Fujifilm X-H2, Fujinon XF56mm f1.2 MKII, and Fujinon GF20-35mm f/4 Launch Coverage


Fujifilm X-H2:
B&H Photo / Amazon / Moment / Adorama
Fujinon XF56mm f1.2 MKII:
B&H Photo / Amazon / Moment / Adorama
Fujinon GF20-35mm f/4:
B&H Photo / Amazon / Moment / Adorama

Official
Fujifilm X-H2: Press Release / Product Page / Samples
Fujinon XF56mmF1.2II: Press Release / Product Page / Samples
Fujinon GF20-35mmF4: Press Release / Product Page / Samples

Post Show

Fujifilm X-H2 – Reviews/Hands-on/etc..

XF56mmF1.2 II

GF20-35mm f/4

Video Coverage Read More »

Posted in Fujifilm X-H2| Tagged , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Live Blog: Fujifilm X Summit NYC 2022 Starts Now!

Fujifilm X-H2: B&H Photo / Amazon / Adorama
Fujinon XF56mm f1.2 MKII: B&H Photo / Amazon / Adorama
Fujinon GF20-35mm f/4: B&H Photo / Amazon / Adorama

We expect the Fujifilm X-H2 to be announced today along with Fujinon XF56mm f/1.2 R WR II, Fujinon GF20-35mm f/4 R WR, and more. Join us for the live blog below or catch up below:

  • Fujifilm X-H2S and XF150-600mm production volume increasing

  • X-H2 40MP sensor has the highest pixel pitch of any camera
  • 8k video recording, thanks to all the pixels
  • Can print 8×6 meters
  • If you need more detail, get a GFX
  • 300-inch projection of 8k video lets you almost fill a 200-seat movie theater screen with cinema-quality video

  • Pixel shift can do 40×4 or 160MP ultra high-resolution files
  • Great for archival quality
  • Base ISO 125
  • 1/180000th of a second electronic shutter
  • Same platform as the X-H2S
  • XF150-600mm and XF18-120mm round out the 5th generation x cameras with the best image quality you can get
  • Fujifilm has been getting ready for the 40MP sensor since 2021 so lenses like the XF18mm f/1.4 and XF33mm f/1.4 also perform great
  • XF56mm f/1.2 Mark II announced
  • This lens has to be sharp with great bokeh
  • Minimal focus distance of 50cm
  • GFX grant program started this year (we covered it)
  • Lots of people applied to the grant program so they have a second planned
  • Applications start today and end Nov 30th so take time to think about your project
  • Fujinon GF20-35mm f/4 R WR Announced
  • This lens will give you lots of detail
  • The weight is only 725g
  • XH2 end of Sept for 1999
  • XF56 $99 at the end of Sept
  • GF20-35mm at end of sept $2,499
Posted in Fuji Event| Tagged , , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment

Meyer-Optik Gorlitz Biotar 58mm f/1.5 II Announced


The Meyer-Optik Gorlitz Biotar 58mm f/1.5 II  was just announced for X-mount, and you can get one from B&H Photo.

Focal Length & Aperture:58mm / f1.5 – f16
Image circle diameter:44mm
angle of view:41°
Aperture blades:14
Filter diameter:52mm
Minimum object distance:0.7m
Weight:405g – 445g
Housing:Aluminum / natural anodized
Rangefinder coupling (Leica):no (LiveView required)

Meyer Optik Görlitz – Biotar 58 f1.5 II available
Bad Kreuznach, Germany – September 07th, 2022 – Meyer Optik Görlitz releases the Biotar 58 f1.5 II, the long-awaited new edition of the world famous lens and adds another unique imaging style to its existing portfolio, of high quality character lenses. The Biotar 58 II is available now and can be purchased directly from the manufacturer & from well-stocked photo retailers.

“After several delays simply due to the current unforeseeable circumstances, we are extremely pleased to welcome this very exciting lens to our family and introduce it to the public,” says Timo Heinze, Managing Director Meyer Optik / OPC Optics. “Even though the Biotar is not a classic Meyer lens, it fits perfectly into our portfolio of creative tools, with unique characteristics. Nevertheless, to honor its foreign origin, we decided to manufacture it with a Biotar-exclusive coloring.”

About Biotar 58
Originally, the Biotar 58, among other focal lengths and versions, was designed by the ingenious optical designer Willi Merté. After its launch in the mid-1930s, it was offered for about 25 years, making it the longest and best-selling Biotar in that series to date. The new version of that extremely popular, highly versatile lens also delivers its incomparable charm and comes up with excellent imaging characteristics as the Biotar 58 f1.5 II. With the help of the Görlitz-based designer, Dr.-Ing. Wolf-Dieter Prenzel, the new edition of the Biotar 58 has been significantly improved in terms of light intensity, image sharpness and contrast behavior, and the wonderful characteristics of the original Biotar 58 have been transferred to the new version of this classic lens.

What makes the Biotar 58 f1.5 II stand out?
Biotars have always been appreciated for their wonderful bokeh options, a creamy image look, particularly harmonious focus gradients and good sharpness performance. In the out-of-focus area, with the right setting, a swirl of light circles can be created (also called ‘Swirly-Bokeh’), which particularly emphasizes the focused main subject. The captured light points near the center of the image appear circular and take on a more elliptical shape toward the edge of the image (also called ‘cat eyes’). The Biotar 58 f1.5 II is already characterized by high image sharpness at open aperture and at the same time delivers the beautiful effects in the out-of-focus area of the image. It also impresses in difficult lighting situations – the Biotar 58 II produces little to no color fringing even in strong backlighting and with an open aperture, and still achieves excellent results even in low light situations thanks to its speed. The targeted use of the effects, the many design options and the high sharpness make the Biotar 58 II the perfect choice for many different genres of photography and videography.

The fastest and sharpest Biotar 58 ever
In the course of redesigning the Biotar 58 and optimizing its optical system, the initial aperture of the lens has been increased from the original f2 to f1.5. There has never been a faster Biotar 58 and at the same time the Biotar 58 f1.5 II now represents the ‘fastest’ lens in Meyer Optik Görlitz’s portfolio. In addition to the higher speed, the Biotar 58 II, through various optimizations of the optical system, achieves a sharpness that its predecessors could not reach. This high sharpness or extreme resolution is a particularly noteworthy advantage for close-up and portrait photography.

Well-proven mechanical design and optimized aperture
For the Biotar 58 f1.5 II, the proven mechanics of the previous new editions were used and the individual optical elements were thus combined in a well-proven, highly precise and durable mechanical system. Compared to the original Biotar 58 lenses, 14 steel blades now form the stepless & silently adjustable aperture of the new edition. The circular aperture is particularly noticeable in the bokeh of the image and draws more harmonious points of light than its historical predecessors. All mechanics were, as with all Meyer Optik Görlitz lenses, sourced from renowned German precision mechanics manufacturers and were produced to the highest quality. The aluminum- / natural-colored anodizing used for the Biotars is intended to represent a connection to the historical origin and offers an excellent feel as well as a precious appearance at the same time.

Sample photos:

via Photorumors

Posted in 3rd Party Lens| Tagged , , | 2 Comments

Fujinon XF56mm f/1.2 R WR Specs Leaked Plus Additional Rumors Including XT5, X-H2, And More


Asobinet leaked the details of the XF56mm f/1.2 R WR Version 2 and published a list of all upcoming rumors which are translated below:

XF56mmF1.2 R WR
Lens construction: 13 elements in 8 groups (2 aspherical lenses, 1 ED lens)
Shortest shooting distance: 50cm
Maximum magnification: 0.14x
Number of aperture blades: 11 (circular aperture)
Filter diameter: 67mm
size : φ79.4 x 76mm
Weight : 445g

X-H2

  • X-H2 spec sheet ( Google drive )
  • It will be announced after the appearance of X-H2S
  • Cheaper than X-H2S, under $2500
  • 40-megapixel CMOS sensor
    , X-Trans CMOS 5 HR
    , not laminated
  • Base ISO lower than 160 (ISO 125)
  • 1/180000 second
  • 8K 30p
  • pixel shift multishot
  • Improved ISO sensitivity performance
  • The design other than the logo is exactly the same as the X-H2S
  • $1999

X-T5

  • 40-megapixel non-stacked CMOS sensor
  • Stacked CMOS sensor model will not appear
  • Base ISO lower than 160
  • no vertical grip
  • Not at X Summit in September
  • Within 2022

XF56mmF1.2 R WR

  • Lens construction: 13 elements in 8 groups (2 aspherical lenses, 1 ED lens)
  • Shortest shooting distance: 50cm
  • Maximum magnification: 0.14x
  • Number of aperture blades: 11 (circular aperture)
  • Filter diameter: 67mm
  • Size: φ79.4 x 76mm
  • Weight: 445g

GF20-35mmF4 R WR

  • Lens construction: 14 elements in 10 groups
    (3 aspherical lenses, 1 ED aspherical lens, 1 ED lens)
  • Shortest shooting distance: 35cm
  • Maximum magnification: 0.14x
  • Number of aperture blades: 9 (circular aperture)
  • Filter diameter: 82mm
  • Size: φ88.5 x 112.5mm
  • Weight: 725g

others

  • XF8mmF3.5: 2023
  • XF30mmF2.8 Macro: 2022
  • XF56mmF1.2 II: 2022
  • GF55mmF1.7: 2023
  • GF tilt-shift lens: 2023,
    30mmF4 ,
    21mmF4
  • tamron telephoto zoom lens

via asobinet

Posted in Fuji lenses, Fujifilm X-H2, Fujifilm X-T5| Tagged , , , , , , , , , , , , , , , , , , | 8 Comments

Fujifilm X-H2 Specs Leaked


Fujifilm X-H2 Specs

  • Number Of Effective Pixels 40.2 millions pixels
  • Image Sensor
    • 23.5mm x 15.6mm (APS-C) X-Trans CMOS 5 HR with primary color filter
  • Sensor Cleaning System
    • Ultra Sonic Vibration
  • Storage Media
    • SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 / CFexpress Type B Card (-2TB)
  • File Format (Still)
    • JPEG-Exif Ver.2.32, HEIF-4:2:2 10bit, RAW-14bit RAW (RAF original format), TIFF-8bit / 16bit RGB (In-camera Raw Conversion Only)
  • Number Of Recorded Pixels
    • L: (3:2) 7728 x 5152 (16:9) 7728 x 4344 (1:1) 5152 x 5152 M: (3:2) 5472 x 3648 (16:9) 5472 x 3080 (1:1) 3648 x 3648 S: (3:2) 3888 x 2592 (16:9) 3888 x 2184(1:1) 2592 x 2592
  • Lens Mount
    • Fujifilm X mount
  • Sensitivity Standard Output
    • Still: AUTO1/ AUTO2/ AUTO3/ ISO125-12800 (1/3 step) MOVIE: AUTO/ ISO125-12800 (1/3 step)
  • Sensitivity Extended Output
    • Still: ISO80/I SO100/ ISO25600/ ISO51200 MOVIE: ISO25600
  • Exposure Control
    • TTL 256-zone metering/ Multi/ Spot/Average/ Center Weighted
  • Exposure Mode
    • P (Program AE)/ A (Aperture Priority AE)/ S (Shutter Speed Priority AE)/ M (Manual Exposure)
  • Exposure Compensation
    • STILL: -5.0EV-+5.0EV (1/3EV step)/ MOVIE: -2.0EV-+2.0EV (1/3EV step)
  • Image Stabilizer Mechanism
    • Image sensor shift mechanism with 5-axis compensation
  • Image Stabilizer Compensation Effect
    • Up to 7.0 stops (based on CIPA standard). Pitch/yaw shake only, with XF35mm F1.4 R lens attached.
  • Digital Image Stabilization
    • Yes, movie mode only
  • Image Stabilizer Is Mode Boost
    • Yes, movie mode only
  • Shutter Type
    • Focal Plane Shutter
  • Shutter Speed
    • Mechanical Shutter: P mode: 4sec to 1/8000
    • A mode: 30sec to 1/8000
    • S/M mode: 15min to 1/8000
    • Bulb mode: up to 60min
    • Electronic Shutter: P mode: 4sec to 1/80000
    • A mode: 30sec to 1/80000
    • S/M mode: 15min to 1/80000
    • Bulb mode: 1sec Fixed
    • Electronic Front Curtain Shutter: P mode: 4sec to 1/8000
    • A mode: 30sec to 1/8000
    • S/M mode: 15min to 1/8000
    • Bulb mode: up to 60min
    • Mechanical + Electronic Shutter: P mode: 4sec to 1/80000
    • A mode: 30sec to 1/80000
    • S/M mode: 15min to 1/80000
    • Bulb mode: up to 60min
    • E-Front + Mechanical Shutter: P mode: 4sec to 1/8000
    • A mode: 30sec to 1/8000
    • S/M mode: 15min to 1/8000
    • Bulb mode: up to 60min
    • E-Front + Mechanical + Electronic Shutter: P mode: 4sec to 1/80000 A mode: 30sec to 1/80000
    • S/M mode: 15min to 1/80000
    • Bulb mode: 1sec Fixed
  • Shutter Speed Movie
    • 8K: 1/8000 to 1/24 6.2K: 1/8000 to 1/24
    • DCI 4K/4K: 1/8000 to 1/4 sec.
    • FHD: 1/8000 to 1/4 sec.
  • Synchronized Shutter Speed For Flash
    • Mechanical Shutter: 1/250sec. or slower
    • Electronic Shutter: 1/125sec. or slower
  • Continuous Shooting
    • Electronic Shutter Approx. 20fps (1.29x Crop)(JPEG: 1000+ frames,Compressed RAW: 1000+,Lossless Compressed RAW 1000+,Uncompressed RAW: 202 frames)
    • Electronic Shutter Approx. 13fps (1.29x Crop) (JPEG: 1000+ frames,Compressed RAW: 1000+,Lossless Compressed RAW 1000+,Uncompressed RAW: 1000+ frames)
    • Electronic Shutter Approx. 10fps (1.29x Crop) (JPEG: 1000+ frames,Compressed RAW: 1000+,Lossless Compressed RAW 1000+,Uncompressed RAW: 202 frames)
    • Mechanical Shutter Approx. 15fps (JPEG: 1000+ frames,Compressed RAW: 1000+ frames,Lossless Compressed RAW 1000+frames,Uncompressed RAW:400 frames)
    • Mechanical Shutter Approx. 10fps (JPEG:1000+ frames,Compressed RAW:1000+ frames,Lossless Compressed RAW 1000+frames,Uncompressed RAW:1000+frames)
    • Mechanical Shutter Approx. 7.0fps (JPEG: 1000+ frames,Compressed RAW: 1000+ frames, Lossless Compressed RAW 1000+frames,Uncompressed RAW: 1000+frames)
    • Electronic Shutter Approx. 20fps (1.29x Crop) (While half press 20 frames ,After full press 1000+ frames)
    • Electronic Shutter Approx. 13fps (1.29x Crop) (While half press 13 frames ,After full press 1000+ frames)
    • Electronic Shutter Approx. 10fps (1.29x Crop) (While half press 10 frames ,After full press 1000+ frames)
    • Electronic Shutter Approx. 13fps (While half press 13 frames ,After full press 1000+ frames)
  • AE Bracketing
    • AE Bracketing (Frames: 2, 3, 5, 7, 9 Step: by 1/3EV step, up to +/-3EV steps)
    • Film simulation bracketing (Any 3 types of film simulation selectable)
    • Dynamic Range Bracketing (100%, 200%, 400%)
  • Focus Mode
    • Single AF/ Continuous AF/ MF
  • Focus Type
    • Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
  • Focus Low-Light Performance
    • Contrast: -4.0EV
    • Phase Detection: -7.0EV
  • AF Frame Selection
    • Single point AF: 13 x9/ 25 x17 (Changeable size of AF frame)
    • Zone AF: 3 x3/ 5 x5/ 7 x7 from 117 areas on 13 x9 grid
    • Wide/Tracking AF AF-S: Wide/ AF-C: Tracking
    • All
  • White Balance
    • Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY)/ Custom1 – 3/ Color temperature selection (2500K-10000K)/ Preset Daylight, Shade, Fluorescent Light-1, Fluorescent Light-2, Fluorescent Light-3, Incandescent Light, Underwater
  • Self-Timer
    • 10sec./2sec.
  • Interval Timer Shooting
    • Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)
  • Flash
    • EF-X8 Guide Number approx. 11 (ISO200m) / approx. 8 (ISO100m)
  • Flash Sync Mode
    • EF-X8: 1st Curtain/ 2nd Curtain
    • Shoe Mount Flash: 1st Curtain/ 2nd Curtain AUTO FP (HSS)
    • Synchronized terminal: 1st Curtain/ 2nd Curtain.
  • Flash Mode
    • TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / Off Shoe Mount Flash TTL (TTL AUTO) / STANDARD / SLOW SYNC. ) / MANUAL / MULTI
  • Hot Shoe
    • Yes (Dedicated TTL Flash compatible)
  • Viewfinder EVF
    • 0.5 inch approx. 5.76 million dots OLED Color Viewfinder
    • Coverage of viewing area vs. capturing area: approx. 100%
    • Eyepoint: approx. 24mm (from the Rear End of the camera’s Eyepiece) Diopter adjustment: -5-+3m-1
    • Magnification: 0.80 x with 50mm lens (35mm equivalent) at infinity and Diopter set to -1.0m-1
    • Diagonal angle of view: approx. 40 Degree (Horizontal angle of view: approx. 32 Degree ) Built-in eye sensor
  • LCD Monitor
    • 3.0 inch vari-angle Touch Screen Color LCD Monitor
    • Aspect Ratio 3:2
    • Resolution: Approx. 1.62 million dots
  • Touch Screen Shooting Mode
    • Shooting, AF, Focus Area, Off, Double Tap Setting (ON/Off), Touch
    • Function Setting (ON/Off), EVF Touch Screen Area Setting
  • Touch Screen Playback Mode
    • Swipe, Pinch-in / Pinch-out, Double-tap, Drag
  • Sub LCD Monitor
    • 1.28 (3.25cm) Monochrome LCD Monitor, Aspect Ratio 1:1, Dots 128×128-dot
  • File Format (Movie)
    • MOV/ Apple ProRes (422, HQ, LT)
    • Audio: Linear PCM/ Stereo Sound (24bit / 48KHz sampling)
    • HEVC/ H.265
    • Audio: Linear PCM / Stereo sound (24bit / 48KHz sampling)
    • MPEG-4, AVC/ H.264
    • Audio: Linear PCM / Stereo sound (24bit / 48KHz sampling)
    • MP4, MPEG-4, AVC/ H.264
    • Audio: AAC
  • Movie Compression
    • All Intra/Long-GOP
    • File Size/Frame Rate/Rec Time
    • 8K (16:9) – 7680 x4320 29.97p/ 25p/ 24p/ 23.98p
    • 720Mbps/ 360Mbps/ 200Mbps/ 100Mbps/ 50Mbps
    • 6.2K (16:9) – 6240 x3150 29.97p/ 25p/ 24p/ 23.98p
    • 720Mbps/ 360Mbps/ 200Mbps/ 100Mbps/ 50Mbps
    • DCI 4K (17:9) – 4096 x2160
    • 59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p
    • 720Mbps/ 360Mbps/ 200Mbps/100Mbps/50Mbps
    • 4K (16:9) – 3840 x2160
    • 59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p
    • 720Mbps/ 360Mbps/ 200Mbps/ 100Mbps/ 50Mbps
    • Full HD (17:9) -2048 x1080
    • 59.94p/50p/29.97p/25p/24p/23.98p
    • 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
    • Full HD (16:9) – 1920 x1080
    • 59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p
    • 720Mbps/ 360Mbps/ 200Mbps/ 100Mbps/ 50Mbps
    • Full HD High speed rec. (17:9) – 2048×108
    • 240p/200p/120p/100p
    • 720Mbps(rec)/360Mbps(rec)/200Mbps(rec)
    • FHD High speed rec. (16:9) – 1920×1080
    • 240p/200p/120p/100p
      720Mbps(rec)/360Mbps(rec)/200Mbps(rec)
  • Film Simulation Mode
    • 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
  • Clarity Setting
    • +/-5 steps
  • Monochromatic Color
    • Yes
  • Grain Effect
    • Roughness Strong, Weak, Off, Size Large, Small
  • Color Chrome Effect
    • Strong, Weak, Off
  • Color Chrome Blue
    • Strong, Weak, Off
  • Dynamic Range Setting
    • AUTO, 100%, 200%, 400%
    • ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more)
  • Dynamic Range Setting (Movie)
    • 100%, 200%, 400%
    • ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more)
  • Wireless Transmitter Standard
    • IEEE802.11a/b/g/n/ac (standard wireless protocol)
  • Wireless Transmitter Encryption
    • WEP/WPA/WPA2 mixed mode
  • Wireless Transmitter Access Mode
    • Infrastructure
  • Bluetooth Standard
    • Bluetooth Ver. 4.2 (Bluetooth low energy)
  • Bluetooth Operating Frequency
    • 2402 – 2480MHz
  • Terminal – Digital Interface
    • USB Type-C (USB3.2 Gen2x1)
  • Terminal – Hdmi Output
    • HDMI connector (Type A)
  • Terminal – Others
    • 3.5mm, stereo mini connector (Microphone), 3.5mm, stereo mini connector (Headphone), 2.5mm, Remote Release Connector, Hot shoe, Synchronized terminal
  • Power Supply
    • NP-W235 Li-ion battery (included)
  • Battery Life For Still Images
    • Economy Mode Approx. 720 frames, Normal Mode Approx. 580 frames
  • Actual Battery Life For Movie Capture
    • 8K Approx. 70min. (29.97p),4K Approx. 75min. (59.94p),Full HD Approx. 85min. (59.94p), Approx. 90min (120p)
  • Continuance Battery Life
    • For Movie Capture: 8K Approx. 100min. (29.97p),4K Approx. 120min. (59.94p),Full HD Approx. 140min. (59.94p)
  • Operating Temperature
    • -10 Degree C-40 Degree C
  • Operating Humidity
    • 10% – 80% (no condensation)
  • Starting Up Period
    • Approx. 0.49sec.
  • Battery Info
    • Required, included
  • Battery Material
    • Lithium ion
  • Battery Type
    • Non-universal
  • Battery Quantity
    • 1
  • Dimensions (W x H x D)
    • 136.3 x 92.9 x 84.6mm
    • Minimum Depth:42.8mm
  • Weight
    • 660g (Approx.) (Including battery and memory card)
    • 579g (Approx.) (Excluding battery and memory card)

via digicame-info

Posted in Fujifilm X-H2| Tagged , , , , , | 4 Comments

Fujinon GF20-35mmF4 R WR Specifications Leaked


The Fujinon GF20-35mmF4 R WR specs leaked.

  • GF20-35mmF4 R WR
    lens construction: 14 elements in 10 groups (3 aspherical lenses, 1 ED aspherical lens, 1 ED lens)
    Minimum shooting distance: 35cm
    Maximum magnification: 0.14x
    Number of aperture blades: 9 (circular Aperture)
    Filter diameter: 82mm
    Size: φ88.5 x 112.5mm
    Weight : 725g

via digicame-info

Posted in Fujifilm GFX, Fujifilm GFX 100, Fujifilm GFX 100 Megapixel, Fujifilm GFX 100S| Tagged , , , | 2 Comments