TTL Flash Pass-Through – Important?



There are many types of flash triggers available with a variety of capabilities and price ranges. A good overview is at: http://dpanswers.com/content/radio_flash.php#ttlpt. That article mentions TTL Pass-through, among other topics, and often I get questions about this such as: “Is TTL pass-through important?” As is usually the case, the correct answer requires a lot more detail. To start, let’s define ‘advanced TTL’ to mean Camera controlled flash functions including TTL, HSS/AutoFP, exposure values, lens focal length, focus beam, and other information sent from camera to flash via digital signals.

Passing these ‘advanced TTL’ signals directly to the on-camera flash via the camera mounted trigger is referred to as ‘TTL pass-through’. This usually means the camera shoe signals are blindly passed from camera, through the trigger, to the flash. Unfortunately, for the photographer, TTL pass-through doesn’t do anything to provide ‘advanced TTL’ to the slaves, which is a significant omission since that is exactly what triggers are used for: controlling slaves! Yet, this doesn’t mean such devices are not capable. It simply means you should not expect TTL Off-Camera at the slaves.

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Fujifilm GFX 50S Update

The New Moon last night was perfect for shooting the Milky Way with the Fujifilm GFX 50S. I will publish my photos shortly on 500px in my astrophotography album. When the files are uploaded I will post a link in our Fujifilm GFX Owners Group too. The GFX is superb for astro work, but I want to try some adapted glass for this in the future.

The Last Word – Sony Zeiss 55mm F1.8 Sonnar T FE ZA on a7RII & Fujinon GF 63mm F2.8 R WR on GFX 50S

The Last Word – Lightroom sharpening of Fujifilm GFX-50S/63mm images

Fujifilm GFX 50S impressions

https://www.youtube.com/watch?v=2Kmz7xFPRKE

Fujifilm GFX 50S Jakarta launch event.

Join our Fujifilm GFX Owners Group and join in the discussion, also follow the Fujifilm GFX Page to get more tailored news on Facebook and join Fujiaddict on Facebook and Twitter.

Fujifilm GFX 50S: B&H Photo / Amazon / Adorama

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Fujinon XF 18-135mm F3.5-5.6 R LM OIS WR Delivery Notice


Fujinon lens XF 18-135 mm F 3.5-5.6 R LM OIS WR” Delivery notice”

Dear customers,

Thank you for your continued patronage of Fujifilm products.

“Fujinon lens XF 18-135 mm F 3.5-5.6 R LM OIS WR” has influence on the production quantity due to lack of procurement of some parts, so we received a number of days for delivering the item you ordered We do.
I am sorry really for causing inconvenience to our customers. We are working diligently to produce, and this situation is expected to be resolved by around the summer this year.

Thank you for your understanding.

Via Fujifilm.jp

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Fujifilm X Magazine 19: Hands on With The GFX 50S


Fujifilm Magazine number 19 came out today with some coverage of the Fujifilm GFX 50S. Don’t forget you can download it to your iPad or iPhone via the iOS Fujifilm X Magazine app for an optimal experience. You can also find back issues in the app or here.

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Fuji Guys Fujifilm Instax Mini 9 Unboxing and First Look

The Fuji Guys unbox and explain the new Fujifilm Instax Mini 9

  • New Selfie Mirror
  • New Macro Lens adapter for close-ups – 35cm to 50cm
  • Automatic exposure measurement. The camera signals the recommended aperture setting with a flashing LED. This helps capture the perfect photo every time.
  • High-Key mode – Take brighter pictures with a soft look – perfect for portraits.
  • 2 – AA Batteries

Fujifilm Instax Mini 9 Instant Camera
Cobalt Blue: Amazon
Ice Blue: Amazon
Flamingo Pink: Amazon
Smokey White: Amazon
Lime Green: Amazon
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Fujifilm GFX 50S: Four Sensors in One? and an Interview With Dan Bracaglia of DPReview: UPDATED!


image courtesy of Meshmag

Mesh Mag might have figured out how Sony is producing medium format sensors affordably for cameras like the Fujifilm GFX 50S and Hasselblad X1D. It looks like Sony is merging 4 smaller sensors together to make one large sensor. I wonder what the limitations of this technology are because we could see some affordable huge sensors in the near future.

This could also explain some of the properties of this class of medium format sensors, like how sensor readout speed is prioritized and limited at times. It could also be what prevents the sensor from outputting a 4k video. I wonder if we will ever find out what four sensors were merged to make the excellent GFX sensor (They are just about m43 sized). You can read Mesh Mag’s translated write up here. I will try to reproduce their results in the near future and report my findings.

I ran the test myself and it seems my sensor doesn’t really show the 4 parts of the sensor until running the test for 16 minutes. The 8 minute test is barely visible even at 100% and if you use long exposure noise reduction the frame becomes very clean with +5EV and +100 White in Lightroom. All of these images are flat black when first imported. It appears that the biggest advantage of using long exposure noise reduction comes from when you need to adjust exposure after the fact.

I want to apologize for placing so many FujiAddict watermarks on the image, but a site that doesn’t have a GFX has been copying my posts. It seems not all GFX sensors are created equally. I am curious if there are any cameras out there that can go longer than 16 minutes without showing the parts of the sensor.

Interview with Dan Bracaglia from DPReview about the GFX. Apparently their review will be done sometime next week.

Join our Fujifilm GFX Owners Group and join in the discussion, also follow the Fujifilm GFX Page to get more tailored news on Facebook and join Fujiaddict on Facebook and Twitter.

Fujifilm GFX 50S: B&H Photo / Amazon / Adorama
Hasselblad X1D-50c: B&H Photo / Adorama

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