Godox AD800 Pro Announced


Godox AD800 Pro: B&H Photo / Amazon / Adorama

Meet the AD800Pro — an 800Ws battery-powered monolight built for location professionals. It delivers reliable main-light output even in direct sunlight, rapid recycle times and long battery life, and offers versatile wireless control plus TTL compatibility across major camera systems. Together, these features provide powerful, dependable performance for professionals in any environment.

Overpower the Sun
With 800 Ws of output, the AD800Pro delivers decisive main-light performance that overcomes bright sunlight. It yields up to 300 full-power flashes per charge and a fast recycle time of 0.01–1.5 s, keeping pace with demanding on-location shoots.

Precision Power Control
Power is adjustable across a 10-stop range (1/512–1/1) with 0.1-stop increments, enabling extremely fine exposure control. This level of precision makes the AD800Pro ideal for product and still-life work, layered multi-light setups, and any situation that demands subtle highlight and shadow placement.

Advanced Pro Modes
The AD800Pro includes pro-grade modes — Freeze, Stable Color-Temperature, HSS, Multi, and more — so photographers can reliably handle fast-action, product and color-critical work.

Freeze Mode: Ultra-short flash duration down to 1/35,710 s (t0.1) for razor-sharp captures of splashes, jumps and other fast motion.

Stable Color-Temperature Mode: Minimizes color drift as power changes (typical drift ≤ 100 K), ensuring consistent color across the output range.

Supports HSS (up to 1/8000s), Multi flash, and first- and second-curtain sync—covering everything from bright outdoor portraits to motion trails and creative strobe effects.

Triggering Versatility
Built around Godox’s 2.4 GHz X wireless system, the AD800Pro delivers robust, long-range wireless control — including one-tap pairing with X3Pro/X3 and full compatibility with other X-series transmitters. It also supports wired sync via a 3.5 mm PC jack and external 433 MHz receivers via USB-C, giving photographers multiple reliable triggering options for on-location and remote shoots.

Flexible Power Solutions
To keep you shooting without compromise, the AD800Pro supports multiple power options. The optional AC26 adapter enables direct AC operation for continuous power, while the optional UC-46 fast charger reduces battery charging time to about 1.5 hours.

Creative Accessory Ecosystem
Native Bowens Mount — Compatible with a wide range of light-shaping tools (softboxes, beauty dishes, grids, snoots, etc.), giving photographers instant access to an extensive professional modifier system.

Optional Extension Head (H600P) — Featuring a 2m cable, the H600P allows flexible light placement and lightweight handheld or boom-mounted setups.

Smart Tools, Effortless Control
HD Color Screen

40W Bi-color Modeling Lamp

16 Color Group Indicators

800Ws300 Full-Power Flashes1/35710s Flash Duration
0.01-1.5s Recyling1/512 Fine Power Control40 W Bi-Color Lamp

Technical Data

ModelAD800Pro
Wireless Receiver Unit ModeWireless Mode

(compatible with Canon E-TTL II, Nikon i-TTL, Sony, OM SYSTEM, Panasonic, Fujifilm, Leica, Pentax)

Flash ModeWireless off: M/Multi
Wireless receiver mode: TTL/M/Multi
Guide No. (1/1 step)110 (IS0 100, in meters, with efficient reflector)
Flash Duration (t=0.1)Normal: 1/350s ~ 1/11400s
Color: 1/350s ~ 1/9220s
Freeze: 1/5020s ~ 1/35710s
Power (1/1 step)800Ws
Power Output10 steps:1/512 ~ 1/1 (with 0.1 increment each step) Note: 9 steps in CCT mode.
Stroboscopic FlashProvided (up to 100 times, 100Hz)
Sync ModeHigh-speed sync (up to 1/8000 seconds), first-curtain sync, and second-curtain sync
Delay Flash0.01~30s
Mask
Fan
Beep
Flash Duration Indication
DisplayColor screen
Modeling Lamp
Max.Input Power40W
Brightness Range10%-100%
CRIAverage≈97
TLCIAverage≈98
CCT2800K-6000K
Wireless Flash (2.4G transmission)
Wireless FunctionReceiver, Off
Controllable Receiver Groups16: 0-9, A-F
Transmission RangeApprox.100m
Channels32:1-32
ID01-99/OFF
Power Supply
Power SupplyLithium battery (28.8V/2900mAh)
Full Power FlashesApprox.300
Recycle TimeQuickest approx. 0.01s ~ 1.5s
Battery Level Indicator
Power SavingAuto off function is available in menu settings (30min to 120min of idle use)
Sync Triggering Mode3.5mm sync cord
Flash Tube Color Temperature5800±200K
Dimensions and Weights
Dimension (with battery, flash tube and reflector)≈4.96″*6.1″*13.5″
Net Weight (with battery, flash tube and reflector)≈3.7kg /  8.16lb

 

Posted in Accessories, Fuji flashes| Tagged , , | 5 Comments

7Artisans AF 25mm/35mm/50mm f/1.8 APS-C LITE Lenses Now Available For Pre-Order


7Artisans has 3 new LITE series autofocus lenses for X-mount that came out last month for E-mount. These lenses are designed to be affordable and compact.

Posted in 3rd Party Lens| Tagged , , , | 22 Comments

Fujinon 51mm f/1.45, 54mm f/1.48, 56mm f/1.25, and 74mm f/1.46 Patent Found

Patent P2026011068: Are These Full Frame Lenses or Something Else?

A new patent application (P2026011068) has surfaced, revealing optical formulas for four incredibly fast prime lenses. While the focal lengths and apertures are exciting on paper, the calculated image circle raises some serious questions about what system these are actually designed for.

The Embodiments

The patent describes the following optical designs:

  • 51mm f/1.45
  • 54mm f/1.48
  • 56mm f/1.25
  • 74mm f/1.46

Analysis: The Full Frame “No Man’s Land”

The critical detail here is the image height. Based on the optical data, these lenses appear to cast an image circle consistent with a standard 35mm Full Frame sensor (approx. 43mm diagonal). This places them in a strange position for Fujifilm:

  • Too large for X-Mount: APS-C only requires a ~28mm diagonal.
  • Too small for GFX: Medium Format requires a ~55mm diagonal.
  • Too small for a True XPan (TX-1): A true panoramic 65x24mm frame requires a ~70mm diagonal.

The TX-3 Connection

Back in July, we discussed the possibility of a Digital TX-3 in our patent round-up. In that post, we analyzed patents for lenses covering a 50mm image circle—larger than Full Frame, but still shy of the original XPan’s massive 70mm requirement. At the time, we speculated that Fujifilm might be targeting a “crop-sensor” medium format concept for the TX-3.

However, the lenses in this new patent (P2026011068) seem to cover an even smaller circle (~43mm) than the ones we looked at last year. This leads to two potential theories:

  1. The “Digital TX-3” is just Full Frame: If Fujifilm decides to use a standard 36x24mm sensor for a TX-3 successor and rely on a 65:24 crop mode, these lenses would work perfectly. It would be a compact solution, but it would lack the resolution and field-of-view advantages of the larger sensor designs we saw previously.
  2. Cinema or Industrial Use: As we have seen before, Fujifilm often patents Full Frame optics for their cinema division (Premista) or industrial applications, which never make it to X or G mount cameras.

If these are indeed for a consumer camera, they suggest a shift towards standard Full Frame optics—something Fujifilm has historically avoided. Are we looking at a fixed-lens Full Frame camera akin to the Leica Q, or is the dream of a medium-format style TX-3 shrinking?

Let us know your thoughts in the comments.

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Posted in Fuji patents| Tagged | 14 Comments

ePhotozine: Fujifilm X-E5 Review – Almost Perfect


Fujifilm X-E5: B&H Photo / Amazon (Black : Silver) / Moment / Adorama
Fujinon XF23mm f/2.8 R WR: B&H Photo / Amazon / Moment / Adorama

Fujifilm has a great lineup of cameras at the moment, and the X-E5 is an exceptional compact value with only one weakness, according to ePhotozines. You can read the full review here, or you can check out the pro/cons below:

Pros

  • Excellent image quality
  • Light and compact
  • Image Stabilisation
  • Weather resistance
  • Film simulation options
  • Subject detection options
  • Competitive price
  • Fantastic high quality lens range

Cons

  • Cold operation only down to 0C

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Posted in Fujifilm X-E5| Tagged , , , , , | 9 Comments

Fujifilm 2026 New Year Greeting With Fujifilm X Summit Announcement

Fujifilm releases its 2026 New Year greeting, which you can watch above, or you can read the summary of the above video below.

  • Last year, Fujifilm introduced 5 cameras and 3 lenses
  • GFX100RF in March, X Half in May, X-E5 w XF23mmf/2.8 in June, GFX Eterna 55 w GF32-90mm in September, and X-T30III w XC13-33mm in October
  • Fujifilm launched cameras with 1-inch to medium format, expanding Fujifilm’s selection
  • 2026 Marks 200 years since Joseph Nicephore Niepce of France invented photography
  • GFX Grant Program 2024 Update: In December, Fujifilm moved the display from Fujifilm Square in Roppongi, Tokyo, to Fujifilm Photo Salon Osaka.
  • There are plans to hold the exhibit in other countries, too
  • GFX Grant Program 2025 Update: The program has been running for 5 years now, and there was tremendous interest with 2,800 applications, but Fujifilm has picked its winners.
  • Fujifilm X Summit is where new products and features are announced, and there are now over 40 lenses for X mount today, along with many untold stories, which is why Fujifilm is happy to announce the theme of the next X Summit is focus on Glass Untold Stories
  • Focus on Glass Untold Stories will happen on March 5th, 2026, at 1 PM GMT (8 AM EST)
  • At the event, Fujifilm will focus on the Philosophy of X-mount lenses, the distinctive features of X-mount lenses, New lens ideas that we want to bring to life, and more.
  • Fujifilm will talk about lenses that aren’t under development, but that could be, and they will host a vote for what you would like to see during the talk, so make sure you join us for the event live so that you can vote.

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Posted in Press releases| Tagged , , , | 32 Comments

Multiple Chinese Manufacturers Are Now Working On Autofocus Lenses For GFX

AI Generated Image of Laowa 200mm f/2.0 on GFX

AI Generated Image of Laowa 200mm f/2.0 on GFX

We know that one Chinese lens company has been working on AF lenses for the GFX for some time now, which ended up being the Laowa 200mm f/2.0, and it still hasn’t been released for GFX yet. Now it looks like there might be two more Chinese lens companies working on Autofocus lenses for the GFX, according to weibo.

Big news! The first GFX autofocus lens from a domestic optical brand is on its way! Even Mr. Ma was surprised after reviewing the information. He knew there were two other companies making Fujifilm GFX autofocus lenses, but it turns out there’s another expert who has overtaken them and is about to release one. #PhotographyEquipment #FujifilmDigitalCamera” – weibo

It sounds to me like the lens coming is one that beat Laowa to market because of how the post is written, but the lens coming could also be the Laowa 200mm f/2.0, since translation can be a little off.

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Fujifilm X-E Owners Group
Fujifilm X-A Owners Group
Fujifilm X100 Owners Group

Posted in 3rd Party Lens, Fujifilm GFX, Fujifilm GFX 100, Fujifilm GFX 100 Megapixel, Fujifilm GFX 100S| Tagged , , , , , , , , | 35 Comments