Zack Arias GFX Launch Night GPP 2017, Confirming Capture One Support

 

 

Zack Arias’ Fujifilm GFX 50S GPP Talk

Beginning: I used to make fun of people pixel peeping until I shot medium format…

He then goes into a long personal story that is somewhat inspirational, but weird…

Zack has always been drawn to medium format and wants to work with it over all else, but he doesn’t want to shoot models.

Photographing with medium format is for him and he is being selfish.

Which then leads into his interesting photo project which includes waterboarding/shaved heads/and late night rendezvous with long bearded men.

Around 30 Minutes: Zack’s son doesn’t have any interest in the Phase One anymore after shooting the GFX. He shows some of his sons work with the GFX too.

Zack uses an interesting term stereoscopic bokeh to describe the look for medium format bokeh.

39 Minutes: Extreme pixel peeping. Pretty amazing example that I don’t want to spoil where he shows a person and then the entire frame the person camera from.

43 Minutes: 12,800 ISO blows Zack away.

47 Minutes: Capture One confirmation. Zack isn’t sure, but then a Fujifilm representative walks up and confirms that Capture One will support the Fujifilm GFX50S at launch.

The Capture One confirmation is the only real news from the talk. There have been quite a few whispers that it’s coming, but this is as certain as you will get before an official announcement from Fujifilm.

Fujifilm GFX B&H Photo/Amazon/Adorama

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Fujifilm GFX 50S and Canon 5DS R Compared


image courtesy of Michael Schnabl

The Fujifilm GFX 50S is impressively compact compared to the Canon 5DS R. Here are some excerpts form Michael Schnabl’s article on his experience.

“What immediately came to mind was the operating concept, with which one immediately immediately if one had already photographed with a camera from the X system, for a medium format camera compact dimensions and after a few test photos with 12,800 ISO, the incredibly good noise .”

“From the speed, the first test in good light showed that the camera can be quite well with cameras from the full-format mirror reflex segment – in poor light, the AF then but a bit slower – whereby I have not worked with any final firmware and final The low-light report camera or the sports camera, the camera will probably be less used for the studio, landscape, architecture and still life, but the autofocus speed is more than adequate for a medium-format camera Fast – just in case of still-life shots, the possibility to set the autofocus point to anywhere in the picture field is ingenious.”

“I was able to make a huge difference to the Canon immediately – the colors out of the cam – what you already know of the other cameras of the X-system continues here – Fuji simply produces the more beautiful colors and the JPG’s look really good out.”

You can read Michael’s translated full impressions here, it sounds like the 5DSR falls quickly behind the GFX 50s from his account.

Fujifilm GFX B&H Photo/Amazon/Adorama

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GFX is Making us Broke and More First Impressions

Photo by Bryan Gateb – www.bgateb.com | photos.bgateb.com | @bgateb

Bryan from the broketographers shared some bullet points from his preview experience with our GFX Owners group.

  1. It’s super light. Lighter than an FF DSLR. A bit bigger than I expected, but still very small. The vertical grip is great, and unlike other cameras, and because the battery door is on the side of the camera, there are contacts right on the bottom of the camera, so you don’t have to remove battery doors when adding the grip. You can quickly and easily just add or remove it whenever you want.
  2. The lenses are large, but also impossibly light, too. I don’t know what kind of sorcery this is. Even the zoom and the 120 macro were way lighter than I expected them to be.
  3. Because of the above, it kind of feels like a toy, which was a bit of disappointment. Sans grip and with the 63 f/2.8, it’d be a good (albeit expensive) “walkaround camera” with an amazing sensor because of its size and light weight, provided you can deal with the slow, deliberate, method of MF shooting.
  4. The Contrast-Detect Focusing is faster than I expected it to be, but it does hunt quite a bit, racking focus back and forth two or three times before it acquires focus – even in a relatively well-lit indoor space (like a camera shop). When it does lock on, using the smallest focusing area, focus is accurate and the results are sharp. The joystick is awesome to quickly navigate the 425 focus points.
  5. Viewfinder blackout seemed incredibly long. It got a little annoying. VF does not blackout during continuous shooting.
  6. Coming from using and owning a few Fujis, I was able to pick it up and manipulate everything without really having to wonder “how” to do something.
  7. Both screens are awesome. The e-ink display for the top of the camera is awesome and easy to read. The tilt-screen is the same as the XT2, so it can tilt to the right as well, Kind of cool to be able to use it as a pseudo waist-level finder. Touch screen works well for selecting focus points, as well as swiping through and pinch/tap to zoom in.
  8. I still don’t really like EVFs. It’s good on this camera, but not any noticeably better than my XPro2 or an XT2 (I still use the OVF on my Xpro, mostly). The EVF seemed to be laggy, but it was a “pre production” model.
  9. It’s comfortable-ish. I wish the grip was deeper to get a better grip on the camera.
  10. It’s well balanced – with the 63mm f/2.8 only. Put the 32-64 f/4 on it or the 120 f/4 macro, and it becomes fairly front-heavy. This is sort of alleviated a bit with the grip in place.
  11. I didn’t get to take any photos home on my own card, but going off of the rear screen during review, it’s really clean through ISO1600, and 3200 is usable.
  12. I was teetering (if I did buy one) between the 63 and the 32-64 zoom – The 63 is very sharp, and super light. I think the body (without grip), and a 63 would be the the best combo available at launch. I think the 45/63/110 would be the direction I’d go, if I decide to get one later on.
  13. Overall, I was hoping it’d sell me completely on the GFX, but I’m not quite there yet. The 1/125 X-sync is still something that concerns me, as well as the (lack of) weight and my lukewarm feelings about about EVFs.

You can read his full article here and see lots of full resolution shots of the Fujifilm GFX 50S. Read More »

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Beautiful Photography Documentary About Instant Film, Filmed With Fujifilm X-T2

https://www.youtube.com/watch?v=S9oBTwLnwi0

This documentary deserves a lot of attention. Lauren and Rob Lim created an inspirational short film about the power and tangible nature of instant film photography. Over the period of a few day Lauren Lim stopped several strangers on the street with her Fujifilm Instax Wide 300 and Rob Lim documented the experience with his Fujifilm X-T2 camera rig.

They aren’t professional cinematographers, but the results are very impressive and the message is spot on. I would love to do a project like this with an Instax printer, but Fujifilm doesn’t have a wide printer available yet and I feel the regular Instax SP-2 print is a little small.

Fujifilm Instax Wide 300: B&H Photo/Amazon/Adorama
Fujifilm X-T2: B&H Photo/Amazon/Adorama

They even did making of videos. Included below if you’re interested. Read More »

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Think Tank Signature 10 & 13

With a firm release date in sight for the Fujifilm GFX 50S I had to commit to buying a bigger bag and I wanted to let readers know that I decided to go with the new Think Tank Signature 13. I have never owned a Think Tank bag before this, but I have heard lots of good things from friends about them so I decided to give their new bag a chance. It’s very similar dimensionally to the Billingham Hadley Pro, which was the bag I was leaning towards because I love their smaller bags, but I wanted to further expand my bag selection.

Of course demonstrating what fits in the Signature 10 using a Fujifilm X-T1 with XF56 1.2 attached along with XF23 1.4, XF16 1.4, XF35 1.4 and XF50-140 2.8 didn’t hurt their marketing pitch to me. Hopefully I can fit a lens or two with my GFX in the Signature 13 along with my EF-X500 and some other accessories. I just wish this bag came as a Signature 15, because I would never edit on a 13-inch laptop.

Think Tank Signature 13 (Slate Gray/Olive)
B&H Photo

Think Tank Signature 10 (Slate Gray/Olive)
B&H Photo

Posted in Accessories, Fuji X-T1, Fuji X-T2, Fujifilm GFX, Fujifilm GFX 50S| Tagged , , , , , , , , , , , , , , , , , , , , , , , | 5 Comments

Fotodiox Fujifilm G-mount Lens Adapters Announced

Fotodiox Fujifilm G-mount lens adapters announced.

Common Features:

  • Enhanced craftsmanship and high-tolerance construction for demanding professionals; infinity focus or beyond guaranteed
  • Precise fit and solid connection; lens has no play, gap or wiggling when mounted on adapter and no adjustments required
  • Precision all-metal construction with chrome plated brass mounts for secure and solid fit
  • 24-Month Fotodiox warranty

Compatible Cameras
(including, but not limited to)
Fujifilm GFX 50S Medium Format Mirrorless Camera

Note:

  • This is a manual adapter, so lens functions that rely on electronic communication with the camera body (autofocus, AE metering, image stabilization, etc.) will be disrupted.
  • Set your exposure manually or meter using your camera’s Aperture Priority (stop-down) mode.
  • If your lens does not have a manual aperture control ring, it will stop down to its smallest f/stop by default.

All pictures are for illustration purposes only. Actual product may vary slightly due to ongoing improvements in design.

Mamiya 645 adapter

  • Mounts Mamiya 645 (M645) Mount Lenses to Fujifilm G-Mount GFX Mirrorless Digital Cameras

Canon EOS (EF / EF-S)

  • Mounts Canon EOS (EF / EF-S) D/SLR Lenses to Fujifilm G-Mount GFX Mirrorless Digital Cameras

Contax/Yashica (CY)

  • Mounts Contax/Yashica (CY) SLR Lenses to Fujifilm G-Mount GFX Mirrorless Digital Cameras

Nikkor F

  • Mounts Nikon Nikkor F Mount G-Type D/SLR Lenses to Fujifilm G-Mount GFX Mirrorless Digital Cameras

Olympus Zuiko

  • Mounts Olympus Zuiko (OM) 35mm SLR Lenses to Fujifilm G-Mount GFX Mirrorless Digital Cameras
Posted in 3rd Party Lens, Fujifilm GFX, Fujifilm GFX 50S| Tagged , , , , , , , , , , , , , , , , , , , , , , | 1 Comment