Cinima5D interviewed Fujifilm’s general manager Toshihisa Lida at NAB about their new MK line up. Some would like to see the MK lenses come to other mount’s, but the design can only be reworked for cameras with a similar flange back distance. I suppose it could be possible to adapt these lenses to m43 at some […]
Earlier today I noticed that a few of my earlier posts had broken video links in them and I wondered why. It seems Fujifilm is shuffling some of the content around, which was released early on X-Photographer channels. This content covers the Fujifilm GFX 50s, X-T2, X-T20, and Fujinon MK18-55 T2.9 Cine Lens. Only some […]
Fujinon MK 18-55 T2.9 now in Fuji X-mount – NAB 2017 @Fujifilm_UK @FujifilmX_US @Fuji_Addict @FujinonOptics https://t.co/zbPL6IOZ25 pic.twitter.com/HyakyqcRxp — Newsshooter (@TheNewsshooter) April 26, 2017 The Fujinon MK 18-55 T2.9 X-mount is an exciting lens for videographers and I hope to find a use for one in the future so I can justify picking it up. For now, if you’re interested […]
Compact and Lightweight FUJINON MK18-55mm and MK50-135mm Deliver Advanced Optical Performance with an Excellent Cost/Performance Ratio Wayne, N.J., April 4, 2017 – The newly launched “MK” Series of cinema lenses from the Optical Devices Division of FUJIFILM will make their NAB debut next month in Las Vegas. With the first in its series introduced in February of this year, “MK” lenses are currently designed for E-mount cameras andboast advanced optical performance, ultra-compact and lightweight design, as well as superb cost performance. FUJIFILM will exhibit […]
The Fujinon MK 18-55 T2.9 is coming to X-Mount soon and many cinematographers/videographers can’t wait. The MK will be the first X-Mount cinema lens and should help the X system seriously compete with Sony’s a7 and a6xxx cameras. It’s a shame they didn’t launch the X and E-mount lenses together, but hopefully this will lead […]
Tony & Chelsey Northrup Fujifilm History and Channel News Asia’s new Inside The Storm Documentary match up almost exactly in pacing and content. I wonder if there was influence.
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