilm GFX50R II, Fujifilm GFX50S II, Fujifilm Rumors, Fujifilm X Lab, Fujifilm X-E4, Fujifilm X-H2, Fujifilm X-S10, Fujifilm X-T 30II, Fujifilm X-T30 II, Fujifilm X-T30II, Fujifilm X-T4, Fujifilm X-T40, Fujifilm X100, Fujifilm X100V, Fujifilm XE4, Fujifilm XH1, Fujifilm XS, Fujifilm XS10, Fujifilm XT4, FujifilmRumors, FujiGuys, Fujinon GF 20-35mm, Fujinon GF 35-70mm f/4.5-5.6, Fujinon GF 55mm f/1.7, Fujinon GF 56mm f/5.6 R WR, Fujinon GF Tilt/Shift, Fujinon GF20-35mm, Fujinon GF35-70mm f/4.5-5.6, Fujinon GF55mm f/1.7, Fujinon GF56mm f/5.6 R WR, Fujinon XF 150-600mm, Fujinon XF 18-120mm, Fujinon XF 23mm f/1.4 II, Fujinon XF 23mm F1.4 II, Fujinon XF 33mm f/1.4, Fujinon XF150-600mm, Fujinon XF18-120mm, Fujinon XF23mm f/1.4 II, Fujinon XF23mm F1.4 II, Fujinon XF33mm f/1.4, Fujirumors, GFX, GFX 100, GFX 100R, GFX 100S, GFX 50R II, GFX 50S II, GFX100, GFX100R, GFX100S, GFX50R II, GFX50S II, Large Format, Leica, Leica S, Medium Format, Project Real, Super Full Frame, X Summit, X Summit Prime, X Summit Prime 2021, X-E4, X-H2, X-S10, X-T4, X-T40, XE4, XH2, XS10, XT4, XT40| Leave a comment

Fujifilm X-T30 II Specs Leaked

By Louis Ferreira | Published: August 31, 2021

Number Of Effective Pixels:26.1 million pixels
Image Sensor:23.5 x 15.6mm (APS-C) X-Trans CMOS 4 with primary color filter
Sensor Cleaning System:Ultra Sonic Vibration
Storage Media:SD memory card (-2GB) / SDHC memory card (-32GB) / SDXC memory card (-512GB)/ UHS-I
File Format (Still):JPEG: Exif Ver.2.3, RAW: 14bit RAW (RAF original format), RAW+JPEG
Number Of Recorded Pixels:L: (3:2) 6240×4160 (16:9) 6240×3512 (1:1) 4160×4160 M: (3:2) 4416×2944 (16:9) 4416×2488 (1:1) 2944×2944 S: (3:2) 3120×2080 (16:9) 3120×1760 (1:1) 2080×2080

Sensitivity Standard Output:Auto1/ Auto2/ Auto3 (up to ISO12800)/ ISO160-12800 (1/ 3 step) Sensitivity Extended Output:ISO80/ 100/ 125/ 25600/ 51200
Exposure Control:TTL 256-zone metering, Multi/ Spot/ Average/ Center Weighted
Exposure Mode:P (Program AE)/ A (Aperture Priority AE)/ S (Shutter Speed Priority AE)/ M (Manual Exposure)

Exposure Compensation:STILL -5.0EV – +5.0EV (1/3EV step)/ MOVIE: -2.0EV – +2.0EV (1/3EV step) Shutter Type:Focal Plane Shutter
Shutter Speed:
Mechanical Shutter:P mode: 4sec to 1/4000, A mode: 30sec to 1/4000, S/M mode: 15min to 1/4000, Bulb mode: up to 60min
Electronic Shutter:P mode: 4sec. to 1/32000, A mode: 30sec. to 1/32000, S/M mode: 15min. to 1/32000, Bulb mode: up to 60min.

Mechanical + Electronic Shutter:P mode: 4sec. to 1/32000, A mode: 30sec. to 1/32000, S/M mode: 15min. to 1/32000, Bulb mode: up to 60min.
E-Front + Mechanical Shutter:P mode: 4sec. to 1/32000, A mode: 30sec. to 1/32000, S/M mode: 15min. to 1/32000, Bulb mode: up to 60min.

Shutter Speed Movie:DCI4K/4K: 1/4000 to 1/24, FHD: 1/4000 to 1/24 Synchronized Shutter Speed For Flash:1/180sec. or slower Continuous Shooting:

Mechanical Shutter Approx. 8.0fps (JPEG: 458 frames, Compressed RAW: 23 frames, Lossless compressed RAW/ Uncompressed RAW: 18 frames)
Mechanical Shutter Approx. 5.0fps (JPEG: Endless, Compressed RAW: 46 frames, Lossless compressed RAW: 24 frames/ Uncompressed RAW: 19 frames)

Mechanical Shutter Approx. 4.0fps (JPEG: Endless, Compressed RAW: 107 frames, Lossless compressed RAW: 28 frames/ Uncompressed RAW: 20 frames)
Mechanical Shutter Approx. 3.0fps (JPEG: Endless, Compressed RAW: 480 frames, Lossless compressed RAW: 34 frames/ Uncompressed RAW: 21 frames)

Electronic Shutter Approx. 20fps (JPEG: 32 frames, Lossless compressed RAW/ Compressed RAW/ Uncompressed RAW: 17 frames)
Electronic Shutter Approx. 10fps (JPEG: 81 frames, Compressed RAW: 21 frames, Lossless compressed RAW/ Uncompressed RAW: 17 frames)

Electronic Shutter (1.25x Crop) Approx. 30fps (JPEG: 29 frames, Lossless compressed RAW/ Compressed RAW/ Uncompressed RAW: 17 frames)
Electronic Shutter (1.25x Crop) Approx. 20fps (JPEG: 79 frames, Compressed RAW: 20 frames, Lossless compressed RAW/ Uncompressed RAW: 17 frames)

Electronic Shutter (1.25x Crop) Approx. 10fps (JPEG: 153 frames, Compressed RAW: 26 frames, Lossless compressed RAW/ Uncompressed RAW: 18 frames)
Electronic Shutter (1.25x Crop) Pre-shot: Approx. 30fps (Only electronic shutter, 1.25 x Crop) (max. 10 frames while half press, max. 15 frames after full press, total max. 25 frames) Electronic Shutter (1.25x Crop) Pre-shot: Approx. 20fps (Only electronic shutter, 1.25 x Crop) (max. 10 frames while half press, max. 48 frames after full press, total max. 58 frames) Electronic Shutter (1.25x Crop) Pre-shot: Approx. 10fps (Only electronic shutter, 1.25 x Crop) (max. 10 frames while half press, max. 110 frames after full press, total max. 120 frames)

AE Bracketing: AE Bracketing (Frames: 2, 3, 5, 7, 9 Step: by 1/3EV step, up to +/-3EV steps), Filmsimulation bracketing (Any 3 types of film simulation selectable), Dynamic Range Bracketing (100%, 200%, 400%), ISO sensitivity Bracketing ( +/-1/3EV, +/-2/3EV, +/-1EV), White Balance Bracketing ( +/-1, +/-2, +/-3), Focus Bracketing (Auto, MANUAL)

Focus Mode:Single AF/ Continuous AF/ MF
Focus Type:Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Focus Low-Light Performance:Phase Detection: -7.0EV/ Contrast: -3.0EV (XF50mmF1.0 attached) AF Frame Selection:

Single point AF: EVF/ LCD: 13 x9/ 25 x17 (Changeable size of AF frame), Zone AF: 3 x3/ 5 x5/ 7×7 from 117 areas on 13 x9 grid, AF-S: Wide/ AF-C: Tracking, All

White Balance:Auto (White Priority, Auto, Ambience Priority)/ Custom1-3/ Color temperature selection (2500K-10000K)/ Fine, Shade, Fluorescent Light 1, Fluorescent Light 2, Fluorescent Light 3, Incandescent light, Underwater

Self-Timer:10sec./ 2sec.
Interval Timer Shooting:Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)
Flash Sync Mode:Built-in Flash: 1st Curtain/ 2nd Curtain, Shoe Mount Flash: 1st Curtain/ 2nd Curtain/ Auto FP (HSS)
Flash Mode:Built-In Flash: TTL (TTL Auto / Standard / Slow Sync)/ Manual/ Commander, Shoe Mount Flash: TTL (TTL Auto / Standard/ Slow Sync)/ Manual/ Multi (When Ef-X500 Is Set)/ Off
Hot Shoe:Yes (Dedicated TTL Flash compatible)
Viewfinder EVF:0.39″ OLED Color Viewfinder, Approx 2.36 million dots, Coverage of viewing area vs. capturing area: Approx. 100%, Eyepoint: approx. 23mm (from the eyepiece lens), Diopter adjustment: -4-+2m-1, Magnification: 0.62 x with 50mm lens (35mm equivalent) at infinity and diopter set to -1m-1, Diagonal angle of view: approx. 31 Degree (Horizontal angle of view: approx. 26 Degree ), Built-in eye sensor

LCD Monitor:3.0″ Tilt-Type Touch Screen Color LCD Monitor, Aspect ratio 3:2, Approx. 1.04 millions dots
Touch Screen Shooting Mode:Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting

Touch Screen Playback Mode:Swipe, Pinch-in / Pinch-out, Double-tap, Drag
File Format (Movie):MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) Movie Compression:Long GOP
File Size/Frame Rate/Record Time:

DCI 4K (4096 x2160): 29.97p/ 25p/ 24p/ 23.98p Bitrate: 200Mbps/ 100Mbps Recording Time: Up to approx. 30min., 4K (3840 x2160) 59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p Bitrate: 200Mbps/ 100Mbps/ 50Mbps Recording Time: Up to approx. 30min, Full HD (2048 x1080) 59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p Bitrate: 200Mbps/ 100Mbps/ 50Mbps Recording Time: Up to approx. 30min, Full HD (1920 x1080) 59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p

Bitrate: 200Mbps/ 100Mbps/ 50Mbps Recording Time: Up to approx. 30min, Full HD (1920 x1080) High speed rec. 240p/ 200p/120/100 Bitrate: 200Mbps (recording) up to approx. 3min., 120p/ 100p 200Mbps(recording) up to approx. 6min.

Film Simulation Mode: 18 modes: PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia

Clarity Setting:+/-5 steps
Monochromatic Color:Yes
HDR Mode:Auto/ 200%/ 400%/ 800%/ 800%+
Grain Effect:Roughness: Strong, Weak, Off Size: Large, Small
Color Chrome Effect:Strong, Weak, Off
Dynamic Range Setting:Auto/ 100%/ 200%/ 400% (ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more))
Dynamic Range Setting (Movie):100%/ 200%/ 400% (ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more))
Advanced Filter:Toy camera, Miniature, Pop color, High-key, Low-key, Dynamic tone, Soft focus, Partial color (Red / Orange / Yellow / Green / Blue / Purple)
Wireless Transmitter Standard:IEEE802.11b/g/n (standard wireless protocol)
Wireless Transmitter Encryption:WEP/ WPA/ WPA2 mixed mode
Wireless Transmitter Access Mode:Infrastructure
Bluetooth Standard:Bluetooth Ver 4.2 (Bluetooth low energy)
Bluetooth Operating Frequency:2402 – 2480MHz
Terminal – Digital Interface:USB Type-C (USB3.1 Gen1)
Terminal – HDMI Output:HDMI micro connector (Type D)
Terminal – Others:2.5mm, stereo mini connector (for Microphone and Remote Release), Hot shoe
Power Supply:NP-W126S Li-ion battery (included)
Battery Life For Still Images:Approx. 390 frames (Normal Mode) When XF35mmF1.4 R is set.

Actual Battery Life For Movie Capture:(4K) approx. 45min. (29.97p), (Full HD) approx. 45min. (59.94p)
Continuance Battery Life:(4K) approx. 60min. (29.97p), (Full HD) approx. 75min. (59.94p) (For Movie Capture)
Operating Temperature:-10 Degree C – 40 Degree C
Dimensions (W x H x D):118.4 x 82.8 x 46.8mm(Minimum Depth: 31.9mm)
Weight: 378g (Approx.) (including battery and SD memory card) 329g (Approx.) (excluding battery and SD memory card)

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via Nokishita

Posted in Fujifilm X-T30 II| Tagged Fuji GFX, Fuji GFX 100, Fuji GFX 100R, Fuji GFX 100S, Fuji GFX 50R II, Fuji GFX 50S II, Fuji GFX100, Fuji GFX100R, Fuji GFX100S, Fuji GFX50R II, Fuji GFX50S II, Fuji Rumors, Fuji X-E4, Fuji X-H1, Fuji X-H2, Fuji X-S10, Fuji X-T30 II, Fuji X-T30II, Fuji X-T4, Fuji X-T40, Fuji X100V, Fuji XE4, Fuji XH1, Fuji XH2, Fuji XS10, Fuji XT4, Fuji XT40, Fujifilm, Fujifilm GFX, Fujifilm GFX 100, Fujifilm GFX 100Mpx, Fujifilm GFX 100R, Fujifilm GFX 50R II, Fujifilm GFX 50S II, Fujifilm GFX100, Fujifilm GFX100Mpx, Fujifilm GFX100R, Fujifilm GFX100S, Fujifilm GFX50R II, Fujifilm GFX50S II, Fujifilm Rumors, Fujifilm X Lab, Fujifilm X-E4, Fujifilm X-H2, Fujifilm X-S10, Fujifilm X-T 30II, Fujifilm X-T30 II, Fujifilm X-T30II, Fujifilm X-T4, Fujifilm X-T40, Fujifilm X100, Fujifilm X100V, Fujifilm XE4, Fujifilm XH1, Fujifilm XS, Fujifilm XS10, Fujifilm XT4, FujifilmRumors, FujiGuys, Fujinon GF 20-35mm, Fujinon GF 35-70mm f/4.5-5.6, Fujinon GF 55mm f/1.7, Fujinon GF 56mm f/5.6 R WR, Fujinon GF Tilt/Shift, Fujinon GF20-35mm, Fujinon GF35-70mm f/4.5-5.6, Fujinon GF55mm f/1.7, Fujinon GF56mm f/5.6 R WR, Fujinon XF 150-600mm, Fujinon XF 18-120mm, Fujinon XF 23mm f/1.4 II, Fujinon XF 23mm F1.4 II, Fujinon XF 33mm f/1.4, Fujinon XF150-600mm, Fujinon XF18-120mm, Fujinon XF23mm f/1.4 II, Fujinon XF23mm F1.4 II, Fujinon XF33mm f/1.4, Fujirumors, GFX, GFX 100, GFX 100R, GFX 100S, GFX 50R II, GFX 50S II, GFX100, GFX100R, GFX100S, GFX50R II, GFX50S II, Large Format, Medium Format, Project Real, Super Full Frame, X Summit, X Summit Prime, X Summit Prime 2021, X-E4, X-H2, X-S10, X-T4, X-T40, XE4, XH2, XS10, XT4, XT40| Leave a comment

Fujinon GF35-70mmF4.5-5.6 WR, XF33mmF1.4 R LM WR, and XF23mmF1.4 R LM WR Specs

By Louis Ferreira | Published: August 31, 2021

Fujifilm “XF23mmF1.4 R LM WR” has 15 elements in 10 groups (2 aspherical lenses, 3 ED lenses)
minimum 19cm, maximum 0.2x
filter 58mm
size φ67×77.8mm
380g

Fujifilm “XF33mmF1.4 R LM WR” has 15 elements in 10 groups (2 aspherical lenses, 3 ED lenses)
minimum 30cm, maximum 0.15x
filter 58mm
size φ67×73.5mm
360g.

Fujinon “GF35-70mm F4.5-5.6 WR” has 11 elements in 9 groups (1 aspherical lens, 2 ED lenses)
minimum 35cm, maximum 0.28x
filter 62mm
size φ84.9mm x 73.9mm (Collapsed) / 96.4 It seems to be mm (Wide) /95.7mm (Telephoto)
weigh 390g.

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Fujifilm GFX50SII Spec Leaked

By Louis Ferreira | Published: August 31, 2021

Number Of Effective Pixels: 51.4 million pixels
Image Sensor: 43.8mmx32.9mm Bayer array with primary color filter
Sensor Cleaning System:Ultra Sonic Vibration
Storage Media: SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-256GB) UHS-I / UHS-II File Format (Still): JPEG: Exif Ver.2.3, RAW: 14bit RAW RAF original format, RAW+JPEG, TIFF 8bit RGB (In-camera Raw Conversion Only)
Number Of Recorded Pixels:
L: [4:3] 8256×6192 [3:2] 8256×5504 [16:9] 8256×4640 [1:1] 6192×6192 [65:24] 8256×3048 [5:4] 7744×6192 [7:6] 7232×6192
S: [4:3] 4000×3000 [3:2] 4000×2664 [16:9] 4000×2248 [1:1] 2992×2992 [65:24] 4000×1480 [5:4] 3744×3000 [7:6] 3504×3000
Lens Mount: FUJIFILM G Mount
Sensitivity Standard Output: AUTO1/ AUTO2/ AUTO3 (up to ISO12800)/ ISO100~12800 (1/ 3 step)

Sensitivity Extended Output: ISO50/ 25600/ 51200/ 102400
Exposure Control: TTL 256-zone metering, Multi/ Spot/ Average/ Center Weighted
Exposure Mode: P (Program AE)/ A (Aperture Priority AE)/ S (Shutter Speed Priority AE)/ M (Manual Exposure)
Exposure Compensation: STILL -5.0EV – +5.0EV (1/3EV step)/ MOVIE: -2.0EV – +2.0EV (1/3EV step)
Image Stabilizer Mechanism: Image sensor shift mechanism with 5-axis compensation Image Stabilizer Compensation Effect: Up to 6.5 stops (based on CIPA standard). Pitch/yaw shake only.
Image Stabilizer Digital Image Stabilization: Yes movie mode only
Image Stabilizer Is Mode Boost: Yes movie mode only
Shutter Type: Focal Plane Shutter
Shutter Speed Mechanical Shutter: P mode: 4sec to 1/4000, A mode: 30sec to 1/4000, S/M mode: 60min to 1/4000, Bulb mode: up to 60min,
Shutter Speed Electronic Shutter: P mode: 4sec to 1/16000 A mode: 30sec to 1/16000, S/M mode: 60min to 1/16000, Bulb mode: up to 60min
Shutter Speed Electronic Front Curtain: P mode: 4sec to 1/4000 A mode: 30sec to 1/4000 S/M mode: 60min to 1/4000 Bulb mode: up to 60min
Shutter Shutter Speed Mechanical + Electronic Shutter:P mode: 4sec to 1/16000, A mode: 30sec to 1/16000, S/M mode: 60min to 1/16000, Bulb mode: up to 60min.
Shutter Speed E-Front + Mechanical Shutter:P mode: 4sec to 1/16000, A mode: 30sec to 1/16000, S/M mode: 60min to 1/16000, Bulb mode: up to 60min
Shutter Speed E-Front + Mechanical + Electronic Shutter:P mode: 4sec to 1/16000, A mode: 30sec to 1/16000, S/M mode: 60min to 1/16000, Bulb mode: up to 60min
Shutter Speed Movie: 1/4000to1/24(depends on the frame rate)
Synchronized Shutter Speed For Flash: 1/125sec. or slower
Continuous Shooting:
Approx. 3.0fps (JPEG: Endless, Compressed RAW: 31 Frames, Lossless compressed RAW: 13 Frames, Uncompressed RAW: 8 Frames)
Approx. 1.8fps (JPEG: Endless Lossless Compression RAW: Endless Uncompressed RAW: 8 Frames)

AE Bracketing:
AE Bracketing ((2/3/5/7/9 frames) ±1/3EV – ±3EV, 1/3EV step)
Film Simulation Bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100%, 200%, 400%)
ISO Sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV)
White Balance Bracketing (±1, ±2, ±3)
Focus Bracketing (AUTO, MANUAL)

Focus Mode: Single AF/ Continuous AF/ MF
Focus Type: TTL Contrast AF
Focus Low-Light Performance:Contrast: -3.5EV with Low light priority AF-S ON and GF80mmF1.7 attached
AF Frame Selection:
Single Point AF: EVF/ LCD: 13×9/ 25×17 (Changeable Size of AF Frame Among 6 Types) Zone AF: 3×3/ 5×5/ 7×7 from 117 Areas on 13×9 Grid
Wide/Tracking AF: (Up to 9 Area) *AF-S: Wide *AF-C: Tracking
All

White Balance: Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY)/ Custom1-3/ Color temperature selection (2500K-10000K)/ Daylight, Shade, Fluorescent light 1, Fluorescent light 2, Fluorescent light 3, Incandescent light, Underwater
Self-Timer: 10sec./ 2sec.

Interval Timer Shooting: Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)
Flash Sync Mode: 1st Curtain/ 2nd Curtain/ AUTO FP (HSS)
Flash Mode: TTL(FLASH AUTO / STANDARD / SLOW SYNC.) / MANUAL / OFF

Hot Shoe: Yes (Dedicated TTL Flash compatible)

Viewfinder EVF:
0.5 inch Approx. 3.69 millions dots OLED Color Viewfinder
Coverage of Viewing Area vs. Capturing Area: Approx. 100%
Eyepoint: Approx. 23mm (from the Rear End of the Camera’s Eyepiece)
Diopter Adjustment: -4~+2m-1
Magnification: 0.77x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View: Approx. 38° (Horizontal Angle of View: Approx. 30°) Built-In Eye Sensor

LCD Monitor: 3.2 inch Tilt-Type(Three Direction)Touch Screen Color LCD Monitor (Approx. 100% Coverage), , Aspect Ratio 4:3, Approx. 2.36 million dots
Touch Screen Shooting Mode: AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting

Touch Screen Playback Mode: Swipe, Zoom, Pinch-in / Pinch-out, Double-tap, Drag (ON/OFF Selectable)
Sub LCD Monitor: Swipe, Zoom, Pinch-in / Pinch-out, Double-tap, Drag (ON/OFF Selectable) Sub Monitor File Format (Movie): MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Movie Compression: Long GOP
File Size / Frame Rate / Recording Time:Full HD (1920×1080) 29.97p/ 25p/ 24p/ 23.98p 50Mbps up to Approx. 120 min.
•Film Simulation Mode:
19 modes: PROVIA/ Standard, Velvia/ Vivid, ASTIA/ Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/ Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia
Clarity Setting: ±5 steps
Monochromatic Color: Yes
Grain Effect Roughness: STRONG/ WEAK/ OFF, Size: LARGE/ SMALL
Color Chrome Effect: STRONG/ WEAK/ OFF
Color Chrome Blue: STRONG/ WEAK/ OFF
Smooth Skin Effect :STRONG/ WEAK/ OFF
Dynamic Range Setting: AUTO / 100% / 200% / 400%
Dynamic Range Setting (Movie): 100% / 200% / 400%
Wireless Transmitter Standard: IEEE 802.11b/g/n (standard wireless protocol) Wireless Transmitter Encryption: WEP/ WPA/ WPA2 mixed mode
Wireless Transmitter Access Mode: Infrastructure
Bluetooth Standard: Bluetooth Ver 4.2 (Bluetooth low energy)
Terminal – Digital Interface: USB Type-C (USB3.2 Gen1x1)
Terminal – HDMI Output: HDMI Micro connector (Type D)
Terminal – Others:
3.5mm, stereo mini connector (Microphone) 3.5mm, stereo mini connector (Headphone) 2.5mm, Remote Release Connector
Hot shoe Synchronized terminal
Power Supply: NP-W235 Li-ion battery (included)
Battery Life For Still Images: Approx. 455 frames When GF63mmF2.8 R WR is set. (Auto power save ON)
Actual Battery Life For Movie Capture: [Full HD] Approx. 80min. Face detection is OFF Continuance Battery Life For Movie Capture: [Full HD] Approx. 140min @ 29.97p. Face detection set to OFF
Camera External Dimensions: (W) 150.0mm x (H) 104.2mm x (D) 87.2mm, Minimum Depth: 44.0mm

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