Fujifilm GFX 100: Birth of a Camera by Cinima5D Part 2

Cinema5D got an inside look at the production of the Fujifilm GFX100 and you can view part one here. Part two takes place in the spring of 2019 with them receiving a prototype camera. Below are excerpts:

  • Had an error the first time they started the prototype camera
  • Went on another factory tour in Taiwan
  • They show the sensor assembly in a clean room
  • Followed by the CMOS and IBIS being assembled and put in the body by hand
  • One person assembles the entire top of the camera
  • All of the buttons and dials are checked by hand
  • It’s kind of interesting they put the adhesive tape on the camera body before applying the leather
  • The first batch of GFX100 produced are shown at the end of the tour then back to Toyko
  • Cinima5D had to wait for a firmware update to shoot their prototype camera
  • Only had the prototype for 12 hours and they were given 3-batteries
  • Lots of preproduction video
  • The camera wasn’t 100% ready, but the potential was already there
  • Coverage of the prep for the launch event
  • Toshihisa Lida was there and said he hoped to get “completely drunk” once the event concluded to release some stress
  • The day of the launch Cinima5D ran into Masazumi Imai right before the announcement and he compared it to giving birth
  • Everyone had some Saki after the event concluded to celebrate

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Fujifilm GFX100 (Preoders):
B&H Photo / Amazon / Adorama

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Cambo AC-795 – Actus Bayonet Kit For Fujifilm GFX100


Following the official introduction of the Fujifilm GFX100 on May 23rd, 2019 Cambo is pleased to announce a dedicated interface for mounting, and supporting this new flagship camera in the GFX line of products.

As a result of the different body design compared to the Fujifilm GFX50 series, the bayonet holder for the GFX100 will have a different shape than the existing holder AC-792, and includes an extra riser block for the front standard.

Cambo’s new AC-795, designed as an interchangeable bayonet holder kit, will be compatible with the current Actus-G series.

However, due to the design changes of the Fujifilm GFX100 body, this needs to be positioned on a higher distance to allow enough clearance. This  results in an additional 30mm riser block to be needed for the front standard. As well as an additional spacer that needs to be added on the rear bayonet mount.

Because of this additional flange spacing the Actar-60, and some other wider angle lens options will not be able reach infinity setting with this kit.

NOTE: Alternatively the Fujifilm GFX100 will fit the Actus-GFX unchanged, in portrait orientation only without the need for the additional spacer, but because of the new design the AC-795 is required for landscape orientation.


The interface kit AC-795 will be available shortly and can be pre-ordered as of today from your dealer of choice B&H Photo / Adorama / Amazon

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B&H Photo / Amazon / Adorama

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Fujifilm GFX Lens Updates Released Adding PDAF Support For GFX100: 7 Days Till Shipment


The firmware update Ver.1.10 from Ver.1.00 incorporates the following issue:

  1. Compatibility with Phase detection AF function is added.
    Currently, this upgrade is for GFX100 with the Phase detection AF function

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Fujifilm X-T30 Firmware 1.10 Released

The firmware update Ver.1.10 from Ver.1.01 incorporates the following issue: Download Here

  1. Improvement of Q (quick menu) button operability
    To avoid accidentally pressing the Q (quick) menu, the button has changed to one of Fn(function) buttons. This will allow customers to disable the Q button function and also to allocate the Q (quick) menu to a different Fn button.
  2. Fix of slight defects.
    <Note>
    Regarding the method and explanation of the operation, refer to the Q(quick menu) button in the Owner’s Manual.

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Fujifilm X-T30: B&H Photo / Amazon / Adorama

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Hasselblad X1D vs Fujifilm GFX Glass Show Down


Fujifilm and Hasselblad have had mainstream 44 x 33mm medium format photograph to themselves for around 2 years now and while Hasselblad has been off to a rocky start with the original X1D, Fujifilm has been quite strong. I haven’t really kept up with the X1D because the system was light years behind the GFX in performance, but now with the Hasselblad X1D II 50C coming, I think it is worth taking a second look.

I tried to compare how they stack up size wise via camerasize, but they only have a limited amount of lenses at this time. Hasselblad currently has 9 lenses out for the X1D while Fujifilm has 8 lenses and 3 mainstream third party lenses. Hasselblad has focused on wider/faster glass while Fujifilm has spread its glass releases out a little more.

It’s interesting that even with a leaf shutter inside most XCD lenses are more compact than equivalent GFX lenses, but the price of XCD glass is significantly higher than GFX glass. Fujifilm enjoys a pretty significant price advantage over Hasselblad when it comes to glass and even the camera body, but the GFX can’t match the size of the XCD at this time.

It will be interesting to see what kind of X1D discounts come in the future since Fujifilm has pretty much regularly discounted their glass across the board $500 for GFX. Not to mention the discounts on the GFX50R/GFX50S that have seen savings as high as $1,000. If Hasselblad is serious about taking on Fujifilm they are going to have to bring their prices down some for the time being. I very much doubt they can take a bite out of Fujifilm with their announcement today considering that their glass is almost universally 1.5x+ more expensive than Fujifilm without any discounts.

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Fujifilm GFX100 (Preoders):
B&H Photo / Amazon / Adorama
Fujifilm GFX50R: 
B&H Photo / Amazon / Adorama
Fujifilm GFX 50S: B&H Photo / Amazon / Adorama

Hasselblad X1D II 50C: B&H Photo / Amazon / Adorama
Hasselblad XCD 35-75mm F3.5-4.5: B&H Photo / Amazon / Adorama

Hasselblad vs Fujifilm Lens Lineup

Hasselblad XCD 21mm f/4 $3,750.00
FUJIFILM GF 23mm f/4 R LM WR $2,599.00

Hasselblad XCD 30mm f/3.5 $3,499.99

Hasselblad XCD 45mm f/3.5 $2,342.90
FUJIFILM GF 45mm f/2.8 R WR $1,699.00

FUJIFILM GF 63mm f/2.8 R WR $1,499.00
Hasselblad XCD 65mm f/2.8 $2,750.00

Hasselblad XCD 80mm f/1.9 $4,845.00

Hasselblad XCD 90mm f/3.2 $2,995.00

FUJIFILM GF 110mm f/2 R LM WR $2,799.00

Hasselblad XCD 120mm f/3.5 Macro $4,495.00
FUJIFILM GF 120mm f/4 Macro R LM OIS WR $2,699.00

Hasselblad XCD 135mm f/2.8 $4,050.00
Hasselblad XCD 135mm f/2.8 Lens with X Converter 1.7x $4,845.00

FUJIFILM GF 250mm f/4 R LM OIS WR $3,299.00

Hasselblad XCD 35-75mm f/3.5-4.5 $5,175.00
FUJIFILM GF 32-64mm f/4 R LM WR $2,299.00

FUJIFILM GF 100-200mm f/5.6 R LM OIS WR $1,999.95

3rd Party So Far Only For Fujifilm

Laowa 17mm f/4 GFX Zero-D $1,249
Mitakon Zhongyi Speedmaster 65mm f/1.4 $799.00
Mitakon Zhongyi Speedmaster 85mm f/1.2 $849.00

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Hasselblad X1D II 50C Announced With Updated Processor – Finally Worth Owning?


Hasselblad announced the Hasselblad X1D II 50C with a new zoom the Hasselblad XCD 35-75mm F3.5-4.5 in an effort to overtake Fujifilm at a very attractive price point, but it might be too little too later. Even if Hasselblad has fixed all of the issues that the original X1D had, the GFX has already dominated the medium format market, but Hasselblad has leaf shutter lenses that Fujifilm does not yet.

It will certainly be interesting to see if photographers choose to adopt the Hasselblad X1D II 50C over the GFX50S/GFX50R or even the GFX100, but at least they now have a serious competitor at a reasonable price point, which should help drive down prices some. It looks like medium format might be where it is at for professionals that care about quality, so which do you prefer?

Above you can see the X1D compared to the GFX50R and GFX100, which is representative of their comparative sizes since Hasselblad X1D II 50C since they didn’t change the body. I must admit at around 5-6k I kind of want to purchase one just for the leaf shutter lenses, but if I did I would have to modify my plans for the GFX100 going forward, which I am not going to do. Going medium format is a big investment and it takes time to build a good glass collection unless you have stupid money to put into a camera system. Either way, I look forward to the competition benefiting us all.

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Fujifilm GFX100 (Preoders):
B&H Photo / Amazon / Adorama
Fujifilm GFX50R: 
B&H Photo / Amazon / Adorama
Fujifilm GFX 50S: B&H Photo / Amazon / Adorama

Hasselblad X1D II 50C: B&H Photo / Amazon / Adorama
Hasselblad XCD 35-75mm F3.5-4.5: B&H Photo / Amazon / Adorama

Press release:
HASSELBLAD EXPANDS REACH OF MEDIUM FORMAT IMAGING FOR EVEN MORE CREATIVE VERSATILITY
Introducing the X1D II 50C, XCD 35-75 zoom lens, Phocus Mobile 2, and revealing details of the upcoming CFV II 50C digital back and 907X camera body

Following the revolutionary introduction of the world’s first mirrorless medium format digital camera, the X1D-50c, Hasselblad introduces new additions to its product portfolio that bring the joy of medium format photography to image makers with the capabilities to support their creative endeavours. This includes the evolved X1D II 50C camera, the eagerly awaited XCD 3,5-4,5/35-75 Zoom Lens and Phocus Mobile 2. In addition, Hasselblad reveals the development details of the upcoming CFV II 50C digital back and 907X camera body. Hasselblad’s newest offerings yet again expand the potential of medium format photography with modularity and flexibility, all while offering the brand’s renowned, stunning image quality.

X1D II 50C – AN EVOLVED MEDIUM FORMAT PHOTOGRAPHY EXPERIENCE
In the pursuit to continue the journey of taking medium format outside of the studio, Hasselblad is pleased to announce the next installment of the X System – the X1D II 50C Mirrorless Medium Format Digital Camera. Dedicated to optimising the X System for a wider audience of creatives, Hasselblad has listened to user feedback and improved upon the first generation with enhanced electronics for a quicker and more intuitive medium format experience.

Continuing in the legacy of being the most portable and lightweight digital medium format camera, the X1D II 50C lets you take the power of medium format in a footprint smaller than most full frame DSLRs in a beautifully designed, compact package. Its large, high resolution 50-megapixel CMOS sensor (43.8 x 32.9 mm) is 1.7 times larger than 35mm full format sensors, packing in huge pixels (5.3 x 5.3 μm) for capturing images with superb tonality. With outstanding colour depth and an impressive dynamic range of 14 stops, which allows for capturing immense details in both shadows and highlights, the photographer is left with plenty of room for adjustment in post-processing. With Hasselblad Natural Colour Solution (HNCS) technology integrated into the camera’s system, exceptional, true-to-life tones are delivered that match what the human eye sees. Building upon the award-winning first generation, the X1D II 50C blends form and function with minimalistic, Scandinavian design aesthetics with a graphite grey exterior and a smooth handling experience with its ergonomic grip. The new X1D II 50C continues to provide creatives with incredible Hasselblad image quality, with 16-bit RAW images and now full resolution JPEGs, in a compact, lightweight design.

Developing upon the first generation of the X System, the X1D II 50C’s upgraded electronic platform includes a higher resolution 3.6-inch 2.36-million-dot touch display, which is physically the largest LCD display currently available on a digital medium format camera. Additionally, the X1D II 50C features a higher resolution enhanced OLED electronic viewfinder (EVF) with 3.69-million dots and a high magnification of 0.87x, letting you see the bigger picture. The much higher resolution of the rear display screen (1024×768) gives a more vivid, true to life image viewing experience.

The X1D II 50C’s live view features a faster refresh rate, reduced shutter lag and black out time between frames, an improved continuous capture rate, and a startup time cut almost in half from the first generation. Building upon the highly-intuitive Hasselblad User Interface (HUI) of the previous model, further refinements have been made to the X1D II 50C to improve the camera’s handling experience, including the ability to access the menu system when looking in the EVF, giving greater usability in the sunniest conditions.

Enabling an even more portable medium format workflow, Hasselblad’s post production solutions now include the new Phocus Mobile 2. Connected via USB-C and Wi-Fi, photographers can transfer RAW and full quality JPEG files directly from the X1D II 50C and edit RAW images on their iPad Pro or iPad Air (2019) while out on the field.

THE NEW XCD 3,5-4,5/35-75 – PRIME LENS PERFORMANCE IN A COMPACT ZOOM
The ninth addition to the X System lens range is the eagerly awaited XCD 3,5-4,5/35-75 Zoom Lens. Delivering the same superb image quality from edge-to-edge as the XCD prime lenses, this extremely high performance, compact mid-range zoom covers moderate wide angle to short telephoto focal lengths. Its internal focusing keeps the lens’ dimensions constant, delivers quick autofocus and additionally keeps the overall weight down. Ideal for shooting anything from wide angle landscapes to portrait images, this lens is perfect for photographers who are looking to keep the amount of equipment they carry when travelling to a minimum but don’t want to compromise on image quality. “This really is the best lens Hasselblad has developed – its performance is extremely high, competing with our prime lenses. I can even go as far to say that it’s probably the best zoom lens currently available on the market,” says Per Nordlund, Hasselblad Lead Optical Designer. Like the rest of the XCD lens range, the XCD 35-75 features an integral central lens shutter, offering exposure times from 68 minutes to 1/2000s with full flash synchronisation throughout.

PHOCUS MOBILE 2 TAKES IMAGE PROCESSING WORKFLOW TO A NEW PORTABLE LEVEL
Expanding the possibilities of the Hasselblad workflow, Phocus Mobile 2 takes the image editing process to a new, portable level. Compatible with the X1D II 50C via either USB-C or Wi-Fi, this application is currently supported on iPad Pro and iPad Air (2019) models, enabling the traveling photographer to have a quicker, more mobile workflow. With Phocus Mobile 2, users can import, edit and rate RAW images and import and rate full quality JPEG images directly on their portable device. In addition, Phocus Mobile 2 supports full quality image export, tethered shooting and direct camera control.

THE CFV II 50C AND 907X CONNECT HASSELBLAD’S PHOTOGRAPHIC HISTORY INTO ONE SYSTEM
Hasselblad proudly announces the development of the modernised CFV II 50C digital back and the brand new 907X camera body, which together will connect Hasselblad’s photographic history into one system.

The CFV II 50C digital back, which will have an outstanding medium format 50-megapixel CMOS sensor (43.8 x 32.9 mm), will enable use with most V System cameras made from 1957 and onwards in addition to third party technical or view cameras. Improving upon the user experience of the previous generations, the CFV II 50C will feature a brilliant tilt screen with full touch support and Hasselblad’s renowned user interface for settings, image review, and menu navigation. Users of previous CFV digital backs will appreciate a new fully-integrated battery, the same used on the X System, which will reduce overall size and with the option to recharge in-camera via the USB-C port. Combining its iconic aesthetics with modern technology, the CFV II 50C gives a nod to Hasselblad’s history combined with the brand’s world-renowned image quality.

Coupling the CFV II 50C with Hasselblad’s smallest medium format camera body ever, the 907X, creates a highly compact package. This combination will offer a truly distinct photographic experience, including the classic waist-level shooting style of the V System enabled by the CFV II 50C’s tilt screen. With the 907X, the photographer will gain access to all of the high-quality X System Lenses in addition to a vast range of Hasselblad optics via adapters, including the H System, V System, and XPan Lenses. In addition, the 907X will enable compatibility with a wide range of third-party adapters and lenses. Planned accessories to beautifully complement the combination include the 907X Control Grip and 907X External Optical Viewfinder.

HASSELBLAD CONTINUES ITS CELEBRATION OF MEDIUM FORMAT ARTISTRY IN JULY 2019
July 2019 marks the 50th anniversary of the first humans landing on the Moon – not only a historic milestone for NASA, but for Hasselblad and photographic history. As the camera selected and built to document the legendary journey, Hasselblad will celebrate this remarkable moment that helped launch the Swedish photography brand to another level. More information will come soon on this exciting commemoration.

The X1D II 50C has an MSRP of € 5000 / $ 5750 / £ 4500 excl. VAT. Delivery in July 2019. Available to order immediately.

The XCD 3,5-4,5/35-75 Zoom Lens has an MSRP of € 4500 / $ 5175 / £ 4050 excl. VAT. Estimated delivery in October 2019. Ordering information will be released shortly before.

Phocus Mobile 2 can be downloaded free of charge by Hasselblad users starting in July 2019.

The CFV II 50C and 907X product information details, including pricing and availability, will be announced later in the year.

Posted in Fujifilm GFX, Fujifilm GFX 100, Fujifilm GFX 100 Megapixel, Fujifilm GFX 100S, Fujifilm GFX 50R, Fujifilm GFX 50S| Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment