
A few weeks ago, I wrote about a development in the world of JPEG engines that made me think of the possibilities a good in camera development system could provide. Today, after shooting a local St. Patrick’s Day celebration, I have ACROS burned in to my head. I have always been a RAW shooter, but with my Fuji cameras, I usually shoot RAW+JPEG to see how their engine interpreted a scene.
I’m still getting the hang of the X-Pro 2, but using the EVF and looking at ACROS through the EVF for several hours made me consider an interesting possibility. The overwhelmingly positive response to ACROS might one day lead to a monochrome X-Pro type camera with an ACROS tonal signature. Read More




