7Artisan 50mm f/0.95 Now Available on Amazon


The 7Artisan 50mm f/0.95 should be a great lens for the price considering how good the 35mm f/0.95 lens from them performs. I really like these lenses for low light shooting myself so I am picking on the 7Artisan 50mm f/0.95 myself from Amazon.

Specs:

  • Available for Sony E, Fujifilm X, Nikon Z, Canon EOS M, Micro Four Thirds
  • Aperture: f/0.95-f/16
  • Minimum focus distance: 45mm
  • Filter diameter: 62mm
  • Length: 67.5mm
  • Weight: 416 grams

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Current Tamron APS-C Lineup Right For Fujifilm?


It’s very exciting that Tamron is developing lenses for Fujifilm finally and the Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD is a good choice for their first X-mount lens, but if you do not follow Tamron then you might not be aware that they have two additional APS-C mirrorless lenses the Tamron 11-20mm f/2.8 Di III-A RXD and Tamron 17-70mm f/2.8 Di III-A VC RXD. These lenses may come to X-mount in the future if the Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD sells well, but should they?

I primarily use Fujifilm and Sony cameras and when Tamron started releasing its light, affordable, compact lenses for E-mount I quickly dumped a lot of overpriced Sony glass for the Tamron equivalent at a fraction of the price and did not regret it in the least, even with an a7RIII. Now it looks like Tamron will bring their glass to X-mount in addition to E-mount, but is it as attractive to Fujifilm photographers?

Above I compared some similar lenses from Fujifilm, but the most similar lenses are f/4 zooms and not f/2.8. There is no direct head-to-head comparison to be made here, but it looks like Tamron lenses won’t be much smaller than Fujifilm’s equivalents according to camerasize.com, but they will likely be lighter and should be a little more affordable as you can see below.

Tamron 11-20mm f/2.8 Di III-A RXD $829 335g
Fujinon XF 8-16mm f/2.8 R LM WR $1999 805g
Fujinon XF 10-24mm f/4 R OIS WR $999 385g
Tamron 17-70mm f/2.8 Di III-A VC RXD $799 525g
Fujinon XF 16-80mm f/4 R OIS WR $799 440g
Fujinon XF 16-55mm f/2.8 R LM WR $1199 655g

If Tamron can maintain or even reduce its price point a little on Fujifilm cameras then I believe Tamron’s current APS-C zooms could sell quite well, but the price may not be enough for some to accept the more plastic feel Tamron lenses tend to have. I personally will be sticking with my Fujinon X glass even if these lenses come to X-mount, but the  Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD might be of interest if the performance is good enough.

Tamron did very well on E-mount because most of the full-frame lenses they released were half the price of Sony’s equivalents and they had an almost equivalent or better level of performance. The same can’t be said on X-mount when it comes to price so maybe Tamron will skip its current APS-C line and release some f/2 or faster zooms in the future to really stand out as they did on E-mount. Personally, I think that is their best move since Fujifilm has a very full and affordable lineup of glass for X-mount photographers. It would also be interesting if Tamron decided to take on the GFX in the future, but I think that is unlikely.

Tamron 18-300mm f/3.5-6.3 Di III-A VC VX D (Coming Soon):
B&H Photo / Amazon

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New Mitakon Zhongyi 35mm T1 Speedmaster Cine Lens


Mitakon Zhyongyi released a new super-fast cine lens the Mitakon Zhongyi 35mm T1 Speedmaster Cine which you can now order from B&H Photo.

Key Features
  • Covers Super35 Sensors
  • Ultrafast T1.0 Aperture
  • Suitable for 4K Image Capture
  • 9-Blade Iris for Smooth, Round Bokeh
  • Minimal Focus Breathing
  • 161° Focus Rotation, Precise Focus Marks
  • 77mm Filter Thread
  • Weighs 1.36 Pounds
  • Fuji X Mount

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7Artisans 50mm f/0.95 Coming Soon


7Artisans will announce a new 50mm f/0.95 APS-C/MFT mirrorless lens soon. If it is anything like the 7Artisans 35mm f/0.95 it will be a must-own lens.

Specs:

  • Available for Sony E, Fujifilm X, Nikon Z, Canon EOS M, Micro Four Thirds
  • Aperture: f/0.95-f/16
  • Minimum focus distance: 45mm
  • Filter diameter: 62mm
  • Length: 67.5mm
  • Weight: 416 grams
  • Price: around $200

First review (with English subtitles):

Sample photos can be found here

7Artisans 50mm f/0.95: B&H Photo / Amazon

via Photorumors

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Fujinon XF 70-300mm Shortages Begin to Ease

The Fujinon XF70-300mm f/4-5.6 has been difficult to obtain, but it is currently in stock at B&H Photo and Amazon so pick one up if you have been looking. They have been in stock for a few days now, but Amazon‘s stock has been slowly ticking down. The Fujinon XF70-300mm f/4-5.6 is one of my favorite lenses I have used this year with or without a teleconverter attached.

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ON1 NoNoise AI 2021 Released and Tested

Above is a photo I took a few years ago that I have hoped to reproduce a better version of in the future due to the image being relatively high noise and the Milky Way not being quite where I wanted it to be, but conditions are always changing in the Everglades and climate change is making it increasingly unlikely I will ever see much water in that location with clear skies again. That being said a good denoising product could greatly improve the usability of the image, but denoising has its limits.

With the release of ON1 NoNoise AI 2021, I decided to give improving the above image a shot, but so far in only the most rudimentary way possible. I decided to take my edited photo and drop it in ON1 NoNoise AI 2021 directly from Lightroom which gave me the below image. I’m not sure if you can see it but the image is significantly cleaner, but there are some funky mush artifacts in places along with parts of the image that the software seems to have not touched at all between the branches, but it would likely make a better small print than the above image and could be reworded to hide the flaws.
_DSF0078-TiffEdit by Louis Ferreira on 500px.com

That being said my next step was to open a RAW file in ON1 NoNoise AI 2021, which is what the program recommends. After denoising the image I exported to a photoshop file and imported it into Lightroom where I copied the edits from my previous image and then tweaked a few settings creating the below image. This time the whole image has been improved, but there are still mushy spots if you pixel peep in the water, but I think this could be used for a slightly larger print than the above image if I spend more time editing. It’s interesting that there was a pretty dramatic color shift from doing this that also added color to the portion of the Milky Way reflecting in the water. This seems like the best approach for editing, but it’s very hard to judge the final results if you’re pushing the RAW file exposure up a stop or more.
_DSF0078RawEdit by Louis Ferreira on 500px.com

I didn’t want to make these test images about processing skills or photoshop skills so I did very little to tweak the final product, but I personally feel like this could be used to save lower noise images with minimal effort. It looks like pushing your equipment and camera to the extreme will still take a decent amount of editing work to get the best results and I would love to try other Denoising products on the above image to find the best, but my selection of denoising software is limited at this time. If you want to look at larger copies of the above I created a gallery here on 500px.

ON1 NoNoise AI 2021 is not perfect and it isn’t a one-click solution for the above type of image, but I’m intrigued by the possibilities and will be searching for noisy properly exposed images to test ON1 NoNoise with in the future. If you have any that you would like me to try and will allow me to share the results feel free to contact me with your file, a general statement that I can share the image, and that you own all the rights to the image.

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